ewomiru
An app that keeps public-domain paintings playing on your TV. Last updated 2026-10-23
Install on a TV
ewomiru is not on any app store. You install the APK (the app file) directly on Google TV, Android TV or Fire TV. The current version is 1.2.0. No TV? You can watch the web version in a browser.
Google TV / Android TV
- Settings → System → About: select “Android TV OS build” seven times in a row (this turns on Developer options)
- Install “Downloader” (by AFTVnews) from the Google Play Store
- Settings → Apps → Security & restrictions → Unknown sources: allow Downloader
- Open Downloader, enter the code 3392784 (or
ewomiru.yamashitataihei.org/tv) and press “Go”. When the file has downloaded, choose “Install”
Fire TV
- Settings → My Fire TV → About: select the device name seven times in a row (Developer options appear)
- Install “Downloader” from the Amazon Appstore
- Settings → My Fire TV → Developer options → Install unknown apps (or Apps from Unknown Sources): turn Downloader on
- Open Downloader, enter the code 3392784 (or
ewomiru.yamashitataihei.org/tv) and press “Go”. When the file has downloaded, choose “Install”
iPhone, iPad and Apple TV
There is no app for iPhone, iPad or Apple TV. Open the web version in Safari. To watch on a TV, keep the web version open and use “Screen Mirroring” in Control Center to show it on an Apple TV or an AirPlay-compatible TV.
Menu names vary a little by model and OS version. When a new version comes out, a short notice appears in the top-right corner of the app; install it again the same way to update (your settings and history are kept). To download from a computer or phone: https://ewomiru.yamashitataihei.org/ewomiru.apk.
Privacy Policy
ewomiru (“the app”) does not collect personal information. It has no accounts, no advertising, no analytics and no tracking.
Network
The app downloads paintings, music and the list of works from Cloudflare R2, a content delivery service of Cloudflare, Inc. As with any internet connection, information such as your IP address reaches Cloudflare, and is handled under Cloudflare’s Privacy Policy. The operator does not use it to identify users.
If you choose “Radio” in the settings, the app connects directly to the streams of the radio stations listed below. Information such as your IP address then reaches that station (and its streaming provider), and is handled under the station’s own policy.
Stored only on your device
- The history of works shown (so the same painting does not repeat)
- Whether the first-run notice has been shown
- Your settings (how paintings and music flow, and the language)
- The downloaded list of works and images (so the app keeps working offline)
None of this leaves your device, and it is removed when you uninstall the app.
About once a day, the TV app downloads a small version file (version.json) from the same service to see whether a new version is available. Nothing beyond an ordinary request is sent.
Children
The app collects no information from anyone, of any age.
Changes
Any change to this policy will be posted on this page.
Operator and contact
Operator: 山下泰平
Contact: [email protected]
Credits
Paintings (2,556)
All works are out of copyright. Each museum publishes the images as public domain or for free use. The app resizes them to 1920px on the long side and converts them to WebP.
| Source | Terms | Works |
|---|---|---|
| The Metropolitan Museum of Art | Open Access (CC0) | 531 |
| The Cleveland Museum of Art | Open Access (CC0) | 527 |
| Art Institute of Chicago | CC0 | 473 |
| National Gallery of Art | NGA Images (images of public-domain works are free to use) | 392 |
| Smithsonian National Museum of Asian Art | Smithsonian Open Access (CC0) | 150 |
| National Museum of Korea (e-museum) | KOGL Type 1 (attribution); credited on each work | 135 |
| ColBase | Public Data License of the Government of Japan 2.0 (compatible with CC BY 4.0); credit required | 116 |
| Rijksmuseum | Public domain (some CC BY 4.0; credited on those works) | 102 |
| Wien Museum | CC0 (some CC BY 4.0; credited on those works) | 65 |
| SMK – Statens Museum for Kunst | Public Domain Mark | 65 |
Works from ColBase are credited “出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成” (Source: ColBase, the integrated collections database of the National Institutes for Cultural Heritage, modified). The app shows this credit, in Japanese, alongside those works.
Music (28 recordings)
Recordings published on Wikimedia Commons as public domain or CC0. Loudness has been evened out and they are converted to AAC.
- Dies.irae — Membeth (PD-self, Self-published work)
- Domenico Scarlatti Sonata K10 — FrancoisCouperin (CC-Zero, Self-published work)
- Enrico Caruso, George Frideric Handel, Ombra mai fu (Serse) — Enrico Caruso (1873–1921) George Frideric Handel (1685–1759) (PD-user)
- Erik Satie - gymnopedies - la 1 ere. lent et douloureux — Robin Alciatore (PD-author)
- François Couperin "L'Art de toucher le Clavecin" — FrancoisCouperin (CC-Zero, Self-published work)
- Gnossienne 2 (Satie) — Composer: Erik Satie Performer: La Pianista (Self-published work)
- Gnossienne 3 (Satie) — Composer: Erik Satie Performer: La Pianista (Self-published work)
- Gnossienne 4 (Satie) — Composer: Erik Satie Performer: La Pianista (Self-published work)
- Gnossienne 5 (Satie) — Composer: Erik Satie Performer: La Pianista (Self-published work)
- Gnossienne 6 (Satie) — Composer: Erik Satie Performer: La Pianista (Self-published work)
- Gymnopedie No. 1. — Teknopazzo (CC-Zero)
- Gymnopédie no.3 — Teknopazzo (CC-Zero)
- Handel - Suite Vol.1 No. 2 in F major HWV 427 - 1. Adagio — (See Musopen for author information) (Musopen)
- Handel - Suite Vol.1 No. 2 in F major HWV 427 - 2. Allegro — (See Musopen for author information) (Musopen, PD-author)
- Handel - Suite Vol.1 No. 2 in F major HWV 427 - 3. Adagio — Composer: Georg Friedrich Händel (See Musopen for author information) (Musopen)
- Handel - Suite Vol.1 No. 2 in F major HWV 427 - 4. Allegro — Composer: Georg Friedrich Händel , See Musopen for author information (Musopen, PD-author)
- Haydn - The Creation (Dalal) - 11 Awake the harp — St Matthew's Choir; Phiroz Dalal, conductor; Dawn Slaughter, director; Ron Keefe, technician (PD-author)
- Haydn - The Creation (Dalal) - 13 In splendour bright — St Matthew's Choir; Phiroz Dalal, conductor; Dawn Slaughter, director; Ron Keefe, technician (PD-author)
- Haydn - The Creation (Dalal) - 14 The heavens are telling — St Matthew's Choir; Phiroz Dalal, conductor; Dawn Slaughter, director; Ron Keefe, technician (PD-author)
- Haydn - The Creation (Dalal) - 16 On mighty pens — St Matthew's Choir; Phiroz Dalal, conductor; Dawn Slaughter, director; Ron Keefe, technician (PD-author)
- Haydn - The Creation (Dalal) - 17 And God created great whales — St Matthew's Choir; Phiroz Dalal, conductor; Dawn Slaughter, director; Ron Keefe, technician (PD-author)
- Improperia — Membeth (PD-self, Self-published work)
- Jaan Patterson - 05 - Gnossiennes No1 ric Alfred Leslie Satie — Jaan Patterson (CC-Zero)
- Ostersequenz — Membeth (PD-self, Self-published work)
- Satie Gymnopedie No 1 performed by Michael Laucke — Mlaucke (Self-published work)
- Satie Gymnopedie No 2 performed by Michael Laucke — Mlaucke (Self-published work)
- Satie Gymnopedie No 3 performed by Michael Laucke — Mlaucke (Self-published work)
- Veni.sancte.spiritus — Membeth (PD-self, Self-published work)
Radio stations (14)
If you choose “Radio” in the settings, the app plays one of these stations straight from the stream URL the station publishes. A station is picked at random and changes every 30 minutes. Rights to programmes and music belong to each station and the rights holders. The web version plays only the stations a browser can play.
- Radio Swiss Jazz (Switzerland)
- Radio Swiss Classic (Switzerland)
- Radio Paradise（Global Mix） (United States)
- AIR Raagam（All India Radio） (India)
- Fine Music Radio (South Africa)
- Venice Classic Radio (Italy)
- Concertzender（Gregoriaans） (Netherlands)
- ABC Classic (Australia)
- WFMU（Give the Drummer Radio） (United States)
- KEXP (United States)
- dublab (United States)
- NTS（Infinite Mixtapes） (United Kingdom)
- Linn Radio（Classical） (United Kingdom)
- TRT Türkü (Türkiye)
List of works
The works in the app. Titles link to each museum’s page for the work. Titles and artists are given as the museum records them.
Court and temple (156)
- 清水寺縁起絵巻 巻下 — 土佐光信筆, 室町時代・永正14年(1517)
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Dragon and Tiger — Sesson Shūkei, c. 1546–56, Japan, Muromachi period (1392–1573) to Momoyama period (1573–1615)
- Coxcombs, maize and morning-glories — 1568-1615, Momoyama period
- 洛中洛外図屏風（模本） — 中村三之丞他模, 江戸時代・17世紀、原本：室町時代・16世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Swift Bull from the Ten Swift Bulls — late 1200s–early 1300s, Japan, Kamakura period (1185–1333)
- Landscape — Sōami, early 1500s, Japan, Muromachi period (1392–1573)
- 平治物語絵巻 六波羅行幸巻 — 鎌倉時代・13世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 四季花鳥図屏風 — 芸愛, 室町時代
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Susuki Grass — c. 1525, Japan, Muromachi period (1392–1573)
- Susuki Grass — c. 1525, Japan, Muromachi period (1392–1573)
- 仏画稿本 — 鎌倉時代・13世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Hōtei Pointing to the Moon — Shinno Noami, 15th century, Muromachi period (1392–1573)
- 鳥獣戯画断簡 — 平安時代・12世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 十二類絵巻写 — 江戸時代
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Portrait of Shun'oku Myōha — ca. 1383, Nanbokuchō period (1336–92)
- Damaged fragment of screen — Attributed to Kano Masanobu (1434-1530), 1476-1559, Muromachi period
- Landscape — Attributed to Kano Motonobu (1476-1559), 16th century, Muromachi period
- Mandala of the Three Shrines at Kumano — 1300s, Japan, Kamakura period (1185–1333) to Nanbokuchō period (1336–92)
- 北野天神縁起絵巻写 — 江戸時代
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Sakya (<em>Shaka</em>) — 1333-1573, Muromachi period
- Sunset Glow over a Fishing Village, from Eight Views of Xiao-Xiang — Sesshū Tōyō, 1460s–1550s
- Reeds and Geese — Yishan Yining [Issan Ichinei], 1314–17, Japan, Kamakura period (1185–1333)
- The Daoist Immortal Liezi Flying on a Cloud — Kano Yukinobu 狩野之信, 16th century, Muromachi period (1392–1573)
- 北野天神縁起絵巻断簡 — 鎌倉時代・14世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 住吉物語絵巻 — 鎌倉時代・13世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Winter and Summer Flowers — Kaihō Yūshō, c. 1600, Japan, Momoyama period (1573–1615)
- Landscape — Sōami, 15th–early 16th century, Muromachi period (1392–1573)
- Winter and Summer Flowers — Kaihō Yūshō, c. 1600, Japan, Momoyama period (1573–1615)
- Landscape: Mountains, river, buildings and moon — Sesson Shukei 雪村周継 (1504-1589), late 16th century, Muromachi period
- Snowy Landscape — Toki Tōbun, ca. 1550, Muromachi period (1392–1573)
- Arrival of the "Southern Barbarians" — c. 1600, Japan, Momoyama period (1573–1615)
- Illustrated Biography of Hōnen (Shūikotokūden-e) — ca. 1310–20, Kamakura period (1185–1333)
- Winter and Summer Flowers — Kaihō Yūshō, c. 1600, Japan, Momoyama period (1573–1615)
- 天明火災絵巻 — 江戸時代
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Birds and Flowers — Kano Shōei, late 1500s, Japan, Momoyama period (1573–1615)
- 後三年合戦絵巻 巻中 — 飛騨守惟久筆, 南北朝時代・貞和3年 (1347)
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Birds and Flowers — Kano Mitsunobu, late 1500s, Japan, Momoyama period (1573–1615)
- Illustrated Legends of the Kitano Tenjin Shrine (Kitano Tenjin engi emaki) — late 13th century, Kamakura period (1185–1333)
- 一遍聖絵 巻第七 — 法眼円伊筆, 鎌倉時代・正安元年(1299)
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 十六羅漢像（第一～第八） — 平安時代・12世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Horse and Rider — 1568-1615, Momoyama period
- 狭衣物語絵巻断簡 — 鎌倉時代・14世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 鳥獣戯画等絵巻（探幽縮図） — 狩野探幽, 江戸時代
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 病草紙 眼病の治療 — 平安時代 後期 ・12世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Taira no Kanemori of the Thirty-Six Poetic Immortals — 1200s, Japan, Kamakura period (1185–1333)
- 病草紙 口臭の女 — 平安時代 後期 ・12世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - The Four Accomplishments — Kano Shōei, late 1500s–early 1600s, Japan, Momoyama period (1573–1615)
- Thirty-Six Poetic Immortals of the Buddhist Clergy — late 1300s–1400s, Japan, Muromachi period (1392–1573)
- Monju bosatsu (Manjushri) — 1333-1573, Muromachi period
- Listening to the Wind in the Pines — Ikkyū Sōjun, 1400s, Japan, Muromachi period (1392–1573)
- 耕作図屏風 — 伝狩野元信, 室町時代・16世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Water-Moon Kannon — Gakuō Zōkyū, c. 1500, Japan, Muromachi period (1392–1573)
- 金胎仏画帖 — 平安時代・12世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Landscape: hills and buildings — Sesson Shukei 雪村周継 (1504-1589), 1392-1568, Muromachi period
- Peafowl and Phoenixes — Tosa Mitsuyoshi, late 1500s, Japan, Momoyama period (1573–1615)
- Grape vines 葡萄図屏風 — Kano Eitoku 狩野永徳 (1543-1590), 1568-1615, Momoyama period
- Dragon and Tiger — Sesson Shūkei, c. 1546–56, Japan, Muromachi period (1392–1573) to Momoyama period (1573–1615)
- Two geese and grasses 雁図屏風 — Sesson Shukei 雪村周継 (1504-1589), 1392-1568, Muromachi period
- Dragon and Tiger — Sesson Shūkei, c. 1546–56, Japan, Muromachi period (1392–1573) to Momoyama period (1573–1615)
- Millet and Sparrows — Geiai, mid-16th century, Muromachi period (1392–1573)
- Birds and Flowers of the Twelve Months with Chinese Calligraphy — Kano School, 16th century; sheets of poetry, one dated 1553, Muromachi period (1392–1573)
- 因幡堂薬師縁起絵巻 — 鎌倉時代・14世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Haboku (Flung-ink) Landscape — Shūgetsu Tōkan, c. 1510, Japan, Muromachi period (1392–1573)
- Arrival of the "Southern Barbarians" — c. 1600, Japan, Momoyama period (1573–1615)
- Arrival of the "Southern Barbarians" — c. 1600, Japan, Momoyama period (1573–1615)
- 狭衣物語絵巻断簡 — 鎌倉時代・14世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 柳橋水車図屏風 — 筆者不詳, 安土桃山～江戸時代・16～17世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 山水図屏風 — 海北友松筆, 安土桃山時代・慶長7年(1602)
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Iconographic Drawing of the Bodhisattva Memyō (Ashvaghosha) — 12th century, Heian period (794–1185)
- 檜図屏風 — 狩野永徳筆, 安土桃山時代・天正18年(1590)
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - The Four Accomplishments — Kano Motonobu 狩野元信, mid-16th century, Muromachi period (1392–1573)
- 春夏山水図屏風 — 鑑貞筆, 室町時代 16世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Buddhist deity: Gokei Monju (<em>Manjushri</em>) — 13th-14th century, Kamakura period
- 松林図屏風 — 長谷川等伯筆, 安土桃山時代・16世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 観楓図屏風 — 狩野秀頼筆, 室町～安土桃山時代・16世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 十二天像 水天 — 平安時代 後期 ・12世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Landscape with Rocky Precipice — Sesson Shūkei, 16th century, Muromachi period (1392–1573)
- Dragon, waves and clouds — 1568-1615, Momoyama period
- 松図屏風 — 伝土佐光信筆, 室町時代・16世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 日月山水図屏風 — 室町時代・16世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 北野天神縁起絵巻（弘安本） — 鎌倉時代・13世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Gibbon and Bamboo — Sesson Shūkei 雪村周継, 16th century
- Cicada on a Grapevine — Bokurin Guan, late 14th–early 15th century, late Nanbokuchō (1336–92)–early Muromachi period (1392–1573)
- Horse and Groom — 14th century
- 紫式部日記絵巻断簡 — 鎌倉時代・13世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 華厳五十五所絵巻 — 伝明恵筆, 鎌倉時代・13世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 住吉物語絵巻断簡 — 鎌倉時代・13世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 四季山水図屏風 — 伝周文筆, 室町時代・15世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Zhong Kui (Shoki) on a tiger — 16th century, Muromachi or Momoyama period
- Landscape: the Seven Sages of the Bamboo Grove — 1568-1615, Momoyama period
- Herd Boy with Ox — Kano Masanobu 狩野正信, late 15th century, Muromachi period (1392–1573)
- Wild geese, willows and peonies — 1568-1615, Momoyama period
- Gibbons in a Landscape — Sesson Shūkei 雪村周継, ca. 1570, Muromachi period (1392–1573)
- Hotei — Yamada Dōan I, mid-1500s, Japan, Muromachi period (1392–1573)
- Two herons and a goose — 1573-1615, Edo period
- Oxherding — Sekkyakushi, first half of the 15th century, Muromachi period (1392–1573)
- Eight Views of the Xiao and Xiang Rivers — 16th century, Muromachi period (1392–1573)
- Eight Views of the Xiao and Xiang Rivers — 16th century, Muromachi period (1392–1573)
- The Four Accomplishments — Kano Shōei, late 1500s–early 1600s, Japan, Momoyama period (1573–1615)
- The Four Accomplishments — Kano Shōei, late 1500s–early 1600s, Japan, Momoyama period (1573–1615)
- 牧馬図屏風 — 長谷川等伯筆, 安土桃山時代・16世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 地蔵菩薩霊験記絵巻 — 鎌倉時代・14世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Samantabhadra (<em>Fugen</em>) — 1333-1573, Muromachi period
- 孔雀明王像 — 平安時代・12世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - "Akashi", "Channel Buoys" ("Miotsukushi"), "The Wormwood Patch" ("Yomogiu"), "Gatehouse" ("Sekiya"), and "Picture Contest" ("E-awase") chapters from the Tale of Genji (Genji monogatari) — Muromachi period (1392–1573)
- Descent of the Nine Luminaries and the Seven Stars at Kasuga — mid- to late 1300s, Japan, Nanbokuchō period (1336–92)
- Melons — Yamada Dōan, late 16th century, Muromachi period (1392–1573)
- Fudō Myōō and Two Attendants — Ryūshū Shūtaku (Myōtaku), 14th century, Nanbokuchō period (1336–92)
- 前九年合戦絵巻 — 鎌倉時代・14世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 厩図屏風 — 室町時代・16世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 浜松図屏風 — 室町時代・15～16世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 金胎仏画帖断簡（無量光菩薩） — 12世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Gazing at a Waterfall — Sōami, early 1500s, Japan, Muromachi period (1392–1573)
- 西湖図屏風 — 鴎斎, 室町時代・16世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Iconographical Sketch (Zuzō) for the "Benevolent Kings Sutra Mandala" — 1100s, Japan, Heian period (794–1185)
- 山水屏風 — 平安時代 後期 ・11世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Bamboo — Kaō, ca. 16th century, Nanbokuchō (1336–92)–Muromachi (1392–1573) period
- 鷹図屏風 — 曽我直庵筆, 安土桃山～江戸時代 16～17世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 八幡大菩薩縁起絵巻 — 南北朝時代・14世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 金胎仏画帖断簡(金剛歌菩薩) — 平安時代 12世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Magpie on Viburnum Branch — Genga, early 16th century, Muromachi period (1392–1573)
- Birds and Flowers — Kano Mitsunobu, late 1500s, Japan, Momoyama period (1573–1615)
- Landscape — late 15th century, Muromachi period (1392–1573)
- 日天子図像
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 普賢延命菩薩図像
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 深沙大将図像
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Wild geese — Tawaraya Sotatsu 俵屋宗達 (fl. ca. 1600-1643), 1568-1615, Momoyama or Edo period
- Susuki Grass — c. 1525, Japan, Muromachi period (1392–1573)
- Horse Stable — early 1500s, Japan, Muromachi period (1392–1573)
- Horse Stable — early 1500s, Japan, Muromachi period (1392–1573)
- Indoor occupations — 1568-1615, Momoyama period
- Plum Tree and Waterfowl — Kano Masanobu 狩野正信, early 16th century, Muromachi period (1392–1573)
- Kasuga Deer Mandala — mid-1300s–1400s, Japan, Nanbokuchō period (1333–92) to Muromachi period (1392–1573)
- Plantain and Bird in Snow — Kano Sōshū 狩野宗秀, late 16th century, Muromachi (1392–1573) or Momoyama (1573–1615) period
- Eight Views of the Xiao and Xiang Rivers — 16th century, Muromachi period (1392–1573)
- White-Robed Kannon (Byakue Kannon) — c. 1200, Japan, Kamakura period (1185–1333)
- Portrait Study of Seigen — 1300s, Japan, Kamakura period (1185–1333)
- Birds, flowers, and trees: on the back, bamboo trees — 1568-1615, Momoyama period
- Niu Myōjin — early 14th century, Kamakura period (1185–1333)
- Landscape — Kano Shoei (1519-1592), 1519-1592, Muromachi period
- Monk Mending Clothes in the Morning Sun (Chōyō Hotetsuzu) — c. 1350, Japan, Nanbokuchō period (1336–92)
- Chinese Children at Play — Isei, Muromachi period (1392–1573)
- 狭衣物語絵巻断簡 — 鎌倉時代・14世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Horse Stable — early 1500s, Japan, Muromachi period (1392–1573)
- 降三世明王図像
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 釈迦金棺出現図部分白描模写
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 金剛童子図像断簡
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 東大寺曼荼羅 — 16世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 金胎仏画帖断簡（金剛舞菩薩） — 12世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 一遍上人絵巻 模写 — 竹内雅隆
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 春日鹿曼荼羅図 — 13～14世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 拾遺古徳伝絵巻断簡 — 鎌倉時代・14世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 愛染明王像印仏 — 14世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 図像抄 — 鎌倉時代・13世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 四季草花小禽図屏風 — 筆者不詳, 室町～安土桃山時代・16世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 華厳五十五所絵巻断簡（普賢菩薩） — 平安時代・12世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成
The streets of Edo (200)
- 井筒中居かん、藝子あふきやふせや — 栄松斎長喜筆, 江戸時代・18世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - The Maple Festival (Momiji no ga) from chapter 7 of The Tale of Genji — Kitao Shigemasa, early 1760s
- Matsumoto Koshiro IV as Gorobei, the Fish Seller from Sanya — Tōshūsai Sharaku, 1794, Japan, Edo period (1615–1868)
- 冨嶽三十六景 — 葛飾北斎筆, 江戸時代・19世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Susano-o no Mikoto Killing the Eight-headed Dragon — Torii Kiyomasu II, 1748
- Kayoi Komachi, from the series "Seven Episodes of the Poet Komachi" — Utagawa Toyokuni I, ca. 1795, Edo period (1615–1868)
- Actual View of Muro Harbor, Banshu Province (Banshu Muro-tsu shinkei) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)” — Utagawa Hiroshige II (Shigenobu), 1859
- Wisteria blossoms — Attributed to Hon'ami Koetsu 本阿弥光悦 (1558-1637), early 17th century, Edo period
- A Banquet in a Pleasure House on the Bank of the Okawa (Okawa bata giro jo no yusen) — Angyûsai Enshi, c. 1792
- The Actor Otani Hiroji III as Kawazu no Saburo in the Play Myoto-giku Izu no Kisewata, Performed at the Ichimura Theater in the Eleventh Month, 1770 — Katsukawa Shunsho, c. 1770
- 新版東都浮絵・日本橋之図 — 昇亭北寿筆, 江戸時代・19世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 初代市川男女蔵の團七九郎兵衛 — 歌川豊国筆, 江戸時代・享和2年(1802)
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Actual View of Hirose, Unshu Province (Unshu hirose shinkei) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)” — Utagawa Hiroshige II (Shigenobu), 1859
- 難波屋おきた — 喜多川歌麿筆, 江戸時代・18世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Dalliance — Sugimura Jihei, c. 1685
- Shide (<em>Jittoku</em>) — Kano Sadanobu (1596-1623), early 17th century, Edo period
- Hara, from the series ""Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)"" — Katsushika Hokusai, c. 1806
- Sudden Shower over Shin-Ōhashi Bridge and Atake, from One Hundred Famous Views of Edo — Utagawa Hiroshige, 1857, Japan, Edo period (1615–1868)
- Eight-Platform Bridge (Yatsuhashi), from the "Tale of Ise (Ise Monogatari)" — Suzuki Harunobu, c. 1764/65
- Woman Digging Bamboo Shoots in the Snow, or Parody of Meng Zong (Mōsō), from Twenty-Four Paragons of Filial Piety — Suzuki Harunobu, ca. 1765, Edo period (1615–1868)
- The Actor Sawamura Sōjūrō III in the Role of Shimada Jūzaburō, from the series "Image of Actors on Stage" — Utagawa Toyokuni I, ca. 1795, Edo period (1615–1868)
- Beauties of the Three Capitals: Shimabara in Kyoto (right), Yoshiwara in Edo (center), and Shinmachi in Osaka (left) — Torii Kiyohiro, c. 1755
- Tsuten-kyo Bridge, Tofuku Temple, Kyoto (Kyoto Tofukuji Tsutenkyo bashi) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)” — Utagawa Hiroshige II (Shigenobu), 1859
- A boy with a fan — late 17th century, Edo period
- Kabuki Actors Nakamura Gentaro and Ikushima Shingoro — Torii Kiyomasu I, ca. 1710, Edo period (1615–1868)
- 青樓藝者撰・おはね・おふく — 鳥文斎栄之筆, 江戸時代・18世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 青楼芸者撰・いつ花 — 鳥文斎栄之筆, 江戸時代・18世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Puppies, Sparrows, and Chrysanthemums — Nagasawa Rosetsu, c. 1792–94, Japan, Edo period (1615–1868)
- An Oiran Standing, a Pipe in Her right Hand, and Turning to Look Behind over Her Shoulder — Torii Kiyomasu I, ca. 1705, Edo period (1615–1868)
- 二代目嵐龍蔵の金貸石部金吉 — 東洲斎写楽筆, 江戸時代・寛政6年(1794)
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Bodhidharma — Kano Tan'yu 狩野探幽 (1602-1674), 17th century, Edo period
- 初代市川男女蔵の奴一平 — 東洲斎写楽筆, 江戸時代・寛政6年(1794)
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Hase Temple, Yamato Province (Yamato Hasedera) from the series “One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei)” — Utagawa Hiroshige II (Shigenobu), 1859
- 三代目佐野川市松の祇園町の白人おなよと市川富右衛門の蟹坂藤馬 — 東洲斎写楽筆, 江戸時代・寛政6年(1794)
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - West Lake — Ike Taiga, mid-1700s, Japan, Edo period (1615–1868)
- Onoe Kikugorō in the role of Yaoya Oshichi and Nakamura Kiyosaburō as her lover the koshō (page) Kichisaburō — Okumura Masanobu, 1750, Edo period (1615–1868)
- 四代目岩井半四郎の乳人重の井 — 東洲斎写楽筆, 江戸時代・寛政6年(1794)
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Parody of Murasaki Shikibu at Her Desk — Okumura Masanobu, ca. 1710, Edo period (1615–1868)
- 扇面散屏風 — 宗達派, 江戸時代・17世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 三代目市川八百蔵の田辺文蔵 — 東洲斎写楽筆, 江戸時代・寛政6年(1794)
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Farmer Returning Home in Autumn — Yosa Buson, 1781, Japan, Edo period (1615–1868)
- 二代目市川門之助の伊達与作 — 東洲斎写楽筆, 江戸時代・寛政6年(1794)
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 二代目坂東三津五郎の石井源蔵 — 東洲斎写楽筆, 江戸時代・寛政6年(1794)
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Dragon and tiger — 17th century, Momoyama or Edo period
- Amorous Couple — Okumura Masanobu, early 18th century, Edo period (1615–1868)
- Bird on a bamboo branch — Kano Tan'yu 狩野探幽 (1602-1674), 17th century, Edo period
- The Actor Ichikawa Danjuro II as Soga no Goro and Nakamura Takesaburo I as Kewaizaka no Shosho in the play "Bando Ichi Kotobuki Soga," performed at the Nakamura Theater in the first month, 1715 — Torii Kiyonobu I, 1715
- Hanaōgi of Ōgiya from the series Picture Puzzles — Kitagawa Utamaro, c. 1797, Japan, Edo period (1615–1868)
- Two Lovers — Hishikawa Moronobu, ca. 1675–80, Edo period (1615–1868)
- Chinese man and woman in a boat — Kano Yasunobu (1613-1685), mid 17th century, Edo period
- Perspective Print (Uki-e) of the Theaters in Sakaichō and Fukiyachō on Opening Night — Utagawa Toyoharu, ca. 1780, Edo period (1615–1868)
- 三代目佐野川市松の祇園町の白人おなよ — 東洲斎写楽筆, 江戸時代・寛政6年(1794)
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Hinazura of Chōjiya from the series Beauties as the Seven Komachi — Utagawa Toyokuni, c. 1793–97, Japan, Edo period (1615–1868)
- 初代中山富三郎の宮城野 — 東洲斎写楽筆, 江戸時代・寛政6年(1794)
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Mountain View and Blue Water — Tanomura Chikuden, early 1800s, Japan, Edo period (1615–1868)
- 風俗図巻 — 宮川長春筆, 江戸時代・18世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 三代目瀬川菊之丞の田辺文蔵妻おしづ — 東洲斎写楽筆, 江戸時代・寛政6年(1794)
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Tsukasa and Other Courtesans of the Ogiya Watching the Autumn Moon Rise Over Rice Fields from a Balcony in the Yoshiwara — Katsushika Hokusai, 1799, Japan, Edo period (1615–1868)
- 二代目小佐川常世の一平姉おさん — 東洲斎写楽筆, 江戸時代・寛政6年(1794)
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 浮世絵版画
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 松本米三郎の化粧坂の少将実はしのぶ — 東洲斎写楽筆, 江戸時代・寛政6年(1794)
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - A Beauty — Fujimaro, c. 1810, Japan, Edo period (1615–1868)
- 浮世繪版畫 — 鳥文斎栄之筆, 江戸時代・18世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Fair Travellers Fording the River Oi — Utagawa Toyokuni I, ca. 1800, Edo period (1615–1868)
- Takigawa of the Ōgiya from the series A Selection of Eastern Beauties — Kitagawa Utamaro, c. 1798, Japan, Edo period (1615–1868)
- “The Tomb of King Mausolus” (Ajia-shū Maurirya-ō keibo), from the series Newly published Dutch Perspective Pictures (Shimpan Oranda uki-e) — Utagawa Kuninaga, ca. 1829, Edo period (1615–1868)
- “The Pyramids of Egypt” Egefutekoku senkei kodai), from the series Newly Published Dutch Perspective Prints (Shinpan Oranda uki-e) — Utagawa Kuninaga, 1829, Edo period (1615–1868)
- Ten Rakan Examining a Painting of White-Robed Kannon — Katō Nobukiyo, 1788–92, Edo period (1615–1868)
- Otani Tokuji I as the Retainer Sodesuke in "Flowering Irises: A Soga Vendetta of the Bunroku Era" — Tōshūsai Sharaku, 1794, Japan, Edo period (1615–1868)
- Flowers, grasses, and a poem — Attributed to Hon'ami Koetsu 本阿弥光悦 (1558-1637), 1615-1637, Edo period
- Ichikawa Ebizō IV (Danjurō) as Takemura Sadanoshin in The Loving Wife's Parti-Colored Reins — Tōshūsai Sharaku, 1794, Japan, Edo period (1615–1868)
- 浮世絵版画 — 春章筆
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Kannon on a Lotus Petal — Shōzan Gen’yō, 1672, Edo period (1615–1868)
- Painting the Eyes on a Snow Rabbit — Isoda Koryūsai, ca. 1780, Edo period (1615–1868)
- “‘A Lovely Garland’ (Tamakazura): Tamatori-ama,” from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase) — Utagawa Kuniyoshi, 1845–46, Edo period (1615–1868)
- 浮世繪版畫 — 葛飾北斎筆、二代葛飾戴斗筆, 江戸時代・19世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 歌舞伎図屏風（右隻） — 菱川師宣筆, 江戸時代・17世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 歌舞伎図屏風（左隻） — 菱川師宣筆, 江戸時代・17世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Mount Haruna in Kozuke Province — Kikukawa Eizan, c. 1830s, Japan, Edo period (1615–1868)
- Shower Below the Summit (Sanka hakuu), from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)" — Katsushika Hokusai, c. 1830/33
- Old Plum — Kano Sansetsu, 1646, Edo period (1615–1868)
- Spring Rain Collection (Harusame shū), vol. 3: Swallows and Peonies — Teisai Hokuba, ca. 1820, Edo period (1615–1868)
- Spring Rain Collection (Harusame shū), vol. 3: Marsh-tits and Crab Apple Flowers — Teisai Hokuba, ca. 1820, Edo period (1615–1868)
- The Actors Segawa Kikunojo I as Ochiyo and Matsushima Kichisaburo as Ochiyo's spirit in the play "Higashiyama Gojitsu Yaoya Hanbei," performed at the Nakamura Theater in the eighth month, 1744 — Torii Kiyomasu II, 1744
- The Beach at Sumiyoshi from the Tales of Ise — Tawaraya Sōtatsu, c. 1634, Japan, Edo period (1615–1868)
- Mountain Roses of Ide (Ide no Yamabuki), from the series A Parodic Six Jewel Rivers (Yatsushi Mu-Tamagawa) — Rekisentei Eiri, ca. 1795, Edo period (1615–1868)
- The Gossips — Suzuki Harunobu, ca. 1767, Edo period (1615–1868)
- Chiang Tzu-ya fishing — Kaiho Yusho (1533-1615), early 17th century, Edo period
- Maisaka: The Ferry at Imagiri (Maisaka, Imagiri funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) — Utagawa Hiroshige, c. 1837/42
- Hamamatsu, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) — Utagawa Hiroshige, c. 1837/42
- Nakamura Utaemon IV as Danshichi Kurobei — Utagawa Kunimasu 歌川国升, 1850, Edo period (1615–1868)
- The Courtesan Arihara of the Tsuruya, and Child Attendants Aoe and Sekiya (Tsuruya uchi Arihara, Aoe, Sekiya), from an untitled series of courtesans — Kitagawa Utamaro, c. 1797
- Goldfish, from the series "Elegant Comparison of Little Treasures (Furyu kodakara awase)" — Kitagawa Utamaro, c. 1802
- Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)" — Katsushika Hokusai, 1830/33
- Standing Beauty — Hishikawa Moronobu, Edo period (1615–1868)
- 青樓藝者撰・いつとみ — 鳥文斎栄之筆, 江戸時代・18世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Seven Wise Women of the Pleasure Quarters — Katsukawa Shunshō, c. mid 1780s, Japan, Edo period (1615–1868)
- Two Figures — Okumura Masanobu, Edo period (1615–1868)
- Arai, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) — Utagawa Hiroshige, c. 1837/42
- Night Rain at Karasaki — Torii Kiyomasu II, early 18th century, Edo period (1615–1868)
- Monk Nichiren in Exile on Sado Island, from the series "Illustration of Famous Monks" — Utagawa Kuniyoshi, 1835–36, Edo period (1615–1868)
- Horse Race at the Kamo Shrine — early to mid-1600s, Japan, Edo period (1615–1868)
- 洛中洛外図屏風（舟木本） — 岩佐又兵衛筆, 江戸時代・17世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - The Actors Sanogawa Ichimatsu I as Senjiro disguised as Kichisaburo and Nakamura Tomijuro I as Oshichi in the joruri "Midaregami Yoru no Amigasa," performed at the Nakamura Theater in the first month, 1742 — Torii Kiyomasu II, 1742
- 秋草図屏風 — 俵屋宗雪筆, 江戸時代・17世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - The Actor Ichikawa Ebizo II casting a curse at the hour of the ox — Torii Kiyomasu II, c. 1745
- The actor Bando Mitsugoro II as Ishii Genzo — Tōshūsai Sharaku, 1794
- 納涼図屏風 — 久隅守景筆, 江戸時代・17世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - The Actor Kataoka Nizaemon VII as the Old Beggar Woman Kurozuka Babā at Adachigahara — Katsukawa Shun'ei 勝川春英, 1795 (Kansei 7), 11th month, Edo period (1615–1868)
- Kabuki Actor — Torii Kiyonobu I, ca. 1708, Edo period (1615–1868)
- Scene of a party in a brothel — late 17th century, Edo period
- Odawara, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" — Katsushika Hokusai, c. 1806
- Night Rain at Karasaki, from Eight Views of Ōmi — Utagawa Hiroshige, c. 1835, Japan, Edo period (1615–1868)
- Catching Fireflies Beneath a Willow Tree (center) — Kitagawa Utamaro, c. 1796–97, Japan, Edo period (1615–1868)
- Catching Fireflies Beneath a Willow Tree (left) — Kitagawa Utamaro, c. 1796–97, Japan, Edo period (1615–1868)
- Korean Embassy Parade — Hishikawa Moronobu, 1682
- Koto from the series The Six Arts in Fashionable Guise — Chōbunsai Eishi, c. 1793–96, Japan, Edo period (1615–1868)
- Catching Fireflies Beneath a Willow Tree (right) — Kitagawa Utamaro, c. 1796–97, Japan, Edo period (1615–1868)
- Righteousness, from The Five Virtues — Suzuki Harunobu, 1767, Japan, Edo period (1615–1868)
- Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)" — Katsushika Hokusai, 1830/33
- Young Woman Looking at a Pot of Pinks — Suzuki Harunobu, c. 1767, Japan, Edo period (1615–1868)
- 市川団十郎の竹抜き五郎 — 鳥居清倍筆, 江戸時代・正徳期（1711～16）頃
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Courtesan and Sleeping Attendant — Suzuki Harunobu, late 1760s, Japan, Edo period (1615–1868)
- Driving Rain at Shōno, from Fifty-Three Stations of the Tokaidō — Utagawa Hiroshige, 1833, Japan, Edo period (1615–1868)
- Mishima: Morning Mist (Mishima, asagiri), from the series "Fifty-three Stations of the Tokaido Road (Tokaido gojusan tsugi no uchi)," also known as the Hoeido Tokaido — Utagawa Hiroshige, c. 1833/34
- Mother and Son by a Mosquito Net — Suzuki Harunobu, ca. 1769, Edo period (1615–1868)
- Women Beside a Stream Chasing Fireflies — Chōbunsai Eishi, c. 1796–97, Japan, Edo period (1615–1868)
- The Moon-Viewing Promontory, from One Hundred Views of Famous Places in Edo — Utagawa Hiroshige, 1857, Japan, Edo period (1615–1868)
- Nissaka: The Night-Weeping Stone at Sayo no Nakayama, from the series The Fifty-Three Stations of the Tōkaidō — Utagawa Hiroshige, c. 1848–50, Japan, Edo period (1615–1868)
- 浮世絵版画 — 三世豊國筆
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 婦人相學十躰・浮気之相 — 喜多川歌麿筆, 江戸時代・18世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Couple in an Evening Shower, From the series Three Evening Pleasures of the Floating World — Kitagawa Utamaro, ca. 1800, Edo period (1615–1868)
- 娘日時計・未ノ刻 — 喜多川歌麿筆, 江戸時代・18世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Ema (Votive Painting) of a Chinese Lion Led by King Uten (Utennō) — 1627, Edo period (1615–1868)
- Poem by Minamoto no Muneyuki from the series One Hundred Poems by One Hundred Poets Explained by the Nurse — Katsushika Hokusai, 1835–36, Japan, Edo period (1615–1868)
- Picking Clams — Utagawa Toyokuni I, ca. 1791, Edo period (1615–1868)
- Cranes on snow-covered pine — Katsushika Hokusai, c. 1834
- 娘日時計・申ノ刻 — 喜多川歌麿筆, 江戸時代・18世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Ema (Votive Painting) of a Chinese Lion and Peony Tree — 1631, Edo period (1615–1868)
- Poem by Emperor Sanjo, from the series One Hundred Poems by One Hundred Poets Explained by an Old Nurse — Katsushika Hokusai, 1835–36, Japan, Edo period (1615–1868)
- Parody of the Third Princess and Kashiwagi: “Chapter 50: A Hut in the Eastern Provinces” — Utagawa Kunisada, 1858, second month, Edo period (1615–1868)
- Geisha Walking through the Snow at Night — Kitagawa Utamaro, ca. 1797, Edo period (1615–1868)
- 遊色三福つい — 奥村政信筆, 江戸時代・18世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Ema (Votive Painting) of Chinese Lion and Peony Tree — 1649, Edo period (1615–1868)
- Splendid View at Futamigaura Bay — Utagawa Kuniyoshi, 1854, Japan, Edo period (1615–1868)
- Maple Leaf Viewing (Momiji gari) — Tōshūsai Sharaku, 1794
- Cherry Blossoms in the Wind — Utagawa Toyokuni, late 1790s, Japan, Edo period (1615–1868)
- 車争図屏風 — 狩野山楽筆, 江戸時代・慶長9年(1604)
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Two Court Ladies Admire the Cherry Trees — Yashima Gakutei, ca. 1820, Edo period (1615–1868)
- 阿国歌舞伎図屏風 — 桃山時代・17世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 花下遊楽図屏風 — 狩野長信筆, 江戸時代・17世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - A peddler and a child looking at the moon — Hanabusa Itcho 英一蝶 (1652-1724), 1615-1868, Edo period
- Ise, from an untitled series of Thirty-six Immortal Poets — Suzuki Harunobu, c. 1767/68
- Court Ladies Making Dolls — Kubo Shunman, 1790s, Japan, Edo period (1615–1868)
- 唐船・南蛮船図屏風 — 狩野孝信筆, 江戸時代 17世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Poetry Painting — Matsuo Bashō, 17th century, Edo period (1615–1868)
- The Coming Thunderstorm, from the illustrated book Flowers of the Four Seasons — Kitagawa Utamaro, 1801, Edo period (1615–1868)
- Evening Snow on a Floss Shaper (Nurioke no bosetsu), from the series "Eight Views of the Parlor (Zashiki hakkei)" — Suzuki Harunobu, c. 1766
- No. 32: Seba, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)" — Utagawa Hiroshige, c. 1835/38
- Double-Flowered Cherry: Motoura of the Minami Yamasakiya (Minami Yamasakiya uchi Motoura, Yaezakura), from the series "Beauties of the Floating World Compared to Flowers (Ukiyo bijin hana ni yosu)" — Suzuki Harunobu, c. 1768-1769
- 娘日時計・巳ノ刻 — 喜多川歌麿筆, 江戸時代・18世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 娘日時計・辰ノ刻 — 喜多川歌麿筆, 江戸時代・18世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - No. 37: Miyanokoshi, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)" — Utagawa Hiroshige, c. 1835/38
- 浮世絵版画 — 筆者不詳
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - South Wind, Clear Sky, from Thirty-Six Views of Mount Fuji — Katsushika Hokusai, early 1830s, Japan, Edo period (1615–1868)
- 浮世絵版画 — 鳥居清満ほか
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 浮世絵版画 — 筆者不詳
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Onoe Kikugorō I as Izumi no Saburō in the Play Snowflakes: Plum Blossoms Kaomise — Ippitsusai Bunchō, 1769, Japan, Edo period (1615–1868)
- 浮世絵版画 — 筆者不詳
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 浮世繪版畫 — 菊川英山筆, 江戸時代・19世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - 浮世繪版畫 — 喜多川歌麿筆、二代喜多川歌麿筆, 江戸時代・18～19世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - Albums of scenes from The Tale of Genji — Tosa Mitsunori, early 17th century, Edo period (1615–1868)
- Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series "Thirty-Six Views of Mount Fuji (Fugaku sanjurokkei)" — Katsushika Hokusai, 1830/33
- The Thirty-Six Poetic Immortals — Studio of Kano Takanobu, early 17th century, Momoyama period (1573–1615)
- Summer: Planting Rice (Natsu: taue no zu), No. 2 from the series "The Four Seasons of Farmers (Shiki no hyakusho)" — Torii Kiyomasu II, c. 1730s
- Wild geese — Tawaraya Sotatsu 俵屋宗達 (fl. ca. 1600-1643), 1568-1640, Momoyama or Edo period
- Sakanoshita, from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)" — Katsushika Hokusai, c. 1806
- Egrets and Cotton Roses — Tosa Mitsuoki, mid- to late 17th century, Edo period (1615–1868)
- “‘A Boat Cast Adrift’ (Ukifune): Omatsu and Akabori Mizuemon,” from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase) — Utagawa Kuniyoshi, 1845–46, Edo period (1615–1868)
- 浮世絵版画帖 — 二世豊國外画
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - ''‘Lady of the Evening Faces’ (Yūgao): Yazama’s Wife Orie (Yazama-shi no shitsu Orie),” from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase) — Utagawa Kuniyoshi, 1845–46, Edo period (1615–1868)
- “‘A Molted Cicada Shell’ (Utsusemi): Soga Gorō Tokimune,” from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase) — Utagawa Kuniyoshi, ca. 1845–61, Edo period (1615–1868)
- “‘Little Purple Gromwell’ (Wakamurasaki): Shōshō,” from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase) — Utagawa Kuniyoshi, ca. 1845–61, Edo period (1615–1868)
- Sōjō Henjō — Suzuki Harunobu, c. 1766, Japan, Edo period (1615–1868)
- Woman with a Folding Fan and Hand Mirror, from the series Sensuous Young Women of Contemporary Times — Utagawa Kunisada, 1838, Edo period (1615–1868)
- “‘Exile to Suma’ (Suma): Tamaori-hime,” from the series Scenes amid Genji Clouds Matched with Ukiyo-e Pictures (Genji-gumo ukiyo e-awase) — Utagawa Kuniyoshi, ca. 1845–61, Edo period (1615–1868)
- Leftmost Print from Pleasure Boats on the Sumida River beneath Shin-Ōhashi Bridge — Chōbunsai Eishi, c. 1792, Japan, Edo period (1615–1868)
- Perspective View of the Interior of the Nakamura Theater with Ichikawa Ebizo II as Yanone Goro — Okumura Masanobu, 1740, Japan, Edo period (1615–1868)
- Mitsuke: Ferries Crossing the Tenryu River (Mitsuke, Tenryugawa funawatashi), from the series "Fifty-three Stations of the Tokaido (Tokaido gojusan tsugi)," also known as the Tokaido with Poem (Kyoka iri Tokaido) — Utagawa Hiroshige, c. 1837/42
- The Actor Segawa Kikunojo I as Katakai in the play "Mugen no Kane Omoi no Akatsuki," performed at the Nakamura Theater in the third month, 1746 — Torii Kiyomasu II, 1746
- Courtesan — 1661-1673, Edo period
- Geisha and Attendant on a Rainy Night — Kitagawa Utamaro, ca. 1797, Edo period (1615–1868)
- 日新除魔図 — 葛飾北斎筆, 江戸時代 天保13～14年（1842～43）
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - The Bird's Nest Patriarch — Tawaraya Sōtatsu, early to mid-1600s, Japan, Edo period (1615–1868)
- The Actor Segawa Kikunojo I as Hanjo in the play "Tsumagoi Sumidagawa," performed at the Nakamura Theater in the third month, 1733 — Torii Kiyomasu II, 1733
- Famous Themes for Painting Study Known as “The Garden of Painting” (Gaen) — Kano Tan'yū, 1670, Edo period (1615–1868)
- Lovers Walking in the Snow (Crow and Heron) — Suzuki Harunobu, 1764–72, Edo period (1615–1868)
- Famous Themes for Painting Study Known as “The Garden of Painting” (Gaen) — Kano Tan'yū, 1670, Edo period (1615–1868)
- 関屋図屏風 — 俵屋宗達筆、烏丸光広賛, 江戸時代・17世紀
出典：国立文化財機構所蔵品統合検索システム（https://colbase.nich.go.jp/）を加工して作成 - River Landscape in Evening — Kano Motonobu, 16th century, Muromachi period (1392–1573) or Momoyama period (1573–1615)
The modern city (158)
- Poem by Gon-chūnagon Masafusa (Ōe no Masafusa), from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki) — Katsushika Hokusai, 1921, Taishō period (1912–26)
- The Torpedo Officer (Suirai shikan), frontispiece illustration from the literary magazine Bungei kurabu, vol. 1, no. 8 — Kajita Hanko, ca. 1900, Meiji period (1868–1912)
- Two Japanese Men in Western Dress — Shunko, ca. 1905, Meiji period (1868–1912)
- Print — Tsuneshige, ca. 1900, Meiji period (1868–1912)
- Howling Wolf in a Deep Mountain Valley — Yoshimura Hōryū, 1912, Japan, Taishō period (1912–26)
- A pair of ducks by a lotus pond — Kobayashi Kiyochika, 1879
- Poem by Sōsei Hōshi, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki) — Katsushika Hokusai, 1921, Taishō period (1912–26)
- Twenty-Four Hours at Shinbashi/Yanagibashi: 12 Noon. (Shinyanagi nijūyo-ji, gozen jūni-ji) — Tsukioka Yoshitoshi, 1880, Meiji period (1868–1912)
- Sei Shonagon, from the series Ancient Patterns (Kodai moyo) — Kobayashi Kiyochika, Meiji period (1896–1912), 1896
- Moon in the Flame from the Series One Hundred Images of the Moon (Tsuki hyaku sugata-enchūgetsu) — Tsukioka Yoshitoshi, February, 1886, Meiji period (1868–1912)
- Layers of Kikaku Poetry — Shibata Zeshin, 8th month, 1885
- Pictorial Dictionary — 1887, Meiji period (1868–1912)
- The Monkey Seal — Osa Toho, spring 1884
- Scattered Pine Trees by the Tone River, from the series The Road to Narita in Shimosa Province — Utagawa Hiroshige, published in 1919, Japan, Taishō period (1912–26)
- Moon and Smoke (Enchu no tsuki), from the series "One Hundred Aspects of the Moon (Tsuki hyaku sugata)" — Tsukioka Yoshitoshi, 1886
- The Cup of Long Life — Shibata Zeshin, spring 1883
- Poetic Travel — Shibata Zeshin, 1st month, 1883
- Scene of a No Drama: The Gold Charms, from the series "One Hundred No Dramas (Nogaku hyakuban)" — Tsukioka Kôgyo, 1898/1903
- Ama, from the series "One Hundred No Dramas (Nogaku hyakuban)" — Tsukioka Kôgyo, 1898/1903
- Chikubushima, from the series "One Hundred No Dramas (Nogaku hyakuban)" — Tsukioka Kôgyo, 1898/1903
- Hashi Benkei, from the series "One Hundred No Dramas (Nogaku hyakuban)" — Tsukioka Kôgyo, 1898/1903
- Aoi no Ue, from the series "One Hundred No Dramas (Nogaku hyakuban)" — Tsukioka Kôgyo, 1898/1903
- Ikari-Kazuki, from the series "One Hundred No Dramas (Nogaku hyakuban)" — Tsukioka Kôgyo, 1898/1903
- Hagoromo, from the series "One Hundred No Dramas (Nogaku hyakuban)" — Tsukioka Kôgyo, 1898/1903
- Ornament Ball from kuchie (frontispiece) of a novel — Mizuno Toshikata, ca. 1906, Meiji period (1868–1912)
- Tsukudajima Gyoshoi — Utagawa Hiroshige, 1868, Edo period (1615–1868)
- Sotoba Komachi, from the series "One Hundred No Dramas (Nogaku hyakuban)" — Tsukioka Kôgyo, 1898/1903
- Sumidagawa, Mimeguri — Utagawa Hiroshige, 3rd month dragon year 1868, Edo period (1615–1868)
- Ejiri in Suruga Province (Sunshu Ejiri), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)" — Katsushika Hokusai, c. 1830/33
- Arashiyama, from the series "One Hundred No Dramas (Nogaku hyakuban)" — Tsukioka Kôgyo, 1898/1903
- Police Superintendant's Party: A Gift of Food and Drink — Tsukioka Yoshitoshi, September 1877, Meiji period (1868–1912)
- Full Moon with Crow on Plum Branch — Kawanabe Kyōsai, 1880s, Japan, Edo period (1615–1868)
- View of the Descent from a Mountain by Many from Pilgrimage to Mount Fuji (Fuji mōde shoshina gesan no zu) — Utagawa Hiroshige III, November, 1883, Meiji period (1868–1912)
- Fisherman — Yamamoto Kanae, 1906, Japan, Meiji period (1868–1912)
- Fireworks at Ikenohata — Kobayashi Kiyochika, 1881 (Meiji 14), Meiji period (1868–1912)
- Nue, from the series "One Hundred No Dramas (Nogaku hyakuban)" — Tsukioka Kôgyo, 1898/1903
- A Garden Refreshed by the Passing Rain (Ukasentei no zu) — Yōshū (Hashimoto) Chikanobu, July 1888, Meiji period (1868–1912)
- Adachiga Hara, from the series "One Hundred No Dramas (Nogaku hyakuban)" — Tsukioka Kôgyo, 1898/1903
- Komurasaki of the Miuraya and Shirai Gonpachi — c. 1868–1943, Japan, Meiji period (1868–1912) to Shōwa period (1926–89)
- Children Playing in the Snow under Plum Trees in Bloom (Secchū baisō gunji yūgi zu) — Yōshū (Hashimoto) Chikanobu, November 1887, Meiji period (1868–1912)
- Review of Troops at the Aoyama Parade Grounds — Inoue Yasuji, June 1888, Meiji period (1868–1912)
- Willow and Cherry Branches, from the series "Worlds of Things (Momoyogusa)" — Kamisaka Sekka, 1909/10
- Silvered Waves Against a Beach, from the series "Worlds of Things (Momoyogusa)" — Kamisaka Sekka, 1909/10
- Flower Baskets and Farmer's Hat — Shibata Zeshin, ca. 1880s, Meiji period (1868–1912)
- Illustration of the Imperial Excursion to see the Charini's Circus (Charine daikyokuba goyūran no zu) — Yōshū (Hashimoto) Chikanobu, November, 1886, Meiji period (1868–1912)
- Genzai Shichimen, from the series "One Hundred No Dramas (Nogaku hyakuban)" — Tsukioka Kôgyo, 1898/1903
- Plovers Flying Across a River above Snow-Laden Reeds (Fuyu no Kawa), from the series "Worlds of Things (Momoyogusa)" — Kamisaka Sekka, 1909/10
- Courtiers' Carriages, from the series "Worlds of Things (Momoyogusa)" — Kamisaka Sekka, 1909/10
- Fishing Village, from the series "A World of Things (Momoyogusa)" — Kamisaka Sekka, 1909/10
- Flutist Among Cherry Petals, from the series "Worlds of Things (Momoyogusa)" — Kamisaka Sekka, 1909/10
- Hydrangeas, from the series "Worlds of Things (Momoyogusa)" — Kamisaka Sekka, 1909/10
- Chinese Sages in a Garden — 1888, Japan, Meiji period (1868–1912)
- Moon over Musashino, from the series "Worlds of Things (Momoyogusa)" — Kamisaka Sekka, 1909/10
- Moonlit Scene with Hut and Flowers, from the series "Worlds of Things (Momoyogusa)" — Kamisaka Sekka, 1909/10
- Autumn Color, from the series "Worlds of Things (Momoyogusa)" — Kamisaka Sekka, 1909/10
- Lacquer Paintings of Various Subjects: Drum for Gagaku Dance — Shibata Zeshin, 1882, Meiji period (1868–1912)
- Lacquer Paintings of Various Subjects: Peonies — Shibata Zeshin, 1882, Meiji period (1868–1912)
- Lacquer Paintings of Various Subjects: Snow Shelter for a Tree with Sparrow — Shibata Zeshin, 1882, Meiji period (1868–1912)
- Lacquer Paintings of Various Subjects: Sencha Tea Set — Shibata Zeshin, 1882, Meiji period (1868–1912)
- Lacquer Paintings of Various Subjects: Bonsai — Shibata Zeshin, 1882, Meiji period (1868–1912)
- Kuchie — ca. 1910 or later, Meiji period (1868–1912)
- The Moon Beyond Shinagawa (Shinagawa mikoshi no tsuki), from the series "One Hundred Views of Musashi Province (Musashi hyakkei no uchi)" — Kobayashi Kiyochika, 1884
- Lacquer Paintings of Various Subjects: Stack of Rice and Dragonflies — Shibata Zeshin, 1882, Meiji period (1868–1912)
- Eagle Pursuing Rabbit — Kawanabe Kyōsai 河鍋暁斎, 1885, Meiji period (1868–1912)
- Landscape in Blue and Green — Okuhara Seiko, 1899, Meiji period (1868–1912)
- White Eagle Eyeing a Mountain Lion — Kawanabe Kyōsai 河鍋暁斎, 1885, Meiji period (1868–1912)
- Battle of Nanba (Nanba senki no uchi) — Kawanabe Kyôsai, after 1871
- Eagle Attacking a Monkey — Kawanabe Kyōsai 河鍋暁斎, 1885, Meiji period (1868–1912)
- An American Sailing Ship off Arai — Utagawa Yoshimori, October, 1872, Meiji period (1868–1912)
- Peonies, from the series "Worlds of Things (Momoyogusa)" — Kamisaka Sekka, 1909/10
- Meiji Dance Recital — Sessei, 1880s
- Fireflies Over the Uji River by Moonlight — Suzuki Shōnen, Meiji period (1868–1912)
- Floating Shojo — Chomu, 1870s
- Collaborative Painting of Sixteen Arhats — Suzuki Hyakunen 鈴木百年, late 1870s–early 1880s, Meiji period (1868–1912)
- Full Moon and Autumn Flowers by the Stream — Ogata Gekko, c. 1895
- Lord Oda Nobunaga Viewing the Restoration of Kiyosu Castle (Oda Nobunaga ko Kiyosujo shuzen goran no zu) — Utagawa Yoshifuji, 1888 (printed posthumously)
- Escape of Emperor Godaigo, from the series "The Unofficial History of Japan (Nihon gaishi no uchi)" — Kobayashi Kiyochika, 1885
- Painting Five from Album of Paintings by Haizan — Yoshitsugu Haizan, late 1800s–early 1900s, Japan, Meiji period (1868–1912) or Taishō period (1912–26)
- Painting Six from Album of Paintings by Haizan — Yoshitsugu Haizan, late 1800s–early 1900s, Japan, Meiji period (1868–1912) or Taishō period (1912–26)
- Painting Three from Album of Paintings by Haizan — Yoshitsugu Haizan, late 1800s-early 1900s, Japan, Meiji period (1868–1912) or Taishō period (1912–26)
- Painting Four from Album of Paintings by Haizan — Yoshitsugu Haizan, late 1800s–early 1900s, Japan, Meiji period (1868–1912) or Taishō period (1912–26)
- Painting One from Album of Paintings by Haizan — Yoshitsugu Haizan, late 1800s-early 1900s, Japan, Meiji period (1868–1912) or Taishō period (1912–26)
- Daigokuden (Grand Hall), Heian Shrine, Kyoto — ca. 1895–1900, Meiji period (1868–1912)
- Painting Two from Album of Paintings by Haizan — Yoshitsugu Haizan, late 1800s-early 1900s, Japan, Meiji period (1868–1912) or Taishō period (1912–26)
- Painting Thirteen from Album of Paintings by Haizan — Yoshitsugu Haizan, late 1800s–early 1900s, Japan, Meiji period (1868–1912) or Taishō period (1912–26)
- Painting Eleven from Album of Paintings by Haizan — Yoshitsugu Haizan, late 1800s–early 1900s, Japan, Meiji period (1868–1912) or Taishō period (1912–26)
- Painting Twelve from Album of Paintings by Haizan — Yoshitsugu Haizan, late 1800s–early 1900s, Japan, Meiji period (1868–1912) or Taishō period (1912–26)
- Print — Kajita Hanko, ca. 1906, Meiji period (1868–1912)
- Painting Nine from Album of Paintings by Haizan — Yoshitsugu Haizan, late 1800s–early 1900s, Japan, Meiji period (1868–1912) or Taishō period (1912–26)
- Painting Ten from Album of Paintings by Haizan — Yoshitsugu Haizan, late 1800s–early 1900s, Japan, Meiji period (1868–1912) or Taishō period (1912–26)
- Heron Maiden from the series "New Forms of Thirty-Six Ghosts" — Tsukioka Yoshitoshi, 1889
- Gathering of Otsu-e Subjects — Shibata Zeshin, late 1800s, Japan, Meiji period (1868–1912)
- Poem by Gon-Chunagon Masafusa (Oe no Masafusa), from the series “One Hundred Poems by One Hundred Poets Explained by a Wet Nurse (Hyakunin isshu uba ga etoki)” — Katsushika Hokusai, 1921
- Poem by Sosei Hoshi, from the series “One Hundred Poems Explained by a Wet Nurse (Hyakunin isshu uba ga etoki)” — Katsushika Hokusai, 1921
- Poem by Lady Akazome Emon Poem by Sosei Hoshi, from the series “One Hundred Poems Explained by a Wet Nurse (Hyakunin isshu uba ga etoki)” — Katsushika Hokusai, 1921
- 11 p.m., from the series "Twenty-Four Hours at Shinyanagi (Shinyanagi nijuyoji)" — Tsukioka Yoshitoshi, 1880
- The Heron Maiden Standing Beneath a Willow Tree — Suzuki Harunobu, 1868–1912, Japan, Meiji period (1868–1912)
- Print — Tomioka Eisen, ca. 1906, Meiji period (1868–1912)
- Western Clothing from the series An Array of Auspicious Customs of Eastern Japan (Azuma fūzoku, fukuzukushi-Yōfuku) — Yōshū (Hashimoto) Chikanobu, 1889, Meiji period (1868–1912)
- Chinese Beauty Beside a Plum Tree, leaf from the album “A Contest of Beauties from the Near and Distant Past” (Chūko shomeika bijin kurabe) — Genki (Komai Ki), 1895, Meiji period (1868–1912)
- Print — Kajita Hanko, Meiji period (1868–1912)
- Rooster, Hen, and Chicks — Shibata Zeshin, c. 1880s, Japan, Edo period (1615–1868)
- Feeling Warm — Tsukioka Yoshitoshi, 1888, Meiji period (1868–1912)
- Painting
- Red Parrot on the Branch of a Tree — Ito Jakuchu, c. 1905
- The Torpedo Officer (Suirai shikan), frontispiece illustration from the literary magazine Bungei kurabu, vol. 1, no. 8 — Kajita Hanko, Meiji period (1868–1912)
- Bugaku Dancer — Kamisaka Sekka, c. 1890–1942, Japan, Meiji period (1868–1912) to Shōwa period (1926–89)
- Board game of the Flower Stage (Hanabutai atari sugoroku) — Toyohara Kunichika, 1883, Meiji period (1868–1912)
- Matsumoto Koshiro IV as the Fish Peddler Gorobei — Tōshūsai Sharaku, Probably late 1880s or early 1890s, Edo period (1615–1868)
- Cherry Tree — Kobayashi Kiyochika, dated 1874, Meiji period (1868–1912)
- Ichikawa Ebizo IV in the role of Takemura Sadanoshin — Tōshūsai Sharaku, Probably late 1880s or early 1890s, Edo period (1615–1868)
- Amago buyuden — Hosai Shugetsu, c. 1880-90
- Cherry Blossoms, from the series Brocades of Edo — Ikeda Terukata, 1903, Japan, Meiji period (1868–1912)
- Surgical Ward' (Gekashitsu) from Bugei Kurabu (Literary Club) — Mizuno Toshikata, ca. 1906, Meiji period (1868–1912)
- Sunset over Autumn Mountains — Hoashi Kyōu, 1869, Japan, Edo period (1615–1868)
- Fujiwara no Yasumasa Playing His Flute in the Moonlight — Tsukioka Yoshitoshi, About 1883
- Hell Courtesan — Kawanabe Kyōsai, 1871–89, Japan, Meiji period (1868–1912)
- Needlefish (Yagara) — Nakajima Raishō, 1870, Japan, Edo period (1615–1868)
- Seven Beauties of the Bamboo Grove — Watanabe Seitei 渡辺省亭, early 20th century, Meiji period (1868–1912)
- Illustration of the Commanders who Pacified Western Japan, Receiving the Emperor's Gift Cups (Saigoku chinbu shoshō tenpai o tamau no zu) — Yōshū (Hashimoto) Chikanobu, July, 1877, Meiji period (1868–1912)
- Passing the Bamboo Grove — Suzuki Harunobu, 1868–1912, Japan, Meiji period (1868–1912)
- The Fourth Month, A Lady of the Enkyō Era (1744-48), from the series Thirty-six Elegant Selections — Mizuno Toshikata, 1894, Japan, Meiji period (1868–1912)
- Chasing Fireflies, A Lady of the Tenmei Era (1781-1789), from the series Thirty-six Elegant Selections — Mizuno Toshikata, 1894, Japan, Meiji period (1868–1912)
- True View of Benten at Inokashira from the series Gekkō’s Miscellaney — Ōgata Gekkō, c. 1886–1899, Japan, Meiji period (1868–1912)
- On the Road, A Lady of the Genkō Era (1313-34), from the series Thirty-Six Elegant Selections — Mizuno Toshikata, 1894, Japan, Meiji period (1868–1912)
- Playing the Koyo, A Lady from Nagoya of the Kōka Era (1844-48), from the series Thirty-six Elegant Selections — Mizuno Toshikata, 1894, Japan, Meiji period (1868–1912)
- A Puppet Made from a Bucket, A Lady of the Enpō Era (1673–1681), from the series Thirty-six Elegant Selections — Mizuno Toshikata, 1894, Japan, Meiji period (1868–1912)
- Tiger, Tigress and Cub — Kishi Chikudō, 1892, Meiji period (1868–1912)
- Demon Intoning the Name of the Buddha — Suzuki Shōnen, late 1800s–early 1900s, Japan, Meiji period (1868–1912)
- A Glimpse of Higayashiyama the Western Capital, from the series Famous Places in the Nation (Shokoku meisho zukai no uchi-Saikyō Higashiyama ichiran) — Utagawa Hiroshige III, May, 1880, Meiji period (1868–1912)
- Print — ca. 1908, Meiji period (1868–1912)
- Imaginary portrait, Shuihuzhuan of Stage: Tōryūdai (Mitate Suikoden Tōrōdai) - Actor, Bandō Hikozaburō plays as Nyūunryū — Toyohara Kunichika, 1875, Meiji period (1868–1912)
- Beauties Harvesting Bracken, from the series Gekkō’s Miscellaney — Ōgata Gekkō, c. 1886–1899, Japan, Meiji period (1868–1912)
- Three Courtesans and a Kamuro Strolling in the Street — Okumura Masanobu, Meiji period (1868–1912)
- A Kamuro is Shown Bringing a Love Letter to Her Mistress — Okumura Masanobu, Meiji period (1868–1912)
- A Man Attended by a Servant Carrying a Lantern — Okumura Masanobu, Meiji period (1868–1912)
- An Oiran Playing the Shamisen to a Young Man Kneeling by Her Side in Rapt Attention — Okumura Masanobu, Meiji period (1868–1912)
- An Oiran Seated in a Parlor Applies the Fire Treatment to the Bared Back of Another Woman — Okumura Masanobu, Meiji period (1868–1912)
- A Number of People in the Street Going about Various Affairs — Okumura Masanobu, Meiji period (1868–1912)
- Woman and Two Children — Kubo Shunman, early 1900s, Japan, Meiji period (1868–1912)
- Two Courtesans — Okumura Masanobu, Meiji period (1868–1912)
- A Man Lighting His Pipe from that of A Young Woman who Sits Beside Him — Okumura Masanobu, Meiji period (1868–1912)
- An Oiran Rearranging Her Hair in the Street while a Young Samurai Looks on — Okumura Masanobu, Meiji period (1868–1912)
- A Samurai who Hides His Features with His Hat — Okumura Masanobu, Meiji period (1868–1912)
- Two Women Seated in a Parlor — Okumura Masanobu, Meiji period (1868–1912)
- The Actor Nakamura Kichibei — Okumura Masanobu, Meiji period (1868–1912)
- Dancing Fox — Ohara Koson, 1900–1910s
- Calligraphy and Painting Party — Kawanabe Kyōsai, 1880, Japan, Meiji period (1868–1912)
- Women Carrying Pots for the Tsukuma Festival — Katsushika Hokusai 葛飾北斎, ca. early 1880s, Meiji period (1868–1912)
- Demons and Monsters — Takai Kōzan 高井鴻山, ca. 1870s, Meiji period (1868–1912)
- May: Shoki the Demon Queller Riding on a Tiger, Subjugating Goblins, from the series "Of the Twelve Months: the Fifth (Junikagetsu no uchi: gogatsu)" — Kawanabe Kyôsai, 1887
- Waterfall — Yoshida Hiroshi, 1924, Japan, Taishō period (1912–26)
- Urashima Taro Returning Home from the Palace of the Dragon King (Urashima Taro no ko kikoku ju Ryugujo no zu) — Tsukioka Yoshitoshi, 1886
- Vase of Flowers with Grasshopper, Marine Life, and Garden Rock — Okabe Ko, late 1800s, Japan, Meiji period (1868–1912)
- Poem by Akazome Emon, from the series One Hundred Poems Explained by the Nurse (Hyakunin isshu uba ga etoki) — Katsushika Hokusai, 1921, Taishō period (1912–26)
- Rain Clearing over a Summer’s Mountain — Seifū Yohei III, 1893–1914, Japan, Meiji period (1868–1912)
- Woman Applying Makeup — Hashiguchi Goyō, 1918 (Taishō 7), Taishō period (1912–26)
- Painting Seven from Album of Paintings by Haizan — Yoshitsugu Haizan, late 1800s–early 1900s, Japan, Meiji period (1868–1912) or Taishō period (1912–26)
Chinese landscapes (172)
- Portrait of Bao Zheng (998-1061) — 1368-1644, Possibly Ming dynasty
- Painting — 20th century, Qing dynasty (1644–1911)
- The Haven of the Peach-Blossom Spring — Shi Rui, mid-1400s, China, Ming dynasty (1368–1644)
- Visiting Dai Kui on a Snowy Night 雪夜訪戴圖 — Xia Kui, Ming dynasty (1368–1644), 15th century
- Watching the Waterfall 高士觀瀑圖 — Xia Kui, Ming dynasty (1368–1644), 15th century
- Album of painting and calligraphy for Maoshu — Various artists, 1666–80, Qing dynasty (1644–1911)
- Fishing Recluse by an Autumn Grove (秋林漁隱圖) — Sheng Mao, late Ming/early Qing dynasty, 17th century
- Dhyana Buddha — 1368-1644, Ming dynasty
- Portrait of An Qi — Wang Hui, 1715, China, Qing dynasty (1644–1911)
- The Autumn Hunt — Chen Juzhong, c. 1201–4, China, Southern Song dynasty (1127-1279)
- Drake and lotus flowers — Formerly attributed to Huang Jucai (933-after 993), 1279-1368, Yuan dynasty
- Palaces on the shore of a lake — Follower of Qiu Ying 仇英 (ca. 1494-1552), 18th century, Ming or Qing dynasty
- The hall of precious paintings 寶繪堂圖 — Copy after Qiu Ying 仇英 (ca. 1494-1552), 17th century, Ming or Qing dynasty
- Lohan, seated upon a lion — 1368-1644, Ming dynasty
- Winter landscape — Formerly attributed to Yan Wengui (10th century), 16th-17th century, Ming or Qing dynasty
- Standing figure of Lü Dongbin — 17th century, Ming or Qing dynasty
- Winter trees and snowy peaks — Formerly attributed to Jiang Shen (ca. 1090-1138), 17th century, Ming dynasty
- Five Pine Trees — Li Shan, 1747, China, Qing dynasty (1644–1911), Qianlong reign (1736–95)
- The Kangxi Emperor's Southern Inspection Tour, Scroll Three: Ji'nan to Mount Tai — Wang Hui, datable to 1698, Qing dynasty (1644–1911)
- Rocks and Bamboos — 15th century, Ming dynasty
- Paintings after Ancient Masters: Volume 2 — Chen Hongshou, 1598–1652, China, Ming dynasty (1368–1644)
- Landscape: two figures — Ding Guanpeng (active 1726-after 1770), 18th century, Qing dynasty
- After Lu Hong's "Thatched Hut" — Traditionally attributed to Lu Hong (active 713-742), 17th century, Ming and Qing dynasties
- Immortal Magu with deer and peach tree — 1575-1725, Qing dynasty
- Mandarin Ducks and Lotus — Ren Yi, Qing dynasty (1644–1911), 1892
- Streams and Mountains — Xu Ben, 1372, China, Yuan dynasty (1271–1368)
- Pavilion of Eight Poems 八詠樓詩畫 — Chen Chun, Ming dynasty (1368–1644), dated 1538
- The Bamboo Slope 竹坡圖 — Wang Hui, Qing dynasty (1644–1912), 1710
- Quails and Sparrows in an Autumn Scene — Wang Yuan, 1347, China, Yuan dynasty (1271–1368)
- Geese on a Riverbank — Shen Kai, Qing dynasty (1644–1911), 1750
- The Five Virtues — Ren Yi, Qing dynasty (1644–1911), 1895
- Fishermen-Hermits in Stream and Mountain — Zhao Yong, 1300s, China, Yuan dynasty (1271-1368)
- Conversation in Autumn — Hua Yan, 1732, China, Qing dynasty (1644–1911)
- Standing figure of Lü Dongbin — 1368-1644, Possibly Ming dynasty
- Drinking at Night — Tang Yin, Ming dynasty (1368–1644); c. 1520/23
- Pulling Oars under Clearing Autumn Skies 晴秋涉櫂圖 — Lu Zhi, Ming dynasty (1368–1644); c. 1545
- Landscapes with poems — Gong Xian, 1688, Qing dynasty (1644–1911)
- Quiet Life in a Wooded Glen 林麓幽居圖 — Wang Meng, Yuan dynasty (1279–1368), dated 1361
- Landscape — Gong Xian, Qing dynasty/early Republican period, 19th/early 20th century
- Painting — Bi Chang, 18th–19th century, Qing dynasty (1644–1911)
- Herbaceous Peony — Yun Shouping, 1685, China, Qing dynasty (1644-1911)
- Return to Stone Lake 石湖歸棹圖 — Shen Zhou, Ming dynasty (1368–1644), dated 1466
- Zhi and Xu's Pure Conversation — Lan Ying, 1643, China, Ming dynasty (1368–1644)
- Scholar Reclining and Watching Rising Clouds, Poem by Wang Wei — Ma Lin, c. 1256, China, Southern Song dynasty (1127-1279)
- Enjoying a meal on board a boat — 16th-17th century, Ming dynasty
- Bathing of the Buddha Festival — Hua Ziyou, Qing dynasty, 1833
- Squabbling mynas above a brook — 15th-16th century, Ming dynasty
- Landscape after Huang Gongwang — Wang Yuanqi, Qing Dynasty (1644–1911); dated 1701
- Recluse Dwellings in the Autumn Mountains — Mi Wanzhong, Ming dynasty (1368–1644), dated 1621
- A Vignette of Life on the Frontier — Jiao Bingzhen, c. 1717–22, China, Qing dynasty (1644-1911), Kangxi period (1662-1722)
- Nine Dragon Pool — Mei Qing, 1690s, China, Qing dynasty (1644-1911)
- Album of Seasonal Landscapes, Leaf H (previous leaf 8) — Xiao Yuncong, 1668, China, Qing dynasty (1644-1911)
- Lily and Butterflies — Liu Shanshou, 1300s, China, Yuan dynasty (1271-1368)
- Mt. Qingbian — Dong Qichang, 1617, China, Ming dynasty (1368–1644)
- A garden party — Formerly attributed to Qian Xuan 錢選 (late 13th century), 16th century?, Ming dynasty
- Strange Rocks — Gao Yang, Ming dynasty (1368–1644), early 17th century
- Portraits of the Qianlong Emperor and His Twelve Consorts — Giuseppe Castiglione, 1736–70s, China, Qing dynasty (1644–1911), Qianlong reign (1736–95)
- The Knickknack Peddler — Li Song, 1212, China, Southern Song dynasty (1127-1279)
- Snow-laden branches of a plum-tree — 15th-16th century, Ming dynasty
- A branch of loquats — Formerly attributed to Qian Xuan 錢選 (late 13th century), 1368-1644, Ming dynasty
- Album of Seasonal Landscapes, Leaf D (previous leaf 2) — Xiao Yuncong, 1668, China, Qing dynasty (1644-1911)
- Cottages in a Misty Grove in Autumn — Li Anzhong, 1117, China, Northern Song dynasty (960-1127)
- Album of Seasonal Landscapes, Leaf A (previous leaf 4) — Xiao Yuncong, 1668, China, Qing dynasty (1644-1911)
- Landscape with ferry boats — Formerly attributed to Ma Lin (active early to mid-13th century), 18th century, Qing dynasty
- Landscape Album in Various Styles: The Stream of Wuling — Zha Shibiao, 1684, China, Qing dynasty (1644-1911)
- Tall Bamboo and Distant Mountains, after Wang Meng — Wang Hui, 1694, China, Qing dynasty (1644–1911)
- Album of Seasonal Landscapes, Leaf G (previous leaf 7) — Xiao Yuncong, 1668, China, Qing dynasty (1644-1911)
- Woods and Valleys of Mount Yu — Ni Zan, dated 1372, Yuan dynasty (1271–1368)
- Ancestor Group Portrait — 1796–1820, China, Qing dynasty (1644-1911), Jiaqing period (1796-1820)
- The Eight Hosts of Deva, Naga, and Yakshi — 1454, China, Ming dynasty (1368–1644)
- The Bodhisattvas of the Ten Stages in Attaining the Most Perfect Knowledge — 1454, China, Ming dynasty (1368–1644)
- Pines, rock, and bamboo — Formerly attributed to Wu Daozi (傳)吳道子 (active ca. 710-760), 17th century, Ming or Qing dynasty
- Two men and a water-buffalo — Formerly attributed to Ma Yuan 馬遠 (active late 12th-early 13th century), 17th century, Ming dynasty
- Birds and fruit — Wu Zhang (1671-after 1741), 1741, Qing dynasty
- Morning Sun over Heavenly Citadel Peak — Ding Yunpeng, 1614, China, Ming dynasty (1368–1644)
- A blue glass dish filled with fruit — likely 18th century, Qing dynasty
- Portrait of Tao Yuanming — Yu Zhiding, Qing dynasty (1644–1911), early 19th century
- Birds Gather under the Spring Willow — Yin Hong, late 1400s–early 1500, China, Ming dynasty (1368–1644)
- Water Pavilion by Twin Pines — Guo Xi, Yuan or early Ming dynasty, 14th–15th century
- Mount Emei under heavy snow 《峩眉積雪圖》 — Formerly attributed to Guo Xi (傳)郭熙 (ca. 1001-1090), 17th century, Ming or Qing dynasty
- Bird, fruit, and flowers — Wu Zhang (1671-after 1741), 1741, Qing dynasty
- Fishing with cormorants — Formerly attributed to Xia Gui 夏珪 (active ca. 1195-1230), 16th century, Ming dynasty
- Clouds and Waves at the Wu Gorge — Xie Shichen, c. 1547–67, China, Ming dynasty (1368–1644)
- A Bird hovering over blossoming branches — Formerly attributed to Zhao Boju (ca. 1120s-ca.1162), 18th century, Qing dynasty
- The Hermit Xu You Resting by a Stream — Dai Jin, 1400s, China, Ming dynasty (1368–1644)
- Viewing Plum Blossoms with Warm Wine 溫酒賞梅圖 — Yuan Jiang, Qing dynasty (1644–1911), 1717
- Literary gathering — Formerly attributed to Li Gonglin (傳)李公麟 (ca. 1049-1106), 17th century, Qing dynasty
- Album of Landscapes and Calligraphy for Liu Songfu — Xugu, Qing dynasty (1644–1911), 1895/96
- Landscape in the Style of Ancient Masters: Artist's commentary — Lan Ying, Ming dynasty (1368–1644), first half of 17th century
- Luohan with a white monkey — 17th century, Late Ming or early Qing dynasty
- Landscape: a palace between lake and mountains — 17th century, Ming or Qing dynasty
- Two male figures with a toad — Formerly attributed to Liang Kai 梁楷 (late 12th-early 13th century), 17th century, Ming or Qing dynasty
- A luohan and an attendant — 1368-1644, Ming dynasty
- Portrait of a woman in green — Formerly attributed to Yan Liben (ca. 600-674), 17th century?, Possibly Ming dynasty
- Landscape in the Style of Ancient Masters: Songxuezhai Lan Ying — Lan Ying, Ming dynasty (1368–1644), first half of 17th century
- Landscape in the Style of Ancient Masters: after Ni Zan (1301-1374) — Lan Ying, Ming dynasty (1368–1644), first half of 17th century
- Landscape in the Style of Ancient Masters: after Wang Meng (c. 1308-1385) — Lan Ying, Ming dynasty (1368–1644), first half of 17th century
- Landscape in the Style of Ancient Masters: after Ni Zan (1301-1374), Cao Zhibo (1272-1355) — Lan Ying, Ming dynasty (1368–1644), first half of 17th century
- Java Sparrow on a berry branch — 15th century, Ming dynasty
- Winter Landscape — Xie Shichen, Ming dynasty (1368–1644)
- Landscape in the Style of Ancient Masters: After Gao Kegong — Lan Ying, Ming dynasty (1368–1644), first half of 17th century
- Landscape in the Style of Ancient Masters: after Fang Congyi — Lan Ying, Ming dynasty (1368–1644), first half of 17th century
- Two magpies under an orchid cliff — Possibly by Lü Ji (ca. 1420-ca. 1505), 15th century, Ming dynasty
- Studying a painting — Zhang Lu, 16th century, Ming dynasty (1368–1644)
- Tapestry: bamboos, flowers, birds, and insects — 1575-1725, Ming or Qing dynasty
- Quiet mountain village and trees — Style of Ni Zan 倪瓚 (1306-1374), 17th century, Ming or Qing dynasty
- Sparrows feeding their young — Formerly attributed to Huang Quan (903-968), 17th century?, Ming or Qing dynasty
- Envoys Presenting Tribute — Su Liupeng, Qing dynasty (1644–1911), about 1850
- Ink Flowers — Zhao Zhong, 1361, China, Yuan dynasty (1271–1368)
- Mountain Hamlet after Snow 《山莊雪霽圖》 — Formerly attributed to Li Cheng 李成 (919-967), 17th century, Ming or Qing dynasty
- Plum Blossoms, Crane, and Spring — Xugu, Qing dynasty ( 1644–1912); 1824–1896; c.1892
- Tea Drinking Under the Wutong Tree — Tang Yin, Ming dynasty (1369–1644), 1509
- Landscape: a lake, cliffs, and trees — Follower of Wen Zhengming 文徵明 (1470-1559), 17th century, Qing dynasty
- Kesi tapestry of two birds and a flowering tree — 16th-18th century, Mid-Ming to Qing dynasty
- Bamboo in the Wind — Puming, 1300s, China, Yuan dynasty (1271–1368)
- Treatise on Painting — Song dynasty (960–1279) or later
- Man, Buffalo, and Calf — Li You, 1145, China, Southern Song dynasty (1127-1279)
- Palace by a lake and distant hills — 16th-17th century, Ming or Qing dynasty
- River Village: Fisherman's Joy — Zhao Mengfu, c. 1302–3, China, Yuan dynasty (1271-1368)
- Birds on a Tree with Fruit and Autumn Foliage — Jiang Hong, Qing dynasty (1644–1911); late 17th century 清朝
- The Poet Lin Bu Wandering in the Moonlight — Du Jin, late 1400s, China, Ming dynasty (1368–1644)
- Distant View of Tiger Hill from the Canal Mooring, from Twelve Views of Tiger Hill, Suzhou — Shen Zhou, after 1490, China, Ming dynasty (1368–1644)
- Mandarin ducks under smartweed — Formerly attributed to Huang Quan (903-968), 15th-18th century, Ming or Qing dynasty
- One Hundred Children at Play — Su Hanchen, 1100s–1200s, China, Southern Song dynasty (1127-1279)
- Quails, other birds, and brambles — 18th century?, Possibly Qing dynasty
- Pine Wind from Myriad Villages — Wu Li, late 1600s–1718, China, Qing dynasty (1644–1911)
- The Peach Blossom Spring 桃花源圖 — Qiu Ying, Late Ming (1368–1644) or early Qing (1644–1912) dynasty
- Eagle on a Tree Trunk — Huang Shen, 1755, China, Qing dynasty (1644–1911), Qianlong reign (1736–95)
- Scholar Reclining and Watching Rising Clouds; Poem by Wang Wei — Ma Lin, c. 1256, China, Southern Song dynasty (1127-1279)
- Birds on Red Plum — Ren Yi, Qing dynasty (1644–1911), 1892
- Figure Painting — Shen Zhenlin, mid-19th century, Qing dynasty (1644–1911)
- Landscape after Guo Zhongshu — Bada Shanren, c. 1680–1705, China, Qing dynasty (1644–1911)
- White-Robed Guanyin — Jueji Yongzhong, late 1200s–early 1300s, China, Yuan dynasty (1271-1368)
- Portrait of Wen Zhengming — late Ming/early Qing dynasty, 17th century
- The Sixteen Luohans — Wu Bin, dated 1591, Ming dynasty (1368–1644)
- Yang Pu Moving His Family — Yuan dynasty (1279–1368) 元朝
- Bamboo-Covered Stream in Spring Rain — Xia Chang, Ming dynasty (1368–1644), dated 1441
- Landscape in the Style of Ancient Masters: after Gao Kegong — Lan Ying, Ming dynasty (1368–1644), first half of 17th century
- Clouds over the River before Rain 溪雲欲雨圖 — Shen Zhou, Ming dynasty (1368–1644), dated 1504
- Woman at her dressing table — Leng Mei, early 18th century, Qing dynasty (1644–1911)
- Paintings after Ancient Masters — Chen Hongshou, 1598–1652, China, Ming dynasty (1368–1644)
- Poetic Thoughts in a Forest Pavilion 林堂詩思圖 — Ni Zan, Ming dynasty (1368–1644), c. 1371
- Pillars of the Country — Yao Shou, Ming dynasty (1368–1644), 1494
- A Hunt in the Mountains of Heaven — Artist unknown [spurious signature of Zhao Mengfu (1254-1322), dated 1301], Late Ming /early Qing dynasty, 17th century
- Song of a Fisherman — Wang Wen, Ming dynasty (1368–1644)
- Autumn Mountains 秋山圖 — Wen Zhengming, Ming dynasty (1368–1644), early 16th century 明朝
- Reminiscences of Qinhuai River — Shitao, 1642–1707, China, Qing dynasty (1644-1911)
- Zhongli Quan Crossing the Ocean — Zhao Qi, 1368–1644, China, Ming dynasty (1368–1644)
- Wall painting — Song dynasty (960–1279)
- Lady Xuanwen Giving Instruction on the Rites of Zhou — Chen Hongshou, 1638, China, Ming dynasty (1368–1644)
- Five trees on a rocky promontory — Traditionally attributed to Ni Zan 倪瓚 (1306-1374), 17th-18th century, Qing dynasty
- Album of Landscapes and Figures with Calligraphy by Chen Xiuyu — Xugu, Qing dynasty (1644–1911), 1896
- Landscape — Traditionally attributed to Tao Cheng (late 15th-early 16th century), 17th century, Late Ming or early Qing dynasty
- Flowers of the Four Seasons — Artist unknown (spurious attribution to Prince Yongrong), Qing dynasty (1644–1911), 18th/19th century
- Manjushri — c. 1500–1550, China, Ming dynasty (1368–1644)
- Washing the Elephant — Attributed to Qian Xuan (Chinese, 1235-1305), Ming dynasty (1369–1644) or earlier
- The Four Accomplishments — Wang Ning, Qing dynasty (1644–1911), 19th century
- One Hundred Cranes 百鶴圖 — Shen Quan, Qing dynasty (1644–1912) 清朝, 1725-80
- Painting — 20th century, Qing dynasty (1644–1911)
- Mountain Landscape — Formerly attributed to Dong Yuan (傳)董源 (died 962), 16th century, Ming dynasty
- River Landscape: fishermen in boats — 15th century, Ming dynasty
- Hawk on a leafless branch — Formerly attributed to Li You (11th or 12th century), 1279-1368, Possibly Yuan dynasty
- Luohan and lion — 1368-1644, Ming dynasty
- Swimming geese — Lin Liang (ca. 1428-ca. 1495), 15th century, Ming dynasty
- Landscape: mountain peaks and valley — Formerly attributed to Mi Fu (傳)米芾 (1052-1107), 16th-17th century, Ming dynasty
- A tatar, a lean horse, and a dog — Formerly attributed to Hu Huai (early 10th century), 1368-1644, Ming dynasty
- Hollyhocks and ducks — 1368-1644, Ming dynasty
- Five hundred luohans — Formerly attributed to Li Gonglin (傳)李公麟 (ca. 1049-1106), 16th-17th century, Ming dynasty
- Birds and pines — Formerly attributed to Wu Zhen 吳鎮 (1280-1354), 1368-1644, Possibly Ming dynasty
- Landscape — 1368-1644, Ming dynasty
- Walking by a mountain stream — Traditionally attributed to Shen Zhou 沈周 (1427-1509), 1368-1644, Ming dynasty
- Hibiscus — Wang Yuan 王淵 (ca. 1280-after 1349), 1347, Yuan dynasty
Joseon Korea (177)
- 규장각 — 金弘道, 조선
出典：国立中央博物館「규장각」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100101500022800000、공공누리 제1유형）を加工して作成 - Painting of One Hundred Themes — late 1800s, Korea, Joseon dynasty (1392–1910)
- Hunting Scene — 1800s, Korea, Joseon dynasty (1392–1910)
- Landscape: mountains and water; a figure under a pine tree — 16th-early 17th century, Joseon period or Ming dynasty
- 묵죽도 — 李伋, 조선
出典：国立中央博物館「묵죽도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100100252600000、공공누리 제1유형）を加工して作成 - Tigers and Leopard Frolicking — 1700s, Korea, Joseon dynasty (1392–1910)
- 책거리 5폭 — 미상, 조선
出典：国立中央博物館「책거리 5폭」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100102400414000000、공공누리 제1유형）を加工して作成 - 乙丑貞純王后因山圖 — 조선
出典：国立中央博物館「乙丑貞純王后因山圖」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100101125900000、공공누리 제1유형）を加工して作成 - 책거리 — 미상, 조선
出典：国立中央博物館「책거리」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100101600425000000、공공누리 제1유형）を加工して作成 - 필자미상 춘ㆍ추경산수도 — 조선
出典：国立中央博物館「필자미상 춘ㆍ추경산수도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100900325800000、공공누리 제1유형）を加工して作成 - Orchids — Kim Eung-won, Joseon dynasty(1392–1910)
- 매조도 — 김홍도, 조선
出典：国立中央博物館「매조도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100102400368100000、공공누리 제1유형）を加工して作成 - 고사인물도8곡병(이면:문자도4곡병) — 미상, 조선
出典：国立中央博物館「고사인물도8곡병(이면:문자도4곡병)」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100102400412700000、공공누리 제1유형）を加工して作成 - 대나무와 짐승 — 전 이징(傳 李霆), 조선
出典：国立中央博物館「대나무와 짐승」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100100027600000、공공누리 제1유형）を加工して作成 - 포도 — 이계호(李繼祜, 1574-1645), 조선
出典：国立中央博物館「포도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100500132700000、공공누리 제1유형）を加工して作成 - 민영익 필 묵란도축 — 민영익(閔泳翊, 1860~1914), 조선
出典：国立中央博物館「민영익 필 묵란도축」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100101600521600000、공공누리 제1유형）を加工して作成 - 투계도 — 신윤복,申潤福, 조선
出典：国立中央博物館「투계도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100500229100014、공공누리 제1유형）を加工して作成 - 책거리 8폭 — 미상, 조선
出典：国立中央博物館「책거리 8폭」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100102400410300000、공공누리 제1유형）を加工して作成 - 아기 업은 여인 — 신윤복(申潤福), 조선
出典：国立中央博物館「아기 업은 여인」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100500229100013、공공누리 제1유형）を加工して作成 - Landscape with Streams and Mountains — late 1700s or early 1800s, Korea, Joseon dynasty (1392–1910)
- Landscape — 1800s, Japan, Edo period (1615–1868) or Korea, Joseon dynasty (1392–1910)
- Nine-Dragon Falls — Han Unpyeong, late 1800s, Korea, Joseon dynasty (1392–1910)
- Samantabhadra on an Elephant with Two Attendants — 1392–1910, Korea, Joseon dynasty (1392–1910)
- A Pair of Carp — Korea, Joseon dynasty (1392–1910)
- Grapevine — Choe Seok-hwan, early 1800s, Korea, Joseon dynasty (1392–1910)
- Egret and Reeds — Yang Ki-hun, late 1800s, Korea, Joseon dynasty (1392–1910)
- Ancestral shrine painting — 19th century, Joseon dynasty (1392–1910)
- Bottle — 14th century, Goryeo period
- Books and Scholars’ Accoutrements — Yi Taek-gyun, late 1800s, Korea, Joseon dynasty (1392–1910)
- Landscape of the Four Seasons — Yi Sumun, late 1400s, Korea, Joseon dynasty (1392–1910)
- Buddhist Deities — 1700s–1800s, Korea, Joseon dynasty (1392–1910)
- Wild Geese and Reeds — 1392–1910, Korea, Joseon dynasty (1392–1910)
- Orchids and Rocks — Yi Ha-eung, 1897–98, Korea, Joseon dynasty (1392–1910), Korean Empire period (1897–1910)
- Cho Hyun-myeong from Punhyang Cho Family — 1800s, Korea, Joseon dynasty (1392–1910)
- Cho Jae-ho from Punhyang Cho Family — 1800s, Korea, Joseon dynasty (1392–1910)
- Landscape of the Four Seasons — Yi Sumun, late 1400s, Korea, Joseon dynasty (1392–1910)
- Landscape of the Four Seasons — Yi Sumun, late 1400s
- Portrait of an Official — early 1800s, Korea, Joseon dynasty (1392–1910)
- Portraits of Cho Hyun-myeong and Cho Jae-ho — early 1800s, Korea, Joseon dynasty (1392–1910)
- Snowscape with Figures — Kim Si, 1584, Korea, Joseon dynasty (1392–1910)
- Bamboo in Moonlight — 1500s, Korea, Joseon dynasty (1392–1910)
- Daoist Immortal on a Qilin and Two Attendants — late 1800s, Korea, Joseon dynasty (1392–1910)
- Daoist Immortal on a Qilin and Two Attendants — late 1800s, Korea, Joseon dynasty (1392–1910)
- Geese Returning Home — 1600s, Korea, Joseon dynasty (1392–1910)
- Tiger Family — late 1800s, Korea, Joseon dynasty (1392–1910)
- Joyous Banquet of Guo Ziyi (곽분양행락도) — Korea, Joseon dynasty (1392–1910), 19th century
- Tathagata Buddha — late 1800s, Korea, Joseon dynasty (1392–1910)
- Gathering among the Members of Office Censor-General — 1700s, Korea, Joseon dynasty (1392–1910)
- The Assembly of Tejaprabha Buddha — 1878, Korea, Joseon dynasty (1392–1910)
- Boating in Moonlight — 1600s, Korea, Joseon dynasty (1392–1910)
- Seven Jeweled Mountain — late 1800s, Korea, Joseon dynasty (1392–1910)
- Buddha Amitabha (Amita) and the Eight Great Bodhisattvas — mid-late 14th century, Late Goryeo period
- Water-Moon Avalokiteshvara (Suwol Gwaneum bosal) — mid-14th century, Goryeo period
- Poet Fisherman — 1800s, Korea, Joseon dynasty (1392–1910)
- Portrait of the Great Master Yeongwoldang Eungjin — 1700s, Korea, Joseon dynasty (1392–1910)
- Scholar Playing a Qin — 1800s, Korea, Joseon dynasty (1392–1910)
- 육선생 영본 — 조선
出典：国立中央博物館「육선생 영본」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100900221800000、공공누리 제1유형）を加工して作成 - 정선필 산수도 — 鄭敾(謙齋), 조선
出典：国立中央博物館「정선필 산수도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100500326200000、공공누리 제1유형）を加工して作成 - 행상, 《단원 풍속도첩》 — 김홍도(金弘道), 조선
出典：国立中央博物館「행상, 《단원 풍속도첩》」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100100650400025、공공누리 제1유형）を加工して作成 - 춤추는 아이, 《단원 풍속도첩》 — 김홍도(金弘道), 조선
出典：国立中央博物館「춤추는 아이, 《단원 풍속도첩》」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100100650400024、공공누리 제1유형）を加工して作成 - 책가도 8폭 — 미상, 조선
出典：国立中央博物館「책가도 8폭」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100102400418500000、공공누리 제1유형）を加工して作成 - 선인동자도 — 신윤복, 조선
出典：国立中央博物館「선인동자도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100102400369700000、공공누리 제1유형）を加工して作成 - 채가필 산수도 — 蔡嘉, 조선
出典：国立中央博物館「채가필 산수도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100500202500000、공공누리 제1유형）を加工して作成 - 황주필 오동인물도 — 黃洲, 조선
出典：国立中央博物館「황주필 오동인물도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100500278100000、공공누리 제1유형）を加工して作成 - 군선도 — 金弘道, 조선
出典：国立中央博物館「군선도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100100650400026、공공누리 제1유형）を加工して作成 - 장생도 병풍 — 조선
出典：国立中央博物館「장생도 병풍」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100101100055100000、공공누리 제1유형）を加工して作成 - 책가도 병풍 — 미상, 조선
出典：国立中央博物館「책가도 병풍」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100102400405500000、공공누리 제1유형）を加工して作成 - 고사한담도 — 미상, 조선
出典：国立中央博物館「고사한담도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100102400389600000、공공누리 제1유형）を加工して作成 - 돌아오는 배 — 정선(鄭敾, 1676-1759), 조선
出典：国立中央博物館「돌아오는 배」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100500400700000、공공누리 제1유형）を加工して作成 - 초상화첩 — 조선
出典：国立中央博物館「초상화첩」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100900253100000、공공누리 제1유형）を加工して作成 - 폭포쌍조도 — 傳 김제, 조선
出典：国立中央博物館「폭포쌍조도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100102400387800000、공공누리 제1유형）を加工して作成 - 필자미상 책가도 — 조선
出典：国立中央博物館「필자미상 책가도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100500564400000、공공누리 제1유형）を加工して作成 - 묵란도 — 민영익, 조선
出典：国立中央博物館「묵란도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100102400367100000、공공누리 제1유형）を加工して作成 - 전 정선 필 풍림정거도 — 傳鄭敾, 조선
出典：国立中央博物館「전 정선 필 풍림정거도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100900226600000、공공누리 제1유형）を加工して作成 - 민영익필 묵란도 — 민영익閔泳翊(1860-1914), 조선
出典：国立中央博物館「민영익필 묵란도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100101700980900000、공공누리 제1유형）を加工して作成 - 화조화 — 주가(主家), 조선
出典：国立中央博物館「화조화」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100100820300000、공공누리 제1유형）を加工して作成 - 정선등필 산수인물화첩 — 沈師正,鄭敾, 조선
出典：国立中央博物館「정선등필 산수인물화첩」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100500229200000、공공누리 제1유형）を加工して作成 - 독조도 — 미상, 조선
出典：国立中央博物館「독조도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100102400388900000、공공누리 제1유형）を加工して作成 - 작가미상 추수백운도 — 그림: 작가미상, 글: 김정희金正喜(1786-1856), 조선
出典：国立中央博物館「작가미상 추수백운도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100101700984500000、공공누리 제1유형）を加工して作成 - 우뚝선 바위 — 정선(鄭敾, 1676-1759), 조선
出典：国立中央博物館「우뚝선 바위」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100100238300000、공공누리 제1유형）を加工して作成 - 소나무 — 정선(鄭敾, 1676-1759), 조선
出典：国立中央博物館「소나무」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100500101400000、공공누리 제1유형）を加工して作成 - 책가도 8폭 — 미상, 조선
出典：国立中央博物館「책가도 8폭」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100102400411000000、공공누리 제1유형）を加工して作成 - 필자미상 묵죽도 — 조선
出典：国立中央博物館「필자미상 묵죽도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100900282800000、공공누리 제1유형）を加工して作成 - 꽃과 나비 — 남계우(南啓宇, 1811-1888), 조선
出典：国立中央博物館「꽃과 나비」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100500231200000、공공누리 제1유형）を加工して作成 - 문관 초상 — 조선
出典：国立中央博物館「문관 초상」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100500360300000、공공누리 제1유형）を加工して作成 - 귀거래사도 10곡병 — 정선鄭敾(1676-1759), 조선
出典：国立中央博物館「귀거래사도 10곡병」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100102400351600000、공공누리 제1유형）を加工して作成 - 동물책거리 4폭 — 미상, 조선
出典：国立中央博物館「동물책거리 4폭」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100102400411500000、공공누리 제1유형）を加工して作成 - 박병수 필 낙화화조도 12폭병풍 — 박병수(朴秉洙), 조선
出典：国立中央博物館「박병수 필 낙화화조도 12폭병풍」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100101600521100000、공공누리 제1유형）を加工して作成 - 화조도 — 미상, 조선
出典：国立中央博物館「화조도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100102400422300000、공공누리 제1유형）を加工して作成 - 송하인물도 — 傳정선鄭敾(1676-1754), 조선
出典：国立中央博物館「송하인물도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100102400367600000、공공누리 제1유형）を加工して作成 - 산수화 — 전 정선(傳 鄭敾), 조선
出典：国立中央博物館「산수화」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100100220600000、공공누리 제1유형）を加工して作成 - 책거리 8곡병 — 미상, 조선
出典：国立中央博物館「책거리 8곡병」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100102400409800000、공공누리 제1유형）を加工して作成 - 초정화첩 — 박제가朴齊家(1750-1805), 조선
出典：国立中央博物館「초정화첩」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100102400364400000、공공누리 제1유형）を加工して作成 - 화조영모도10곡병 — 장승업張承業(1843-1897), 조선
出典：国立中央博物館「화조영모도10곡병」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100102400358200000、공공누리 제1유형）を加工して作成 - 백동자 10폭 병풍 — 조선
出典：国立中央博物館「백동자 10폭 병풍」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100101101542800000、공공누리 제1유형）を加工して作成 - 풍속산수화 — 신윤복(申潤福, 1758?-1817 ?), 강이오(姜彝五), 조선
出典：国立中央博物館「풍속산수화」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100500093900000、공공누리 제1유형）を加工して作成 - 김영필 산수도 — 金瑛, 조선
出典：国立中央博物館「김영필 산수도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100500497800000、공공누리 제1유형）を加工して作成 - 풍속도첩 — 전 신윤복(傳 申潤福, 1758?-1817?), 조선
出典：国立中央博物館「풍속도첩」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100500437700000、공공누리 제1유형）を加工して作成 - 전강세황필 화첩 — 姜世晃(豹庵), 조선
出典：国立中央博物館「전강세황필 화첩」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100500310400000、공공누리 제1유형）を加工して作成 - 기녀출행도 — 신윤복申潤福(1758-?), 조선
出典：国立中央博物館「기녀출행도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100102400365700000、공공누리 제1유형）を加工して作成 - 송하고승도 — 장승업張承業(1843-1897), 조선
出典：国立中央博物館「송하고승도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100102400354100000、공공누리 제1유형）を加工して作成 - 지두화 — 허필, 조선
出典：国立中央博物館「지두화」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100102400364100000、공공누리 제1유형）を加工して作成 - 강항필 선인도 — 姜沆, 조선
出典：国立中央博物館「강항필 선인도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100500233500000、공공누리 제1유형）を加工して作成 - 안중식 필 어조도 — 安中植, 조선
出典：国立中央博物館「안중식 필 어조도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100900248700000、공공누리 제1유형）を加工して作成 - 대나무 — 유덕장(柳德章), 조선
出典：国立中央博物館「대나무」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100900262600000、공공누리 제1유형）を加工して作成 - 산수그림 — 정선(鄭敾, 1676-1759), 조선
出典：国立中央博物館「산수그림」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100100377400000、공공누리 제1유형）を加工して作成 - 가을 산수 — 조선
出典：国立中央博物館「가을 산수」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100100796000000、공공누리 제1유형）を加工して作成 - 필자미상 묵매도 — 조선
出典：国立中央博物館「필자미상 묵매도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100900238300000、공공누리 제1유형）を加工して作成 - 筆者未詳筆肖像 — 조선
出典：国立中央博物館「筆者未詳筆肖像」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100101142200000、공공누리 제1유형）を加工して作成 - 초동기우도 — 김홍도金弘道(1745-1806이후), 조선
出典：国立中央博物館「초동기우도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100102400354200000、공공누리 제1유형）を加工して作成 - 산수화 — 정선(鄭敾, 1676-1759), 조선
出典：国立中央博物館「산수화」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100900227000000、공공누리 제1유형）を加工して作成 - 필자미상 묵매도 — 조선
出典：国立中央博物館「필자미상 묵매도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100900264000000、공공누리 제1유형）を加工して作成 - 이형록필 책가도 — 조선
出典：国立中央博物館「이형록필 책가도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100500483200000、공공누리 제1유형）を加工して作成 - 조석진필 고사인물화 — 조석진(趙錫晋, 1853~1920), 조선
出典：国立中央博物館「조석진필 고사인물화」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100101700818500000、공공누리 제1유형）を加工して作成 - 鄭敾筆達城遠眺圖 — 鄭敾, 조선
出典：国立中央博物館「鄭敾筆達城遠眺圖」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100101235800000、공공누리 제1유형）を加工して作成 - 김응환필 운경산수도 및 운룡도 — 김응환金應煥(1742-1789), 조선
出典：国立中央博物館「김응환필 운경산수도 및 운룡도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100101700986000000、공공누리 제1유형）を加工して作成 - 이재관 필 추경산수도 — 李在寬, 조선
出典：国立中央博物館「이재관 필 추경산수도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100900228500000、공공누리 제1유형）を加工して作成 - 단풍 숲에 멈춘 수레 — 정선(鄭敾, 1676-1759), 조선
出典：国立中央博物館「단풍 숲에 멈춘 수레」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100900226700000、공공누리 제1유형）を加工して作成 - 빨래터, 《단원 풍속도첩》 — 김홍도(金弘道), 조선
出典：国立中央博物館「빨래터, 《단원 풍속도첩》」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100100650400010、공공누리 제1유형）を加工して作成 - 난초와 국화 — 김정희(金正喜, 1786-1856), 조선
出典：国立中央博物館「난초와 국화」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100100238600000、공공누리 제1유형）を加工して作成 - 우물가, 《단원 풍속도첩》 — 김홍도(金弘道), 조선
出典：国立中央博物館「우물가, 《단원 풍속도첩》」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100100650400011、공공누리 제1유형）を加工して作成 - 초상 — 조선
出典：国立中央博物館「초상」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100500225200000、공공누리 제1유형）を加工して作成 - 전정홍래필 빈풍칠월도 — 鄭泓來, 조선
出典：国立中央博物館「전정홍래필 빈풍칠월도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100500244400000、공공누리 제1유형）を加工して作成 - 담배썰기, 《단원 풍속도첩》 — 김홍도(金弘道), 조선
出典：国立中央博物館「담배썰기, 《단원 풍속도첩》」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100100650400012、공공누리 제1유형）を加工して作成 - 자리짜기, 《단원 풍속도첩》 — 김홍도(金弘道), 조선
出典：国立中央博物館「자리짜기, 《단원 풍속도첩》」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100100650400013、공공누리 제1유형）を加工して作成 - 기와이기, 《단원 풍속도첩》 — 김홍도(金弘道), 조선
出典：国立中央博物館「기와이기, 《단원 풍속도첩》」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100100650400003、공공누리 제1유형）を加工して作成 - 벼타작, 《단원 풍속도첩》 — 김홍도(金弘道), 조선
出典：国立中央博物館「벼타작, 《단원 풍속도첩》」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100100650400014、공공누리 제1유형）を加工して作成 - 활쏘기, 《단원 풍속도첩》 — 김홍도(金弘道), 조선
出典：国立中央博物館「활쏘기, 《단원 풍속도첩》」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100100650400002、공공누리 제1유형）を加工して作成 - 그림감상, 《단원 풍속도첩》 — 김홍도(金弘道), 조선
出典：国立中央博物館「그림감상, 《단원 풍속도첩》」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100100650400015、공공누리 제1유형）を加工して作成 - 논갈이, 《단원 풍속도첩》 — 김홍도(金弘道), 조선
出典：国立中央博物館「논갈이, 《단원 풍속도첩》」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100100650400001、공공누리 제1유형）を加工して作成 - 정선필 인왕제색도 — 겸재 정선謙齋 鄭敾(1676-1759), 조선
出典：国立中央博物館「정선필 인왕제색도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100102400000100000、공공누리 제1유형）を加工して作成 - 이산해 초상 — 조선
出典：国立中央博物館「이산해 초상」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100500615700000、공공누리 제1유형）を加工して作成 - 김정희 필 세한도 — 김정희金正喜(1786-1856), 조선
出典：国立中央博物館「김정희 필 세한도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100101701000000000、공공누리 제1유형）を加工して作成 - 포도.화훼도2폭 — 이우, 조선
出典：国立中央博物館「포도.화훼도2폭」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100102400373700000、공공누리 제1유형）を加工して作成 - 신윤복등필 산수인물풍속영모화첩 — 조선
出典：国立中央博物館「신윤복등필 산수인물풍속영모화첩」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100500229100000、공공누리 제1유형）を加工して作成 - 전심사정필 산거도 — 沈師正(玄齋), 조선
出典：国立中央博物館「전심사정필 산거도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100500115900000、공공누리 제1유형）を加工して作成 - 필자미상 관폭도 — 조선
出典：国立中央博物館「필자미상 관폭도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100900249100000、공공누리 제1유형）を加工して作成 - 책거리 — 조선
出典：国立中央博物館「책거리」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100101101143100000、공공누리 제1유형）を加工して作成 - 꽃과 새 — 심사정(沈師正, 1707-1769), 조선
出典：国立中央博物館「꽃과 새」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100500367200000、공공누리 제1유형）を加工して作成 - 영모도 — 전 홍세섭(傳 洪世燮), 조선
出典：国立中央博物館「영모도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100500111500000、공공누리 제1유형）を加工して作成 - 귀로산수도 — 신윤복申潤福(1758-?), 조선
出典：国立中央博物館「귀로산수도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100102400359600000、공공누리 제1유형）を加工して作成 - 민화 관동팔경도 8폭 병풍 — 鳳山屋人 松菴, 조선
出典：国立中央博物館「민화 관동팔경도 8폭 병풍」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100101600311200000、공공누리 제1유형）を加工して作成 - 산수화 — 심사정(沈師正, 1707-1769), 조선
出典：国立中央博物館「산수화」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100100238100000、공공누리 제1유형）を加工して作成 - 산수도 — 尹德熙, 조선
出典：国立中央博物館「산수도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100100221500000、공공누리 제1유형）を加工して作成 - 책거리 — 조선
出典：国立中央博物館「책거리」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100101100245500000、공공누리 제1유형）を加工して作成 - 이한철필 소년행도 — 李漢喆(希園), 조선
出典：国立中央博物館「이한철필 소년행도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100500275600000、공공누리 제1유형）を加工して作成 - 씨름 — 신윤복(申潤福, 1758-1817), 조선
出典：国立中央博物館「씨름」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100500375000000、공공누리 제1유형）を加工して作成 - 책거리 그림 — 작자미상, 조선
出典：国立中央博物館「책거리 그림」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100900332200000、공공누리 제1유형）を加工して作成 - 산수도 — 정선鄭敾(1676-1759), 조선
出典：国立中央博物館「산수도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100102400354800000、공공누리 제1유형）を加工して作成 - 이익재 필 춘경산수도 — 李益齋, 조선
出典：国立中央博物館「이익재 필 춘경산수도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100900328600000、공공누리 제1유형）を加工して作成 - 청풍계 — 정선鄭敾(1676-1759), 조선
出典：国立中央博物館「청풍계」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100102400352600000、공공누리 제1유형）を加工して作成 - 허련필 완당선생 초상 — 허련許鍊 (1808~1893), 조선
出典：国立中央博物館「허련필 완당선생 초상」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100101700999800000、공공누리 제1유형）を加工して作成 - 이명기 필 조형 초상 — 화산관 이명기(華山館 李命基, 1756-1813), 조선
出典：国立中央博物館「이명기 필 조형 초상」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100101601056700000、공공누리 제1유형）を加工して作成 - 봄날이여 영원하라 — 전 신윤복(傳 申潤福, 1758?-1817?), 조선
出典：国立中央博物館「봄날이여 영원하라」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100900331200000、공공누리 제1유형）を加工して作成 - 傳김정희필 묵란 — 傳김정희(金正喜, 1786~1856), 조선
出典：国立中央博物館「傳김정희필 묵란」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100101700984600000、공공누리 제1유형）を加工して作成 - 해상대 — 정선, 조선
出典：国立中央博物館「해상대」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100102400365400000、공공누리 제1유형）を加工して作成 - 소나무 아래 호랑이 — 전 형암(傳 亨菴), 조선
出典：国立中央博物館「소나무 아래 호랑이」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100900242700000、공공누리 제1유형）を加工して作成 - 노안도 — 양기훈(楊基薰), 조선
出典：国立中央博物館「노안도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100101600439000000、공공누리 제1유형）を加工して作成 - 傳김홍도필 도석인물화 — 傳김홍도金弘道(1745-1806 이후), 조선
出典：国立中央博物館「傳김홍도필 도석인물화」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100101700982800000、공공누리 제1유형）を加工して作成 - 전 강세황 필 청죽도 — 강세황(姜世晃, 1713~1791), 조선
出典：国立中央博物館「전 강세황 필 청죽도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100101600521300000、공공누리 제1유형）を加工して作成 - 묵란도 — 김응원, 조선
出典：国立中央博物館「묵란도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100102400381000000、공공누리 제1유형）を加工して作成 - 단발령망금강도 — 傳정선鄭敾(1676-1759), 조선
出典：国立中央博物館「단발령망금강도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100102400354600000、공공누리 제1유형）を加工して作成 - 왕우중 필 화조도 — 王于中, 조선
出典：国立中央博物館「왕우중 필 화조도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100900233900000、공공누리 제1유형）を加工して作成 - 전이형록필 책가도 — 傳李應祿, 조선
出典：国立中央博物館「전이형록필 책가도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100500600400000、공공누리 제1유형）を加工して作成 - 필자미상 노응도ㆍ동월견폐도 — 조선
出典：国立中央博物館「필자미상 노응도ㆍ동월견폐도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100900252700000、공공누리 제1유형）を加工して作成 - 보덕굴, 《신묘년 풍악도첩》 — 정선(鄭敾, 1676-1759), 조선
出典：国立中央博物館「보덕굴, 《신묘년 풍악도첩》」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100500090300012、공공누리 제1유형）を加工して作成 - 傳홍대연필 수하인물도 — 傳홍대연洪大淵(1749-1816), 조선
出典：国立中央博物館「傳홍대연필 수하인물도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100101700985500000、공공누리 제1유형）を加工して作成 - 필자미상 선면 영모도 — 조선
出典：国立中央博物館「필자미상 선면 영모도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100900234100000、공공누리 제1유형）を加工して作成 - 대쾌도 — 전 신윤복(傳 申潤福, 1758-1817), 조선
出典：国立中央博物館「대쾌도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100900255900000、공공누리 제1유형）を加工して作成 - 낙산사 — 정선(鄭敾, 1676-1759), 조선
出典：国立中央博物館「낙산사」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100500237000036、공공누리 제1유형）を加工して作成 - 구름과 용 — 조선
出典：国立中央博物館「구름과 용」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100500250500000、공공누리 제1유형）を加工して作成 - 묵란도 — 조선
出典：国立中央博物館「묵란도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100100509600000、공공누리 제1유형）を加工して作成 - 견도 — 조선
出典：国立中央博物館「견도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100500165500000、공공누리 제1유형）を加工して作成 - 국화도 — 김홍도金弘道(1745-1806이후), 조선
出典：国立中央博物館「국화도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100102400353200000、공공누리 제1유형）を加工して作成 - 김홍도필 화조도 — 金弘道, 조선
出典：国立中央博物館「김홍도필 화조도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100100500250000000、공공누리 제1유형）を加工して作成 - 하경산수도 — 정선鄭敾(1676-1759), 조선
出典：国立中央博物館「하경산수도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100102400353700000、공공누리 제1유형）を加工して作成 - 우: 계산허정도, 좌: 계산기려도 — 강세황姜世晃(1713-1791), 조선
出典：国立中央博物館「우: 계산허정도, 좌: 계산기려도」（e뮤지엄 https://www.emuseum.go.kr/detail?relicId=PS0100100102400352000000、공공누리 제1유형）を加工して作成
Persia and India (163)
- Beauty Holding a Flower — Mughal, Mid–17th century
- Foxtail Millet (Panicum italicum) — early 19th century
- Nan va Halva (Breads and Sweets) — Muhammad Baha' al-Din al-'Amili, ca. 1690
- A Gathering of Holy Men of Different Faiths — Mir Kalan Khan, ca. 1770–75
- The Greedy Dog — Farrukh Chela, Mughal dynasty (1526-1857), late 16th century
- Courtyard of a Palace — Iran, Safavid dynasty (1501–1722), 16th century
- "Shah Jahan on Horseback", Folio from the Shah Jahan Album — Payag, verso: ca. 1630; recto: ca. 1530–50
- Dancer — early 19th century
- Page from the St. Petersburg Album — India and Iran, Portraits: Top left: Iran, c. 1740; top right: Iran, c. 1748; bottom left: India, 18th century; bottom right: India, 18th century; Calligraphy: Iran, late 16th century; Borders: Iran, mid–18th century
- Prince Riding in Chariot Drawn by Goats — Mughal, c. 1585
- Khusrau Gazing at Shirin, from a copy of the Khamsa of Nizami — Iran, 1485 (890 A.H.)
- A Portrait of a Statesman — Yahya Ghaffari, dated 1294 AH/1877 CE
- Man Holding a Bottle and a Cup — 16th–17th century
- Farhad Carrying Shirin and Her Horse, from a copy of the Khamsa of Nizami — Iran, Timurid dynasty (ca. 1370–1507), dated 1485 (890 A.H.)
- "Bizhan Forces Farud to Retreat into his Fort", Folio from a Shahnama (Book of Kings) — Abu'l Qasim Firdausi, ca. 1430–40
- Two fragments of a lid — early 13th century, Saljuq period
- Shamsa Medallion — Iran, 16th/17th century
- "Prince Killing a Lion", Folio from the Davis Album — 'Ali Riza 'Abbasi, 17th century
- Prince Holding a Falcon — ca 1820
- A Gathering of Dervishes — ca. 1605–10
- Attendants at an Imperial Durbar — Hunhar, ca. 1645
- Two Pigeons — ca. 1650
- Preparations for a Hunt — ca. 1680
- A Pair of Mynas — ca. 1620
- The Ascent of the Prophet to Heaven, Page from the Khamsa of Nizami — Iran, Safavid dynasty (1501–1722), c. 1600
- Wedding Procession of Sultan Muhammad Quli Qutb Shah — ca. 1650
- A Pilgrim and an ascetic in conversation — ca. 1600, Mughal dynasty, Reign of Jahangir
- "Khusrau Catches Sight of Shirin Bathing", Folio 50 from a Khamsa (Quintet) of Nizami of Ganja — Nizami, dated 931 AH/1524–25 CE
- Painting of Alamgir Mosque — 19th century
- Painting of the Qutb Minar — 19th century
- A Tatar soldier — 16th century
- Two pheasants — ca. 1620
- "The Annunciation," Folio from the Bellini Album — ca. 1600
- Lady with a Turkish Headdress (hotos) — mid-17th century
- "A Bathhouse Keeper is Consumed by Passion for his Beloved", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi — Amir Khusrau Dihlavi, 1597–98
- At the Mosque Door — Osman Hamdi Bey, dated 1879
- Portrait of Mirza Hashem Amin Khalvat — Abu`l Hasan Ghaffari, known as Sani' al-Mulk, mid-19th century
- Portrait of Farrukh Khan Amin al-Dawla Kashi — Abu`l Hasan Ghaffari, known as Sani' al-Mulk, mid-19th century
- Book Binding — Iran, Qajar dynasty (1796–1925), 1822, 18th/19th century
- Fragmentary base of a bowl with image of running rabbit — late 13th century
- Fragmentary base of a bowl with image of a camel — early 13th century
- Fragmentary base of a bowl with image of a rider — early 13th century
- Moulded fragment — early 13th century, Saljuq period
- Botanical Painting: Dianthus — ca. 1630
- Fragmentary base of a bowl with with abstracted all-over design — early 13th century
- Fragmentary base of a large bowl — early 13th century, Saljuq period
- Moulded fragment — 13th century
- Fragment — 1250-1300, Saljuq period
- Botanical Painting: Composite Flower — ca. 1630
- Fragment with design of fantastic animal — early 13th century
- Fragment decorated with a vegetal motif and birds — early 13th century, Saljuq period
- Portrait of Sultan Ahmet I (r. 1603–17) — early 17th century
- Fragment moulded in high relief — early 13th century, Saljuq period
- Fragment moulded in high relief — early 13th century, Saljuq period
- "Isfandiyar's Third Course: He Slays a Dragon", Folio from a Shahnama (Book of Kings) — Abu'l Qasim Firdausi, ca. 1330–40
- Arjuna Slays Karna, from a copy of the Razmnama — India, Mughal dynasty (1526-1857), c. 1616-1617
- Fragment decorated with a duck — early 13th century, Saljuq period
- Botanical Painting: Geranium — ca. 1630
- Fragmentary base of a bowl — early 13th century, Saljuq period
- Fragmentary base of a bowl surrounded by wave design — early 13th century, Saljuq period
- Dhanasri Ragini — ca. 1680
- Fragmentary side of a vessel with animal designs — ca. 1200, Saljuq period
- "Luhrasp Hears from the Returning Paladins of the Vanishing Kai Khusrau", Folio from a Shahnama (Book of Kings) of Firdausi — Abu'l Qasim Firdausi, 1576–77
- Fragment with a design of a torso — early 13th century, Saljuq period
- Lady in Elizabethan Costume — late 17th century
- Two Panels with Flower Designs — ca. 1650
- Fragment of a bowl — early 13th century, Saljuq period
- Pierced and molded fragmentary side of a vessel — early 13th century, Saljuq period
- "Zahhak is Told His Fate", Folio 29v from the Shahnama (Book of Kings) of Shah Tahmasp — Abu'l Qasim Firdausi, ca. 1524
- Cactus Plant in Flower — ca. 1800
- "Jonah and the Whale", Folio Probably from a Jami al-Tavarikh (Compendium of Chronicles) — ca. 1400
- Jarasandha’s army advances toward Krishna and Balarama, folio from a <em>Mahabharata</em> — Attributed to Purkhu (active ca. 1780-ca. 1820), ca. 1800-1815
- "Preparation for a Feast", Folio from a Divan of Jami — late 15th century
- "Iskandar Kills the Habash Monster", Folio from a Shahnama (Book of Kings) of Firdausi — Abu'l Qasim Firdausi, ca. 1300–1330
- Fragment of a bowl — late 14th century, Saljuq period
- Layla Visiting Majnun in the Desert, page from a copy of the Khamsa of Nizami — Iran, Safavid dynasty (1501–1722), 16th century
- King Anushirwan and the Owls, from the Khamsa of Nizami — Iran, Safavid dynasty (1501–1722), c.1535
- Kaccheli Ragini, from a Ragamala — ca. 1710
- Man in a Fur-Lined Coat — Riza-yi 'Abbasi, ca. 1600
- Fragment with rider — early 13th century, Saljuq period
- Fragment with a sphinx — early 13th century, Saljuq period
- "Zal Consults the Magi", Folio 73v from the Shahnama (Book of Kings) of Shah Tahmasp — Abu'l Qasim Firdausi, ca. 1530–35
- Lion-shaped handle fragment from a vessel — early 13th century, Saljuq period
- Stone-paste fragment of moulded head — early 13th century, Saljuq period
- Fragmentary base of a bowl — early 13th century, Saljuq period
- Fragmentary sphinx — early 13th century, Saljuq period
- A Green-winged Teal — ca. 1730
- Fragment with partial image of a rider — early 13th century, Saljuq period
- Spout in the shape of a human head — early 13th century, Saljuq period
- "The Angel Surush Rescues Khusrau Parviz from a Cul-de-sac", Folio 708v from the Shahnama (Book of Kings) of Shah Tahmasp — Abu'l Qasim Firdausi, ca. 1530–35
- Fragment with a winged quadruped — early 13th century, Saljuq period
- Fragment with a figure — early 13th century, Saljuq period
- European Banquet Scene (or The Marriage Feast at Cana?) — Mughal, Mughal period, c. 1600
- Fragment of a bowl — early 13th century, Saljuq period
- Fragment of a molded vessel — early 13th century, Saljuq period
- Fragment of a vessel with floral design — early 13th century, Saljuq period
- Head of a sphinx (fragment) — early 13th century, Saljuq period
- Fragment of a small glazed animal — early 13th century, Saljuq period
- Calligraphy Painting — Isma'il Jalayir, ca. 1860
- The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, Page from a Manuscript of the Akbarnama — Basawan, Mughal dynasty (1526-1857), c. 1590-1595
- Asavari Ragini, page from a Garland of Musical Ragas (Ragamala) Set — India, Mid–to late 17th century
- Great Indian Fruit Bat — Bhawani Das, ca. 1777–82
- "Khizr Comes to the Ascetic's Cell", Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi — Amir Khusrau Dihlavi, ca. 1450
- "The Wedding of Siyavush and Farangis", Folio 185v from the Shahnama (Book of Kings) of Shah Tahmasp — Abu'l Qasim Firdausi, ca. 1525–30
- Royal Horse Inspection — 'Aliquli Jabbadar, Safavid dynasty (1501–1722), late 17th century
- Seated Man Painting or Writing — first half 17th century
- Double Page from the Qur'an — Iran, Safavid dynasty (1501–1722), 16th century
- "Two Old Men in Discussion Outside a Hut", Folio from the Davis Album — 'Ali Quli Jabbadar, dated 1085 AH/1674–75 CE
- Angel (Peri) Riding a Composite Camel — India, c. 1700
- "Hamid Bhakari Punished by Akbar", Folio from a Manuscript of the Akbarnama. Folio from the Davis Album — Abu'l Fazl, ca. 1604
- "Laila and Majnun at School", Folio from a Khamsa (Quintet) of Nizami of Ganja — Ja'far Baisunghuri, 835 AH/1431–32 CE
- "Akbar Hunting with Cheetahs", Folio from a Manuscript of the Akbarnama. Folio from the Davis Album — Abu'l Fazl, ca. 1604
- "Prince With his Courtiers and Musicians", Folio from the Davis Album — early 18th century
- "Asaf khan Presents Offerings (?)", Folio from a Manuscript of the Akbarnama. Folio from the Davis Album — Abu'l Fazl, ca. 1604
- "Encampment in the Hills: Jahangir with Falcon", Folio from a Manuscript of the Akbarnama. Folio from the Davis Album — Abu'l Fazl, early 17th century
- "Portrait of Rup Singh", Folio from the Shah Jahan Album — Govardhan, verso: ca. 1615–20; recto: ca. 1500
- "Summer, from a Series of the Four Seasons", Folio from the Davis Album — 'Ali Quli Jabbadar, ca. 1660–70
- "Oxen amongst Foliage", Folio from a Manafi' al-Hayawan (On the Usefulness of Animals) of Ibn Bakhtishu' — Ibn Bakhtishu', 1297–99
- Devi with Krishna and Vishnu in a Palace — ca. 1645-1655
- "The Court of Ravana", Folio from a Ramayana — ca. 1605
- "Camp Being Prepared in the Hills", Folio from a Manuscript of the Akbarnama. Folio from the Davis Album — 17th century
- Portrait of a Beauty — Mughal, 17th century
- A Prince Riding an Elephant in Procession — ca. 1570
- Krishna and Radha in a Pavilion, from a copy of the Seven Hundred Verses (Sat Sai) of Bihari — India, 1719
- I'timad-ud-Daula's Tomb at Agra — India, c. 1820
- "Solanki Raga", Folio from a Ragamala — ca. 1590
- "Physician Preparing an Elixir", Folio from a Materia Medica of Dioscorides — 'Abdullah ibn al-Fadl, dated 621 AH/1224 CE
- Lion at Rest — ca. 1585
- "The Beggar who Professed his Love for a Prince", Folio 28r from a Mantiq al-Tayr (Language of the Birds) — Farid al-Din `Attar, dated 892 AH/1486 CE
- Darbar of Alivardi Khan at Murshidabad's Court — ca. 1750–1753
- Four Recruits in White Dhotis, page from the Fraser Album — India, Company School, c. 1815-1816
- Study of a Bird — Riza-yi 'Abbasi, dated 1043 AH/1634 CE
- Shahnama (Book of Kings) of Firdausi — Abu'l Qasim Firdausi, 1074–79 AH/1663–69 CE
- A Young Prince — ca. 1820
- "Siege of Baghdad", Folio from a Dispersed copy of the Zafarnama (Book of Victory) of Sharaf al-din 'Ali Yazdi — Sharaf al-din 'Ali Yazdi, Dhu'l Hijja 839 AH/June–July 1436 CE
- Young Man Holding a Goblet — early 19th century
- A Procession Scene with Musicians, from a copy of the Padshanama — Mughal, c. 1650
- People of the Prophet's House with Companions — Rahim Kashani, dated 1301 AH/1883 CE
- Sultan ‘Ali ‘Adil Shah II Slays a Tiger — Bombay Painter, ca. 1660
- "Interior Reception", Folio 36r from a Bustan of Sa`di — Shaikh Zada, ca. 1525–35
- Portrait of `Ali Quli Mirza, I`tizad al-Saltana — Abu`l Hasan Ghaffari, known as Sani' al-Mulk, dated 1273 AH/1856–57 CE
- Kama Shoots a Love Arrow at Shiva, from a copy of the Song of Gauri (Gita-Gauri) — India, c. 1675-1680
- Rao Ram Chandra of Bedla on a swing — Attributed to Shahji, ca. 1740s
- Portrait of an Artist or Scholar — Mughal, 17th century
- An Audience with Rom Rishi — ca. 1700-1725
- Portrait of a Princess — Mughal, 17th/18th century
- Al-Mu'tazz Sends Gifts to Abdulla ibn Abdulla, from a copy of the Tarikh-i Alfi — Mughal, c. 1592-1594
- Vilaval Ragini — ca. 1680
- Chand Bibi Hawking with Attendants in a Landscape — ca. 1700
- Birds in a Landscape — mid-18th century
- Amir Khusrau Dedicates His Poem to Sultan Ala al-Din Khalji, page from the Quintet (Khamsa) of Amir Khusraw Dehlavi — India, Delhi Sultanate period (1206-1526) mid–15th century
- Woman gazing at warrior — ca. 1680
- Battle of the Forces of Krishna and Bana, from a copy of the Dispersed Bhagavat Purana — India, c. 1520–1530
- Durbar of Emperor Akbar Shah II — 1820–30
- Wedding Ceremony with Brahma in Attendance — ca. 1680
- Maharana Bhim Singh in Procession — Ghasi, c. 1820
- Worship of Shri Nathji — ca. 1700
- Portrait of Ibrahim Adil Shah II, of Bijapur (d.1626) (?) — ca. 1640, Adil Shahi dynasty
- A Nobleman Reading — ca. 1750–75
- "Bahram Gur Slays the Rhino-Wolf", Folio 586r from the Shahnama (Book of Kings) of Shah Tahmasp — Abu'l Qasim Firdausi, ca. 1530–35
- Bhairavi Ragini (a musical mode): three figures before a shrine — ca. 1725
- "Kai Kavus Attempts to Fly to Heaven", Folio from a Shahnama (Book of Kings) — Abu'l Qasim Firdausi, mid-15th century
- Alexander Comforts the Dying Darius, page from a copy of the Shahnama of Firdausi — Iran, Timurid dynasty (ca. 1370–1507), c.1480/90
The cloister (195)
- Madonna and Child with Saint Jerome, Saint Catherine of Alexandria, and Angels — Matteo di Giovanni, c. 1465/1470
- Madonna and Child — after Andrea del Verrocchio, c. 1470/1480
- Saint Michael and the Dragon — Spanish (Valencian) Painter(?), ca. 1405
- Manuscript Illumination with the Annunciation in an Initial R, from a Gradual — ca. 1300
- Saint Jerome Reading — Alvise Vivarini, c. 1476
- Manuscript Leaf with Dedication of a Book to the Virgin — ca. 1400
- Manuscript Leaf with Initial A, from an Antiphonary — second quarter 15th century
- Manuscript Leaf with Initial L, from an Antiphonary — second quarter 15th century
- Madonna and Child — Lorenzo Monaco, 1413
- Hebrew Bible — 1300–1350 (before 1366)
- Manuscript Leaf with Initial A, from an Antiphonary — second quarter 15th century
- Manuscript Leaf with Initial S, from an Antiphonary — second quarter 15th century
- Madonna and Child — Duccio di Buoninsegna, ca. 1290–1300
- Manuscript Leaf with Initial A, from a Gradual — second quarter 15th century
- Manuscript Leaf with Initial A, from a Gradual — second quarter 15th century
- Speculum Humanae Salvationis — 1382/1406
- The Annunciation — South German (Bavarian?) Painter, 1440–50
- Table of Bigamy, from the Summa Super Titulis Decretalium Completa — Henry of Segusio, 1275/99
- Leaf Excised from an Antiphonary: Initial Q with Saints Peter and Paul — c. 1325, South Flanders
- Matteo Olivieri (?) — Florentine 15th Century, 1430s
- Profile Portrait of a Young Man — Florentine 15th Century, 1430/1450
- The Adoration of the Magi — Giovanni di Paolo, c. 1450
- Saint Catherine of Alexandria — Bartolomeo Bulgarini, c. 1335/1340
- Claudia Quinta — Neroccio de' Landi, c. 1490/1495
- Madonna and Child with Donor — Lippo Memmi, 1325/1330
- The Adoration of the Magi — Benvenuto di Giovanni, c. 1470/1475
- Leaf Excised from a Psalter: The Annunciation — c. 1325–50, England
- Madonna and Child with Angels and Cherubim — Matteo di Giovanni, c. 1460/1465
- The Wife of Hasdrubal and Her Children — Ercole de' Roberti, c. 1490/1493
- The Nativity with the Prophets Isaiah and Ezekiel — Duccio di Buoninsegna, 1308-1311
- Manuscript Leaf from a Missal — mid-15th century
- Manuscript Leaf from a Missal — late 15th century
- Manuscript Leaf with King David in an Initial I, from a Psalter — early 15th century
- Manuscript Illumination with Saint Lawrence in an Initial C, from a Gradual — Don Simone Camaldolese, ca. 1380–90
- Scenes from the Passion of Christ: The Descent into Limbo [right panel] — Andrea Vanni, 1380s
- Manuscript Leaf with Initial C, from an Antiphonary — second quarter 15th century
- Saint Peter — Michele Giambono, c. 1445/1450
- Madonna and Child — Bartolomeo Vivarini, c. 1475
- Portrait of a Young Man — Jacometto (Jacometto Veneziano), 1480s
- Manuscript Leaf with Initial A, from an Antiphonary — 15th century
- Portrait of a Man — Andrea del Castagno, c. 1450
- Saint Peter Martyr Healing the Leg of a Young Man — Antonio Vivarini, ca. 1450
- Manuscript Leaf with Initial S, from an Antiphonary — 15th century
- The Annunciation — Masolino da Panicale, c. 1423/1424
- Initial P with the Martyrdom of Saint Peter Martyr — second half 13th century
- Christ Blessing — Segna di Buonaventura, ca. 1311
- Manuscript Leaf, from a Book of Hours — 15th century
- Armenian Manuscript Bifolium — Illuminator Minas (?), 15th century
- Scenes from the Passion of Christ: The Agony in the Garden [left panel] — Andrea Vanni, 1380s
- Bifolio from an Antiphonary: Historiated Initial O with the Nativity — early 1400s, Bohemia, Prague, 15th century
- Madonna and Child with Angels — Ferrarese 15th Century, c. 1455/1470
- Madonna and Child with Angels — Sassetta (Stefano di Giovanni), ca. 1445–50
- Leaf from a Psalter with Historiated Initial (B): King David — c. 1450, Italy, Florence
- Manuscript Illumination with Scenes of Easter in an Initial A, from an Antiphonary — Nerius, ca. 1320
- Leaf from a Book of Hours: The Visitation — Boucicaut Master, c. 1415, France, Paris
- The Nativity: Leaf from a Book of Hours (3 of 6 Excised Leaves) — Henri d'Orquevaulx, c. 1420–30, France, Metz
- Book of Hours — Master of Zweder van Culemborg, c. 1420 (20th century binding)
- The Ascension: Leaf from a Book of Hours (4 of 6 Excised Leaves) — Henri d'Orquevaulx, c. 1420–30, France, Metz
- Saint Gregory as Author — School of Weingarten Abbey, 1188/1200
- Manuscript Leaf from a Royal Psalter — 13th century
- Manuscript Leaf from a Royal Psalter — 13th century
- The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families — Giovanni di ser Giovanni Guidi (called Scheggia), ca. 1449
- Manuscript Leaf with June Calendar, from a Royal Psalter — 13th century
- Manuscript Leaf from a Royal Psalter — 13th century
- Bishop at Mass in a Historiated Initial "P" from a Choirbook — Master Honoré, c. 1300
- The Last Communion of Saint Jerome — Botticelli (Alessandro di Mariano Filipepi), early 1490s
- Pair of Bifolio from a Book of Hours: Adoration of the Magi and Coronation of the Virgin — Boucicaut Master, c. 1415, France, Paris
- Bifolio from a Book of Hours: Initial V with Floral Border (recto); Text (verso) — c. 1460–1500, Austria (? ) or Bohemia (?), 15th century
- St. Francis of Assisi with Donors in a Historiated Initial from an Unidentified Manuscript — Italian (Florence), c. 1400
- Book of Hours for the Use of Limoges — Master of Catherine Gentille, 1480/1500 (late 15th century binding)
- Decorated Initial "G" in Pink with Curling Leaves from a Manuscript — European, 14th century or modern, c. 1920
- Single Leaf Excised from a Psalter: Initial D[ominus illuminatio mea] with Samuel Anointing David — c. 1270–1290, Northeastern France
- Manuscript Leaf from a Royal Psalter — 13th century
- Leaf from a Psalter: Initial D: David at the Altar on the Threshing Floor of Ornan — c. 1270–80, England, Oxford(?)
- Leaf from a Book of Hours: The Annunciation — 1470s, Flanders, Ghent(?)
- Leaf from a Book of Hours: Sts. Geneviève, Catherine of Alexandria, and Margaret (recto) and Text (verso) — Boucicaut Master, c. 1415, France, Paris
- Bifolio from a Book of Hours: Adoration of the Magi (recto); Text (verso) — Boucicaut Master, c. 1415, France, Paris
- Madonna and Child with Saint Jerome and Saint Bernardino of Siena — Benvenuto di Giovanni, c. 1480/1485
- Francesco Sforza — North Italian 15th Century, probably c. 1480/1500
- Manuscript Leaf with Saint Christopher Bearing Christ — early 14th century
- Page from a Buddhist Manuscript — Western Tibet, 13th/14th century
- Leaf from a Beatus Manuscript: at the Clarion of the Fifth Angel's Trumpet, a Star Falls from the Sky; the Bottomless Pit is Opened with a Key; Emerging from the Smoke, Locusts Come Upon the Earth and Torment the Deathless — ca. 1180
- Saint Catherine of Alexandria — Pietro Lorenzetti, ca. 1342
- Leaf from a Beatus Manuscript: Table of the Antichrist — ca. 1180
- Angel in a Historiated Initial "A" from an Antiphonary — Neri da Rimini, 1300/10
- Manuscript Leaf from a Bible — ca. 1280–1300
- Leaf from a Beatus Manuscript: Christ in Majesty with Angels and the Angel of God Directs Saint John to Write the Book of Revelation — ca. 1180
- Manuscript Illumination with Saint Stephen in an Initial S, from an Antiphonary — Master of the Brussels Initials, ca. 1410–20
- Single Leaf Excised from an Antiphonary: Inital A[spiciens a longe] with Christ in Majesty — c. 1330–1350, Italy, Tuscany or Umbria, 14th century
- Illumination Excised from a Choir Book: Two Female Angels — Niccolo di ser Sozzo Tegliacci, c. 1332, Italy, Siena
- Madonna and Child with Two Angels — Vittore Crivelli, ca. 1481–82
- Initial M[issus est] Excised from an Antiphonary: The Annunciation — Stefano da Verona, 1430–1438, Italy, Lombardy, 15th century
- One of a Pair of Manuscript Covers of the Five Transcendent Buddhas — Nepal, 12th century
- Manuscript Illumination with Saint Trudo (Trond) in an Initial O, from a Choir Book — 15th century
- The Madonna of Humility — Masaccio, c. 1423/1424
- Madonna and Child with Two Angels — Cosimo Rosselli, early 1480s
- Praying Saint (Moses?) with Christ in a Historiated Initial "L", from a Choirbook — Neri da Rimini, c. 1300
- Madonna and Child — Paolo di Giovanni Fei, 1370s
- Manuscript Cover from the Five Protectors (Pancharaksha) — Nepal, 13th century
- Saint Bernard and Saint Catherine of Alexandria with the Virgin of the Annunciation [right panel] — Agnolo Gaddi, shortly before 1387
- The Madonna of Humility — Fra Angelico, c. 1430
- Saint in a Historiated Initial from a Choirbook — Cristoforo Cortese, c. 1430
- Saint Anthony Abbot [left panel] — Puccio di Simone and Allegretto Nuzi, 1354
- Single Leaf Excised from a Gospel Book: The Nativity (recto) and St. Matthew (verso) — c. 1190, Germany, Helmarshausen Abbey, 12th century
- Saint James Major — Grifo di Tancredi, c. 1310
- Madonna and Child with Angels — Pietro di Domenico da Montepulciano, 1420
- Saint Paul and a Group of Worshippers — Bernardo Daddi, 1333
- Leaf from a Lectionary with St. Luke — 1057–1063, Byzantium, Constantinople
- Saint Andrew and Saint Benedict with the Archangel Gabriel [left panel] — Agnolo Gaddi, shortly before 1387
- Leaf from a Lectionary with St. Matthew — 1057–1063, Byzantium, Constantinople
- Madonna and Child Enthroned with Twelve Angels, and with the Blessing Christ [middle panel] — Agnolo Gaddi, shortly before 1387
- Single Leaf Excised from a Gospel Book: The Nativity (recto) — c. 1190, Germany, Helmarshausen Abbey, 12th century
- Madonna and Child — Fra Filippo Lippi, c. 1440
- Single Leaf Excised from a Gospel Book with Initial L[iber generationis]: St. Matthew (verso) — c. 1190, Germany, Helmarshausen Abbey, 12th century
- Portrait of a Youth — Agnolo di Domenico del Mazziere or Donnino di Domenico del Mazziere, c. 1495/1500
- Manuscript Illumination with Initial Q, from a Choir Book — first half 15th century
- Bifolium from a Bible: Initial E[t factum est] with Ezekiel — c. 1290, France, Paris
- The Meeting of Saint Anthony and Saint Paul — Master of the Osservanza (Sano di Pietro?), c. 1430/1435
- Manuscript Illumination with the Figure of a Saint in an Initial O — ca. 1480
- Leaf from a Greek Psalter and New Testament — 1084, Byzantium, Constantinople
- Pope Pius II, frontispiece to a Constitution of the Sienese Church of the Year 1464 — Vecchietta (Lorenzo di Pietro di Giovanni), 1464; possibly 19th century copy
- Madonna and Child — Guariento di Arpo
- Francesco II Gonzaga, Fourth Marquis of Mantua — Baldassare d'Este, c. 1474/1480
- The Crucifixion with the Virgin, Saint John, Saint Jerome, and Saint Mary Magdalene [left panel] — Pietro Perugino, c. 1482/1485
- Single Leaf from a Gospel Book with a Portrait of Saint Luke — c. 1440–80, Empire of Ethiopia, Tigray region (Ethiopia)
- Portrait of a Youth — Filippino Lippi, c. 1485
- Manuscript Leaf, from an Antiphonary — second quarter 15th century
- The Annunciation — Fra Filippo Lippi, c. 1435/1440
- Madonna and Child — Sandro Botticelli, c. 1470
- Manuscript Illumination with the Assumption of the Virgin in an Initial A, from an Antiphonary — Cosmè Tura (Cosimo di Domenico di Bonaventura), 1450–60
- Saint Andrew — Simone Martini, ca. 1326
- The Adoration of the Child — Filippino Lippi, c. 1475/1480
- Manuscript Illumination with All Saints in an Initial V, from an Antiphonary — Cosmè Tura (Cosimo di Domenico di Bonaventura), 1450–60
- Portrait of a Youth — Sandro Botticelli, c. 1482/1485
- Leaf from an Antiphonary: Coronation of the Virgin — Master of the Beffi Triptych, 1400s, Italy, Tuscany
- Historiated Initial (A) Excised from a Gradual: Christ in Majesty with King David and Prophets — c. 1300–1340, Italy, Florence (?)
- The Triumph of Camillus — Biagio d'Antonio and Workshop, c. 1470/1475
- The Adoration of the Magi — Sandro Botticelli, c. 1478/1482
- Profile Portrait of a Lady — Franco-Flemish 15th Century, c. 1410
- Manuscript Illumination with the Presentation in the Temple in an Initial S, from a Gradual — Cosmè Tura (Cosimo di Domenico di Bonaventura), 1450–60
- Leaf from a Book of Hours: St. Matthew — Limbourg Brothers, c. 1415–20, France, Paris (?), 15th century
- Saint Benedict Presenting his Rule to Benedictine and Cistercian Monks in a Historiated Initial "O" from a Choirbook — Martino di Bartolomeo di Biagio, 1394/95
- Stonyhurst Hours (Use of Sarum) — Beaufort Saints Group, c. 1400–10
- Female Saint in a Historiated Initial "L" from a Choir Book — Master of the Dominican Effigies, 1330/40
- Decorated Initial "G" in Grey with Red, Green and Blue Leaves from a Manuscript — European, 14th century or modern, c. 1920
- Initial D[eus in loco] with a Prophet Excised from a Gradual — Lorenzo Monaco, 1409–10, Italy, Florence
- Manuscript Illumination with the Birth of the Virgin in an Initial G, from a Gradual — Don Silvestro de' Gherarducci, ca. 1375
- Leaves from a Book of Hours: The Visitation and Christ in Judgment — Boucicaut Master, c. 1415, France, Paris
- The Adoration of the Magi — Giotto di Bondone, possibly ca. 1320
- Initial G[audeamus omnes] from a Gradual: The Court of Heaven — Don Silvestro dei Gherarducci, 1371–77, Italy, Florence
- Manuscript Illumination with Initial V, from a Bible — ca. 1175–95
- Single Miniature Excised from Boccaccio's Des Cleres et nobles femmes: Queen Medusa and Her Court — Maître François, c. 1470, France
- Manuscript Leaf with Initial M, from a Missal — ca. 1290
- Madonna and Child — Filippino Lippi, ca. 1483–84
- The Visitation, from a Book of Hours — Master of the Privileges of Ghent and Flanders, c. 1440-1445
- Portrait of a Woman with a Man at a Casement — Fra Filippo Lippi, ca. 1440
- The Adoration of the Shepherds — Andrea Mantegna, shortly after 1450
- Single Leaf: Table of Consanguinity — c. 1200, England
- Manuscript Leaf, from a Gradual — first half 14th century
- Prophet in a Historiated Initial "O" from a Gradual — Silvestro dei Gherarducci, 1392/99
- Leaf from a Book of Hours: St. Barbara (2 of 2 Excised Leaves) — Master of Jacques de Luxembourg, c. 1465, France, Eastern France or Paris (?), 15th century
- Leaf from a Cocharelli Treatise on the Vices: Acedia and Her Court — c. 1330, Italy, Genoa
- Manuscript Leaf — 14th century
- Initial I: Entwined Beast and Serpent: Leaf from a Bible (2 of 2 Excised Leaves) — c. 1225–50, England, Glastonbury(?), 13th century
- Decorated Initial "L" with Flowers from a Choir Book — European, 14th century or modern, c. 1920
- Leaf from a Latin Bible: Initial P: St. Paul with a Sword and a Book — William de Brailes, c. 1230–40, England, Oxford, 13th century
- Manuscript Illumination with Four Saints in an Initial O, from a Choir Book — Master of the Murano Gradual, 1440–50
- Papal Prophecies — Northern Italian (possibly Venice), 1450/99 (modern binding)
- Madonna and Child — Jacopo Bellini, probably 1440s
- Madonna and Child with Six Saints — Pesellino (Francesco di Stefano), late 1440s
- Cutting from an Antiphonary: Initial A[spiciens a longe]: The Tree of Jesse — c. 1115–25, Germany, Meuse Valley
- Decorated Initial "G" with Flowers from a Choir Book — European, 14th century or modern, c. 1920
- Leaf from the Wettinger Gradual: Historiated Initial (I) with Scenes from the Life of St. Augustine — Second Master of the Wettinger Gradual, c. 1330, Germany, Lower Rhine (Cologne?), 14th century
- Leaf from a Book of Hours: Christ Carrying the Cross (Sext, Hours of the Cross) — c. 1410–1420, France, Brittany(?), 15th century
- The Nativity — Zanobi Strozzi, ca. 1433–34
- Initial E from a Municipal Law Book: The Last Judgment — c. 1330, Germany, Regensburg
- Christ before Pilate: Leaf from a Book of Hours (2 of 6 Excised Leaves) — Henri d'Orquevaulx, c. 1420–30, France, Metz
- The Mass of St. Gregory, from a Book of Hours — Willem Vrelant, 1460/70
- Decorated Initial "D" with Acanthus Leaves from a Choir Book — European, 14th century or modern, c. 1920
- Grotesque Head of an Old Woman — Leonardo da Vinci, 1489/1490
- Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso) — Leonardo da Vinci, 1496
- Head of a Man in Profile Facing to the Left — Leonardo da Vinci, 1490–94
- Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso) — Leonardo da Vinci, 1480–85
- Study of a Madonna [verso] — Leonardo da Vinci, probably 1470/1480
- Sheet of Studies [recto] — Leonardo da Vinci, probably 1470/1480
- Title Page of Abbot Berno's "Tonarius:" Initial D[omino] — c.1030, Germany, Abbey of Reichenau, 11th century
- Manuscript Illumination with the Virgin and Child in an Initial S, from an Antiphonary — Master of the Franciscan Breviary, mid-15th century
- Leaf from a Book of Hours: Initial D: Flight into Egypt (2 of 2 Excised Leaves) — early 1300s, Northern France or Flanders, early 14th Century
- Saint Francis of Assisi — Antoniazzo Romano (Antonio di Benedetto Aquilio), ca. 1480–81
- The Coronation of the Virgin — Filippino Lippi, c. 1475
- Cutting from a Gradual: Initial I with Departure of Tobias — "Master of Noah's Ark", c. 1390, Italy, Florence
- Saint Margaret — Sassetta, c. 1435
- Saint Apollonia — Sassetta, c. 1435
- Annunciation to the Shepherds: Leaf from a Book of Hours (1 of 6 Excised Leaves) — Henri d'Orquevaulx, c. 1420–30, France, Metz
- Ginevra de' Benci [obverse] — Leonardo da Vinci, c. 1474/1478
Renaissance (187)
- Scenes from a Legend — Giovanni Larciani (Master of the Kress Landscapes), probably c. 1515/1520
- The Egg Dance — Pieter Aertsen, 1552
Rijksmuseum - The Assumption of the Virgin — Domenico Theotokópoulos, called El Greco, 1577–79
- Portrait of a Lady — Francesco Salviati, c. 1555
- Landscape with Saint John the Baptist — Herri met de Bles, c. 1540, Flanders
- Leaf from a Gradual: Initial P with the Nativity — Attavante degli Attavanti, c. 1500, Italy, Florence
- Christ and the Woman of Samaria — Perugino, 1500–05
- The Worship of the Golden Calf — Workshop of Jacopo Tintoretto, c. 1594
- Portrait of Jacob Bas Claesz (1536-1589) — Adriaen Thomasz. Key, 1586
Rijksmuseum - Landscape with Tournament and Hunters — Jan van Scorel, 1519–20
- Portrait of Grietje Pietersdr Codde (1538-1607) — Adriaen Thomasz. Key, 1586
Rijksmuseum - Derick Berck of Cologne — Hans Holbein the Younger, 1536
- Leaf from a Psalter and Prayerbook: Ornamental Border with Pea Vines and a Girl Kneading Bread (recto) — c. 1524, Germany, Hildesheim(?), 16th century
- Kitchen Scene, with Jesus in the House of Martha and Mary in the background — 1569
Rijksmuseum - Adjoining Leaves from a Book of Hours: Penitential Psalms and King David in Prayer (2 of 3 Excised Leaves) — Noël Bellemare, c. 1530–35, France
- Madonna Adoring the Child — Marco Basaiti, c. 1520
- Venus and Cupid in a Landscape — Circle of Giorgione, c. 1505/1515
- Lady Lee (Margaret Wyatt, born about 1509) — Hans Holbein the Younger, early 1540s
- Leaf from a Psalter and Prayerbook: Initial E with Ornamental Border Containing a Seated Satyr and a Bird Eating Grapes (recto) — c. 1524, North Germany, Hildesheim (?), 16th century
- Portrait of a Man — Corneille de Lyon, c. 1536/1540
- Manuscript Leaf with Initial E, from an Antiphonary — 16th century (?)
- The Annunciation (Matins, Office of the Virgin): Leaf from a Book of Hours (1 of 3 Excised Leaves) — Noël Bellemare, c. 1530–35, France, Paris
- The Assumption of the Virgin — Michel Sittow, c. 1500
- Ugolino Martelli — Florentine 16th Century, mid 16th century
- Virgin and Child in a Landscape — Jan Gossaert, 1531, Flanders
- Saint Catherine — Lorenzo Lotto, 1522
- Allegory of Chastity — Lorenzo Lotto, c. 1505
- The Mystic Marriage of Saint Catherine — Correggio, 1510/1515
- The Holy Family with Mary Magdalen — El Greco, c. 1590–95, Spain
- A Gentleman in Adoration before the Madonna — Giovanni Battista Moroni, c. 1560
- Manuscript Leaf with Adoration of the Holy Name, from a Book of Hours — Simon Bening, after 1530 (?)
- Portrait of an Old Man — Giulio Campi, mid-1500s, Italy
- Mary Magdalene — Moretto da Brescia, 1540–50
- Virgin and Child with Saints — c. 1510, Italy, Venice
- Manuscript Illumination with Singing Monks in an Initial D, from a Psalter — Girolamo dai Libri, 1501–2
- Portrait of a Woman as Saint Catherine — Pier Francesco Foschi, c. 1560, Italy
- Manuscript Illumination with David in Prayer in an Initial M, from a Psalter — Girolamo dai Libri, 1501–2
- Portrait of a Couple — c. 1580–88, Northern Italy, late 16th century
- Christ Washing the Disciples' Feet — Garofalo, c. 1520/1525
- The Holy Family with the Young Saint John the Baptist — Andrea del Sarto (Andrea d'Agnolo), ca. 1528
- A Lady Reading (Saint Mary Magdalene) — Master of the Female Half-Lengths, c. 1530
- Boy Drinking — Annibale Carracci, 1582–83, Italy
- Portrait of a Prelate — Girolamo da Carpi, mid-1500s, Italy
- Portrait of a Member of the Quaratesi Family — French 16th Century, 1561
- Madonna and Child with Saints and Donors — Sebastiano del Piombo
- Portrait of William I. Prince of Orange, called William the Silent — 1582 - 1592
Rijksmuseum - Saint Matthew and the Angel — Giovanni Gerolamo Savoldo
- The Marketplace in Bergen op Zoom — Attributed to Abel Grimmer, probably 1590 and 1597
- Presumably Posthumous Portrait of Rudolph van Buynou (d 1542), High Bailiff of Stavoren and 'Grietman'of Gaasterland — 1553
Rijksmuseum - Manuscript Leaf with the Annunciation, from a Book of Hours — ca. 1500–1525
- Portrait of Bartholomeus van der Wiere (1534-1603) — 1593
Rijksmuseum - The Well-stocked Kitchen, with Jesus in het House of Martha and Mary in the Background — Joachim Bueckelaer, 1566
Rijksmuseum - Portrait of Lysbeth Hendriksdr (1536-after 1603). Wife of Bartholomeus van der Wiere — 1593
Rijksmuseum - Doge Alvise Mocenigo (1507–1577) Presented to the Redeemer — Jacopo Tintoretto (Jacopo Robusti), probably 1577
- Alessandro de' Medici — Pontormo, (Jacopo Carrucci), 1534–35
- Salvator Mundi — Albrecht Dürer, ca. 1505
- Cunera van Martena, Wife of Rudolph van Buynou — 1553
Rijksmuseum - Virgin and Child — Albrecht Dürer, 1516
- Virgin and Child — Hans Memling
- Anna van Bergen (1492–1541) and Her Son Hendrik (born 1519) as the Virgin and Child — Jan Gossart (called Mabuse)
- The Temptation of Saint Jerome — Giorgio Vasari, 1541–48
- The Arrival in Bethlehem — Master of the Brussels Calling of Saint Matthew, ca. 1540–50
- Adoration of the Magi — Jan van Scorel, c. 1519
- Leaf from a Psalter and Prayerbook: Initial E with Ornamental Border Containing a Seated Satyr and a Bird Eating Grapes (recto) and Ornamental Border with Flowers and Squirrel (verso) (2 of 3 Excised Leaves) — c. 1524, North Germany, Hildesheim (?), 16th century
- Leaf from a Book of Hours: Ape Hunting Wild Boars (recto) and Ape Fishing (verso) — c. 1500–1510, France, Paris or Rouen, 16th century
- Mary Magdalen Writing a Letter — Master of the Female Half-Lengths
- The Birth and Naming of Saint John the Baptist; (reverse) Trompe-l'oeil with Painting of The Man of Sorrows — Bernard van Orley, ca. 1514–15
- Landscape with Venus and Adonis — Gillis van Coninxloo, 1580s, Netherlands, 16th century
- Saint Martin and the Beggar — Domenico Theotokópoulos, called El Greco, c. 1597–c. 1600
- The Harvesters — Pieter Bruegel the Elder, 1565
- The Ascension of Christ — Hans Süss von Kulmbach, 1513
- Baptism of Christ — Jacopo Tintoretto, 1580s, Italy
- Portrait of a Woman — Quinten Massys, ca. 1520
- The Rest on the Flight into Egypt — Jan Massys, 1537–40
- Madonna and Child Enthroned with Saints Mary Magdalen and John the Baptist — Giuliano di Piero di Simone Bugiardini, ca. 1523
- Portrait of Elisabeth Bellinghausen (c.1520- after 1570) — Bartholomäus Bruyn (I), 1538 - 1539
Rijksmuseum - A Young Woman and Her Little Boy — Agnolo Bronzino, c. 1540
- Virgin and Child — Jan Gossart, c. 1520
- Saint John on Patmos — Hans Baldung (called Hans Baldung Grien), ca. 1511
- Portrait of a Man with a Pink — Quentin Massys, 1500–10
- Leda and the Swan — Bachiacca (Francesco d'Ubertino Verdi)
- Portrait of Maria Kitscher, Frau von Freyberg — Hans Mielich, 1545, Germany
- Madonna and Child — Bachiacca (Francesco d'Ubertino Verdi), possibly early 1520s
- The Adoration of the Shepherds — L'Ortolano (Giovanni Battista Benvenuti), late 1520s
- Virgin and Child with the Young Saint John the Baptist, Saint Cecilia, and Angels — Piero di Cosimo, c. 1505
- Virgin and Child with Angels — Bernard van Orley, ca. 1518
- Two Wings of a Triptych with Portraits of Donors with Saints Adrian and John the Baptist — 1530 - 1550
Rijksmuseum - Manuscript Illumination with Salvator Mundi in an Initial P, from a Choir Book — early 16th century
- The Nativity — Lorenzo Lotto, 1523
- Initial D with King David, from a Cistercian Gradual — ca. 1524
- The Adoration of the Christ Child — Jacob Cornelisz. van Oostsanen, c. 1515
- Gian Lodovico Madruzzo — Giovanni Battista Moroni, 1551–52
- Woman Holding an Apple — Titian, c. 1550
- Manuscript Illumination with Initial S, from a Choir Book — 16th century
- Portrait of Agostino Barbarigo — Paolo Veronese, after c. 1571, Italy, Venice
- Manuscript Leaf from a Book of Hours — ca. 1500
- Manuscript Leaf with the Holy Communion, from a Book of Hours — ca. 1500
- Manuscript Leaf with the Resurrection, from a Book of Hours — ca. 1500
- Two Wings of a Triptych with the Portraits of Julien de Brouckere and his Wife Elisabeth Canneel — 1584
Rijksmuseum - The Nativity — Master of the Historia Friderici et Maximiliani, 1507–10
- Portrait of Magdalena of Saxony, Wife of Elector Joachim II of Brandenburg — Lucas Cranach the Elder, c. 1529
- Virgin and Child with Saints and Donors — Giovanni Battista Cima da Conegliano, c. 1515, Italy, Venice
- Giacomo and Cardinal Marco Corner Investing Andrea, Abbot of San Zeno, with His Benefice — Follower of Titian, c. 1524
- Portrait of Vincenzo Guarignoni — Giovanni Battista Moroni, c. 1572, Italy, Bergamo
- Rich Children, Poor Parents — 1599
Rijksmuseum - Saint Anne with the Virgin and the Christ Child — Master of Frankfurt, c. 1511/1515
- The Holy Family with the Infant Saint John the Baptist — Perino del Vaga (Pietro Buonaccorsi), ca. 1524–26
- Landscape with the story of Jephthah's daughter — 1580 - 1589
Rijksmuseum - Portrait of a Young Man — Dosso Dossi, c. 1530, Italy
- The Madonna of the Carnation — Bernardino Luini, c. 1515
- Bindo Altoviti — Raphael, c. 1515
- Allegory of Virtue and Vice — Lorenzo Lotto, 1505
- Head of Christ — Fernando Yáñez de la Almedina, ca. 1506
- The Annunciation — Giannicola di Paolo, 1510/1515
- Portrait of a Gentleman — Ridolfo Ghirlandaio, c. 1505
- Portrait of Machtelt Suijs — Maerten van Heemskerck, c. 1540–45, Flanders
- Margarethe Vöhlin [reverse] — Bernhard Strigel, 1527
- Madonna and Child — Titian (Tiziano Vecellio), ca. 1508
- Portrait of a Man — Titian (Tiziano Vecellio), ca. 1515
- The Nativity — Fra Bartolommeo, 1504–7
- Hans Roth [reverse] — Bernhard Strigel, 1527
- Portrait of Daniele Barbaro — Paolo Veronese, 1556 - 1562
Rijksmuseum - Margarethe Vöhlin [obverse] — Bernhard Strigel, 1527
- Saint Mark — Giorgio Vasari, 1570-1571
- Virgin and Child with the Young Saint John the Baptist — Antonio da Correggio, c. 1515
- Henri IV (1553-1610), King of France — 1592
Rijksmuseum - Virgin and Child — Leonardo da Vinci, c. 1500, Italy, early 16th Century
- Portrait of a Man — Bartolomeo Veneto, c. 1510s, Italy
- Saint Luke — Giorgio Vasari, 1570-1571
- Leaf from a Book of Hours: Text with Illustrated Border (verso) — c. 1510, France, Rouen
- The Annunciation — Paolo Veronese, c. 1580, Italy
- Portrait of a Man, Possibly Girolamo Rosati — Lorenzo Lotto, 1533–34, Italy
- Portrait of a Woman — Corneille de Lyon, c. 1540, Netherlandish, active France, 16th century
- Saint Wolfgang — Tyrolean 16th Century, c. 1500/1525
- Saint Valentine — Tyrolean 16th Century, c. 1500/1525
- Saint Alcuin — Tyrolean 16th Century, c. 1500/1525
- Haarlem Citizen — Jan van Scorel, 1529
Rijksmuseum - Leaf from a Book of Hours: Ape Fishing (verso) — c. 1500–1510, France, Paris or Rouen, 16th century
- Leaf from a Book of Hours: Ape Hunting Wild Boars (recto) — c. 1500–1510, France, Paris or Rouen, 16th century
- Triptych with Scenes from the Life of St John the Baptist — Jan van Coninxloo (II), 1557
Rijksmuseum - Triptych with the Adoration of the Magi — 1520 - 1550
Rijksmuseum - Portrait of Ottavio Strada — 1567
Rijksmuseum - Portrait of a Man, possibly Jan Snoeck — Jan Gossaert, c. 1530
- Philipp Melanchthon, Leading Figure of the Reformation — 1540 - 1560
Rijksmuseum - Portrait of a Man — 1548
Rijksmuseum - The Saint Anne Altarpiece: Saint Anne with the Virgin and Child [middle panel] — Gerard David and Workshop, c. 1500/1520
- The Temptation of Christ — Juan de Flandes, c. 1500/1504
- Francesco de' Medici — Alessandro Allori, c. 1560
- Manuscript Illumination with Adoration of the Magi — Master of James IV of Scotland (probably Gerard Horenbout), ca. 1515–25
- Triptych of the Virgin and Child with Saints — South German, c. 1510
- a) The Last Supper; b) Putti — Vincenzo Tamagni, after Leonardo da Vinci, c. 1515
- The Head of the Virgin in Three-Quarter View Facing Right — Leonardo da Vinci, 1510–13
- Two Grotesque Heads — Francesco Melzi after Leonardo da Vinci, 1510s?
- Adoration of the Magi — Titian, 1500s, Italy
- Christ Blessing — Andrea Solario, ca. 1524
- Lazarus and the Rich Man — Jacopo Bassano, c. 1550, Italy
- The Miracle of the Loaves and Fishes — Jacopo Tintoretto (Jacopo Robusti), ca. 1545–50
- Miniature from a Book of Hours: The Pentecost — Jean Poyet, c. 1500, France, Tours
- Saint Catherine of Alexandria in Prison — Paolo Veronese (Paolo Caliari), ca. 1585
- Portrait of a Young Woman as a Wise Virgin — Sebastiano del Piombo, c. 1510
- The Baptism of Christ — Lucas Cranach, 1530s, Germany
- Bindo Altoviti (1491–1557) — Francesco Salviati (Francesco de' Rossi), ca. 1545
- Leaf from a Book of Hours: Adoration of the Magi (recto) and Text with Illustrated Border (verso) (3 of 3 Excised Leaves) — c. 1510, France, Rouen
- Ranuccio Farnese — Titian, 1541-1542
- Leaf from a Commission: St. Mark Giving the Keys of Venice to Francesco de Priuli — Benedetto Bordone, c. 1523–1524, Italy, Padua and Venice, 16th century
- Saint John the Baptist Bearing Witness — Francesco Granacci, ca. 1506–7
- Lucia Bonasoni Garzoni — Lavinia Fontana, c. 1590
- Leaf from a Book of Hours: Calendar Page for May (recto) — c. 1510, France, Rouen
- Christ Healing the Blind — El Greco (Domenikos Theotokopoulos), ca. 1570
- Leaf from a Psalter and Prayerbook: Ornamental Border with Pea Vines and a Girl Kneading Bread (recto) and Ornamental Boarder with Carnations, a Thistle, and a Cook Ladling Soup (verso) (1 of 3 Excised Leaves) — c. 1524, Germany, Hildesheim(?), 16th century
- Venus Blindfolding Cupid — Workshop or Follower of Titian, c. 1566/1570 or c. 1576/1580
- John the Baptist Being Carried to Zacharias — Francesco Granacci, c. 1510, Italy
- Salvator Mundi — Correggio, c. 1515
- Portrait of a Woman — Andrea del Sarto, c. 1518, Italy
- Federico Gonzaga (1500–1540) — Francesco Francia, 1510
- Portrait of a Woman — Agnolo Bronzino, c. 1550, Italy, Florence
- The Adoration of the Shepherds with Saint Catherine of Alexandria — Cigoli (Ludovico Cardi), 1599
- Christ Instructing Peter and John to Prepare for the Passover — Vincenzo Civerchio, 1504
- Hunting near Hartenfels Castle — Lucas Cranach, 1540, Germany
- Three Saints: Roch, Anthony Abbot, and Lucy — Cima da Conegliano (Giovanni Battista Cima), ca. 1513
- Saints Michael and Francis — Juan de Flandes, ca. 1505–9
- Saint Anne with the Christ Child, the Virgin, and Saint John the Baptist — Hans Baldung Grien, c. 1511
- Scenes from a Legend — Giovanni Larciani (Master of the Kress Landscapes), probably c. 1515/1520
- The Adoration of the Shepherds — Catena (Vincenzo di Biagio), probably after 1520
- Scenes from a Legend — Giovanni Larciani (Master of the Kress Landscapes), probably c. 1515/1520
- Ulrich Fugger the Younger (1490–1525) — Hans Maler, 1525
- Madonna and Child with the Infant Saint John — Attributed to Fernando Yáñez de la Almedina, c. 1505
European courts (195)
- Young Woman and Man — French 18th Century, 18th century
- Sugar Factory with Tower House — 1670 - 1680
Rijksmuseum - The Annunciation of the Death of the Virgin — Samuel van Hoogstraten, ca. 1670
- A Mother Feeding her Child (The Happy Mother) — Willem van Mieris, 1707
- The Mill — Rembrandt van Rijn, 1645/1648
- The Music Lesson — Gerard ter Borch the Younger, c. 1670
- Brazilian Landscape — 1670 - 1680
Rijksmuseum - An Old Woman Dozing over a Book — Nicolaes Maes, c. 1655
- A Peasant Family — Antoine Le Nain, ca. 1640–48
- The Wedding at Cana — Giuseppe Maria Crespi, c. 1686
- Woodland Road — Meyndert Hobbema, ca. 1670
- Merry Company on a Terrace — Jan Steen, ca. 1670
- Portrait of a Woman, Probably Maria Trip (1619-1683) — Rembrandt van Rijn, 1639
Rijksmuseum - The Family Concert — Jan Steen, 1666
- Portrait of a Member of the Haarlem Civic Guard — Frans Hals, c. 1636/1638
- Portrait of a Woman Aged Sixty — Frans Hals, 1633
- Travellers at Rest — 1671
Rijksmuseum - Portrait of Willem III (1650-1702), Prince of Orange and since 1689, King of England — Caspar Netscher, 1670 - 1684
Rijksmuseum - Adriaen van Ostade — Frans Hals, 1646/1648
- Willem Coymans — Frans Hals, 1645
- Self-Portrait — Rembrandt van Rijn, 1659
- Portrait of a Young Man — Frans Hals, 1646/1648
- Still Life with Meat, Fish, Vegetables, and Fruit — Jacob van Hulsdonck, c. 1615–20, Flanders
- Garland of Flowers with Adoration of the Shepherds — Frans Francken the Younger and Master HDB, c. 1625/1630
- Portrait of Constantijn Huygens (1596-1687) — Caspar Netscher, 1672
Rijksmuseum - Man in Oriental Dress — Rembrandt van Rijn, 1635
Rijksmuseum - Young Man and Woman in an Inn — Frans Hals, 1623
- The Needlewoman — Diego Velázquez, c. 1640/1650
- Two Cows and a Young Bull beside a Fence in a Meadow — Paulus Potter, 1647
- A Young Man Seated at a Table (possibly Govaert Flinck) — Rembrandt van Rijn, c. 1660
- A Polish Nobleman — Rembrandt van Rijn, 1637
- Mrs. Richard Brinsley Sheridan — Thomas Gainsborough, 1785-1787
- The Little Schoolmistress — Jean Siméon Chardin, after 1740
- The House of Cards — Jean Siméon Chardin, probably 1737
- An Old Lady with a Book — Rembrandt van Rijn and Workshop, 1637
- La Camargo Dancing — Nicolas Lancret, c. 1730
- A Girl with a Broom — Rembrandt Workshop (Possibly Carel Fabritius), probably begun 1646/1648 and completed 1651
- Portrait of Isabella Brant — Peter Paul Rubens, c. 1620–25, Flanders
- A Woman Holding a Pink — Rembrandt van Rijn, 1656
- Peasants in an Interior — 1661
Rijksmuseum - Lucretia — Rembrandt van Rijn, 1664
- A Confidential Chat — 1672
Rijksmuseum - Portrait of Juan Maria Osorio — Agustín Esteve y Marques, c. 1786, Spain
- A Roman Landscape with Figures — Goffredo Wals, probably 1630s
- Silver Wine Jug, Ham, and Fruit — Abraham van Beyeren, c. 1660–66, Netherlands
- The Marquesa de Pontejos — Francisco Goya, c. 1786
- Samson — Valentin de Boulogne, 1630–31, France
- Saint Martin and the Beggar — Workshop of El Greco (Domenikos Theotokopoulos), 1600/1614
- Saint Ildefonso — El Greco (Domenikos Theotokopoulos), c. 1603/1614
- The Antechamber of the Sala del Maggior Consiglio — Francesco Guardi, ca. 1765–68
- Mezzetin — Antoine Watteau, ca. 1718–20
- Young Woman with a Water Pitcher — Johannes Vermeer, ca. 1662
- The Ridotto Pubblico at Palazzo Dandolo — Francesco Guardi, ca. 1765–68
- Allegory of Painting — François Boucher, 1765
- Lady Sarah Bunbury Sacrificing to the Graces — Sir Joshua Reynolds, 1763–65
- The Reader — Eglon van der Neer
- Interior of the Sint-Odulphuskerk in Assendelft — 1649-10-02
Rijksmuseum - Still Life with Game Fowl — Juan Sánchez Cotán, c. 1600–3
- Bust of a Bearded Man — Gerrit Dou, c. 1642/1645
- Still Life — Pieter Claesz, c. 1625
- Portrait of a Man, Probably from the Pauw Family — 1625
Rijksmuseum - Portrait of Jan Amos Comenius — Jürgen Ovens, 1650 - 1670
Rijksmuseum - Study of a Young Woman — Johannes Vermeer, ca. 1665–67
- Self-portrait as the Apostle Paul — Rembrandt van Rijn, 1661
Rijksmuseum - Interior of Saint Peter's, Rome — Giovanni Paolo Pannini, c. 1754
- Cows in a Meadow near a Farm — Paulus Potter, 1653
Rijksmuseum - Portrait of a Noblewoman Dressed in Mourning — Jacopo da Empoli, c. 1600
- The Holy Family with Saints Elizabeth and John the Baptist — Peter Paul Rubens, c. 1615
- Portrait of a Man in Costume — Jean Honoré Fragonard, c. 1767–68
- Figures before a Village Inn — 1642
Rijksmuseum - Portrait of Mrs. George Collier — Joshua Reynolds, 18th century, England, 18th century
- Sts Paul and Barnabas Worshipped as Gods by the People of Lystra — 1628
Rijksmuseum - Flowers in a Glass — Ambrosius Bosschaert, 1606, Netherlands
- View of Delphi with a Procession — Claude Lorrain, 1673
- Virgin and Child — Bartolomé Estebán Murillo, 1670s
- Queen Henrietta Maria — Anthony van Dyck, 1636
- The Nave and Choir of the Mariakerk in Utrecht — 1641-01-29
Rijksmuseum - Portrait of a Little Boy, Possibly Louis of Nassau — 1604
Rijksmuseum - Kitchen Scene — Diego Velázquez, 1618–20
- Are They Thinking about the Grape? (Pensent-ils au raisin?) — François Boucher, 1747
- Manuel Osorio Manrique de Zuñiga (1784–1792) — Goya (Francisco de Goya y Lucientes), 1787–88
- The Afternoon Meal (La Merienda) — Luis Meléndez, ca. 1772
- Wineglass and a Bowl of Fruit — Willem Kalf, 1663, Netherlands
- The Fortune-Teller — Georges de La Tour, probably 1630s
- Church Building in Brazil — Frans Jansz Post, 1675 - 1680
Rijksmuseum - Saint Peter Repentant — Georges de La Tour, 1645, France
- Brazilian Village — Frans Jansz Post, 1675 - 1680
Rijksmuseum - Self-Portrait with Two Pupils, Marie Gabrielle Capet (1761–1818) and Marie Marguerite Carraux de Rosemond (1765–1788) — Adélaïde Labille-Guiard, 1785
- Landscape with the Ruins of the Castle of Egmond — Jacob van Ruisdael, 1650–55
- Street Singer and Child — John Opie, 1700s, England, 18th century
- Rinaldo and the Magus of Ascalon — Giovanni Battista Tiepolo, c. 1742–45
- Young Woman with a Turban — Jacques-Louis David, c. 1780, France
- Armida Encounters the Sleeping Rinaldo — Giovanni Battista Tiepolo, c. 1742–45
- Portrait of Jacoba Bontemantel (1643-?) — 1644
Rijksmuseum - The Feast in the House of Simon — El Greco (Doménikos Theotokópoulos) and workshop, c. 1608–14
- Self-Portrait — Rembrandt (Rembrandt van Rijn), 1660
- The Watermill with the Great Red Roof — Meindert Hobbema, c. 1665
- Man met een vrouw op schoot — 1600 - 1699
Rijksmuseum - Interior of a Church — Emanuel de Witte, c. 1680, Netherlands
- Rembrandt’s Son Titus in a Monk’s Habit — 1660
Rijksmuseum - The Guardhouse — David Teniers the Younger, c. 1645
- The Denial of St Peter — 1660
Rijksmuseum - Portrait of George Pitt, First Baron Rivers — Thomas Gainsborough, 1769, England, 18th century
- The Music Lesson — Jacob Ochtervelt, 1671
- Pastoral Landscape with Ruins — Adriaen van de Velde, 1664
- Portrait of an Artist — Follower of Frans Hals, 1644
- Portrait of Jean-Gabriel du Theil at the Signing of the Treaty of Vienna — Jacques André Joseph Aved, 1738–40, France
- Rest on the Flight into Egypt — Claude Lorrain, early 1640s, France
- Portrait of Thomas Hees (b. 1634/35), resident and commissioner of the states general to the governments of Algiers, Tunis and Tripoli, with his nephews Jan (b. 1670/71) and Andries (b. 1662/63) Hees and a servant — Michiel van Musscher, 1687
Rijksmuseum - Portrait of Tieleman Roosterman — Frans Hals, 1634, Netherlands
- Interior of the Church of St Bavo in Haarlem — 1636-04-15
Rijksmuseum - Interior of the Pantheon, Rome — Giovanni Paolo Panini, 1747, Italy
- Crèche — Neapolitan, 1725–75, with later additions
- Old Man and Woman — David Teniers, 1700s, Flanders, probably painted in the 18th century
- Old Man with a Gold Chain — Rembrandt van Rijn, 1631
- A Genoese Lady with Her Child — Anthony van Dyck, c. 1623–25, Flanders
- View of the Rhine near Rheineck Castle — 1654
Rijksmuseum - A Shepherdess — 1630
Rijksmuseum - A View of Vianen with a Herdsman and Cattle by a River — Aelbert Cuyp, c. 1643–c. 1645
- Portrait of the Ladies Amabel and Mary Jemima Yorke — Joshua Reynolds, c. 1761, England, 18th century
- Landscape — Joos de Momper (II), 1590 - 1635
Rijksmuseum - Travelers in Hilly Countryside — Aelbert Cuyp, c. 1650, Netherlands
- Officers and other Civic Guardsmen of the XIX District of Amsterdam, under the command of Captain Cornelis Bicker and Lieutenant Frederick van Banchem, waiting to welcome Marie de Médicis, 1 September 1638 — Joachim von Sandrart (I), 1640
Rijksmuseum - Clothing the Naked — Michiel Sweerts, ca. 1661
- Low Waterfall in a Wooded Landscape with a Dead Beech Tree — Jacob van Ruisdael, c. 1660–70, Netherlands
- Henry, Duke of Gloucester — Adriaen Hanneman, c. 1653
- The Fountains — Hubert Robert, 1787–88
- Trompe-l'Oeil Still Life with a Flower Garland and a Curtain — Adriaen van der Spelt, 1658
- A Wooded Landscape — Meindert Hobbema, 1663
- A View on a High Road — Meindert Hobbema, 1665
- Herdsmen Tending Cattle — Aelbert Cuyp, 1655/1660
- Philip, Lord Wharton — Sir Anthony van Dyck, 1632
- A Farm in the Sunlight — Meindert Hobbema, 1668
- The Old Town Hall of Amsterdam — 1657
Rijksmuseum - Marchesa Balbi — Sir Anthony van Dyck, c. 1623
- The Intruder — Gabriel Metsu, c. 1660
- Susanna Fourment and Her Daughter — Sir Anthony van Dyck, 1621
- The Suitor's Visit — Gerard ter Borch the Younger, c. 1658
- Isabella Brant — Sir Anthony van Dyck, 1621
- A Dutch Courtyard — Pieter de Hooch, 1658/1660
- The Old Temple — Hubert Robert, 1787/88
- Girl with the Red Hat — Johannes Vermeer, c. 1669
- View of Olinda, Brazil — Frans Jansz Post, 1662
Rijksmuseum - Basket of Plums — Anne Vallayer-Coster, 1769, France
- Portrait of Govert van Slingelandt (1623-1690), with his First Wife Christina van Beveren (1632-1656) and their Two Children — 1657
Rijksmuseum - The Garden of Palazzo Contarini dal Zaffo — Francesco Guardi, Late 1770s
- The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire — Johann Zoffany, c. 1772, England
- Young Woman at an Open Half-Door — Workshop of Rembrandt van Rijn, 1645
- Christ and the Virgin in the House at Nazareth — Francisco de Zurbarán, c. 1640, Spain
- The Holy Family on the Steps — Nicolas Poussin, 1648, France
- Lucas van Uffel (died 1637) — Anthony van Dyck, ca. 1622
- The Artist's Studio — Johann Georg Platzer, 1740s–50s, Austria
- The Trojan Women Setting Fire to Their Fleet — Claude Lorrain (Claude Gellée), ca. 1643
- Boy on a Ram — Francisco José de Goya y Lucientes, 1786–87
- The Kiss of Peace and Justice — Laurent de La Hyre, 1654, France
- Marie Emilie Coignet de Courson (1716–1806) with a Dog — Jean Honoré Fragonard, ca. 1769
- Broken Eggs — Jean-Baptiste Greuze, 1756
- William III (1650-1702), Prince of Orange and since 1689, King of England — 1670 - 1733
Rijksmuseum - Watermill by a Wooded Outcrop — Gillis Peeters (I), 1633
Rijksmuseum - Soap Bubbles — Jean Siméon Chardin, ca. 1733–34
- Portrait of a Family Playing Music — Pieter de Hooch, 1663, Netherlands
- Piazza San Marco — Canaletto (Giovanni Antonio Canal), late 1720s
- Self-Portrait — Michiel van Musscher, 1685
Rijksmuseum - Pastoral Scene — Giovanni Battista Piazzetta, 1740
- Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678) — Peter Paul Rubens, ca. 1635
- Virgil's Tomb by Moonlight, with Silius Italicus Declaiming — Joseph Wright (Wright of Derby), 1779
- Portrait of a Woman — Rembrandt van Rijn, 1635 or earlier, Netherlands
- The Death of Socrates — Jacques Louis David, 1787
- Portrait of a Woman — Gerard ter Borch, c. 1665, Netherlands
- Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836) — Jacques Louis David, 1788
- Boatmen Moored on the Shore of an Italian Lake — Adam Pijnacker, 1650 - 1670
Rijksmuseum - Orpheus and the Animals — Paulus Potter, 1650
Rijksmuseum - Landscape with Saint John on Patmos — Nicolas Poussin, 1640
- Portrait of the Jester Calabazas — Diego Velázquez, c. 1631–32, Spain
- Portrait of Anna van den Corput (1599-1645). Wife of Jacob de Witt — 1630 - before 1645
Rijksmuseum - Portret van Jacob de Witt (1589-1674) — 1630 - before 1674
Rijksmuseum - Nymphs and a Satyr (Amor Vincit Omnia) — Nicolas Poussin, c. 1625–27, France
- Lute Player — Valentin de Boulogne, ca. 1625–26
- The Jabach Family — Charles Le Brun, ca. 1660
- Country inn with a horse at the trough — Isaac van Ostade, 1643
Rijksmuseum - Portrait of Johannes Hudde — Michiel van Musscher, 1686
Rijksmuseum - Two Putti with Lamb — School of Leonardo da Vinci, n.d.
- English Landscape Capriccio with a Column — Canaletto, c. 1754
- Penitent Saint Peter — Jusepe de Ribera, c. 1630
- A Cottage in the Woods — Meindert Hobbema, c. 1662, Netherlands
- Old Woman Reading, Probably the Prophetess Anna — 1631
Rijksmuseum - The Eruption of Vesuvius — Pierre-Jacques Volaire, 1771
- Jeremiah Lamenting the Destruction of Jerusalem — 1630
Rijksmuseum - Insects and a Sprig of Rosemary — Jan van Kessel the Elder, 1653
- Landscape with a Cottage — Pieter de Molijn, 1629
- Portrait of a Woman as Diana — Jean-Marc Nattier, 1752, France
- Portrait of the Artist's Parents, Salomon de Bray and Anna Westerbaen — Jan de Bray, 1664
- A Lock, a Column, and a Church beside a Lagoon — Canaletto (Giovanni Antonio Canal)
- The Terrace — Dutch; Delft, c. 1660
- Portrait of King Charles II of England — Philippe de Champaigne, 1653, France
Revolution and steam (197)
- Double-Leaf Doors — Pierre Rousseau, 1790s, France
- "Ihre Majestäten besehen die Arbeiten der Canalgräber am Glazis. 1832" (Originaltitel) — Balthasar Wigand, 1832
出典：Balthasar Wigand「"Ihre Majestäten besehen die Arbeiten der Canalgräber am Glazis. 1832" (Originaltitel)」（Foto: Birgit und Peter Kainz, Wien Museum）、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/1563657/）を加工して作成 - Ignaz Franz Castelli, Dichter und Schriftsteller — Carl von Saar, 1839
出典：Carl von Saar「Ignaz Franz Castelli, Dichter und Schriftsteller」、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/127796/）を加工して作成 - Double-leaf Doors — Pierre Rousseau, 1790s, France
- Portret van een vrouw — Francesco Tozelli, 1790 - 1800
Rijksmuseum - Woodland Scene with Nymphs and a Herm — Jean-Victor Bertin, c. 1810
- The Dogana and Santa Maria della Salute, Venice — Joseph Mallord William Turner, 1843
- Double-Leaf Doors — Pierre Rousseau, 1790s, France
- Shepherd with His Flock — Jean-Victor Bertin, c. 1820
- Felspartie - Moldauenge bei Hohenfurt — Adalbert Stifter, 1841
出典：Adalbert Stifter「Felspartie - Moldauenge bei Hohenfurt」（Foto: Birgit und Peter Kainz, Wien Museum）、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/997481/）を加工して作成 - Jakob Degen (1760-1848), Uhrmacher, Erfinder, Flugpionier — Adalbert Suchy, 1842
出典：Adalbert Suchy「Jakob Degen (1760-1848), Uhrmacher, Erfinder, Flugpionier」、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/427955/）を加工して作成 - Calliope, Muse of Epic Poetry — Charles Meynier, 1798, France, late 18th-early 19th century
- Clio, Muse of History — Charles Meynier, 1800, France, late 18th-early 19th century
- The Young Eastern Woman — Friedrich Amerling, 1838, Austria
- The Four Chief Commissioners of the Amsterdam Harbor Works — Wybrand Hendriks, 1791 - 1795
Rijksmuseum - Fête Champêtre — after Jean-Baptiste Joseph Pater, 18th or 19th century
- The Sheepfold — Charles Jacque, 1857
- Portrait of Antonius Kuyper, Clergyman in Amsterdam — 1791
Rijksmuseum - An Old Bridge at Hendon, Middlesex — Frederick Waters Watts, ca. 1828
- Bust-Length Study of a Man — François-Auguste Biard, 1848
- General Daendels Taking Leave of Lieutenant-Colonel Krayenhoff — 1795
Rijksmuseum - A Cairo Bazaar — Adrien Dauzats, 1839
- Evening — William Blake, c. 1820/1825
- Portrait of the Artist — John Jackson, c. 1820–30
- Silhouet portret van een meisje — Simon Schaasberg, 1790 - 1800
Rijksmuseum - Arab Warrior — Horace Vernet, ca. 1817–22
- Odalisque in Grisaille — Jean Auguste Dominique Ingres, ca. 1824–34
- Imaginary Cityscape with Romanesque Church — Johannes Huibert Prins, 1793
Rijksmuseum - Silhouet portret van een man — Simon Schaasberg, 1790 - 1800
Rijksmuseum - Señora Sabasa Garcia — Francisco Goya, c. 1806/1811
- Portrait of Cornelia Rijdenius, Wife of Johannes Lublink II — Johann Friedrich August Tischbein, 1790 - 1795
Rijksmuseum - Charles IV of Spain as Huntsman — Workshop of Francisco Goya, c. 1799/1800
- The Art Gallery of Jan Gildemeester Jansz — Adriaan de Lelie, 1794 - 1795
Rijksmuseum - Portrait of Johannes Lublink II, Philosopher, Writer and Statesman — Johann Friedrich August Tischbein, 1790 - 1795
Rijksmuseum - Joshua Commanding the Sun to Stand Still upon Gibeon — John Martin, 1816
- The Highland Family — Sir David Wilkie, 1824
- View of Genoa — Jean Baptiste Camille Corot, 1834
- A Painter with his Wife — Wybrand Hendriks, 1791
Rijksmuseum - Branch Hill Pond, Hampstead — John Constable, 1828, England, 19th century
- Portrait of General José Manuel Romero — Francisco José de Goya y Lucientes, c. 1810
- Portrait of Hugh Hope — Henry Raeburn, c. 1810, Scotland
- Stoke-by-Nayland — John Constable, 1836
- Bertel Thorvaldsen (1768–1844) with the Bust of Horace Vernet — Horace Vernet, 1833 or later
- Portrait of a Boy — Louis Léopold Boilly, ca. 1805
- Portrait of Maria Cornelia Pull (d 1809). Wife of Gerrit Jan van Houten — Joseph Boze, 1790 - 1810
Rijksmuseum - The Start of the Race of the Riderless Horses — Horace Vernet, 1820
- The Northern Whale Fishery: The "Swan" and "Isabella" — John Ward of Hull, c. 1840
- Francis Charles Seymour-Conway, 3rd Marquess of Hertford — Sir Thomas Lawrence, c. 1822/1823
- Madame de Pastoret and Her Son — Jacques Louis David, 1791–92
- Near Penshurst, Kent — Patrick Nasmyth, 1828
- Portrait of Catherine Grey, Lady Manners — Thomas Lawrence, 1794, England, 18th century
- View from Vaekero near Christiania — Johan Christian Dahl, 1827
- A Huntsman and a Peasant Woman by the Isar River with a View of Munich — Wilhelm von Kobell, 1823
- A Painter — Ernest Meissonier, 1855, France, 19th century
- Portrait of Constance Pipelet — Jean Baptiste François Désoria, 1797
- Portrait of Dionys Eliasz van Nijmegen — Dionys van Nijmegen, 1790
Rijksmuseum - Possibly Franciska Krasinska, Duchess of Courland — Angelica Kauffmann, c. 1790
- Portrait of Gerrit Jan van Houten (b 1774). Burgomaster of Amersfoort — 1790 - 1810
Rijksmuseum - Salisbury Cathedral from the Bishop's Grounds — John Constable, ca. 1825
- Decorative Panel — Pierre Rousseau, 1790s, France
- Mrs. James Pulham Sr. (Frances Amys, ca. 1766–1856) — John Constable, 1818
- Miss Jean Christie — Style of Sir Henry Raeburn, c. 1810/1830
- Desdemona (The Song of the Willow) — Théodore Chassériau, 1849
- The Horse Fair — Rosa Bonheur, 1852–55
- City Hall at Thorn — Eduard Gaertner, 1848
- Roadside Halt — Richard Parkes Bonington, 1826
- A Mother and her Child — Louis Bernard Coclers, 1794
Rijksmuseum - A Limier Briquet Hound — Rosa Bonheur, ca. 1856
- A Deerhound — Sir Edwin Henry Landseer, 1826
- Waterfall at Mont-Dore — Achille-Etna Michallon, 1818
- Woman with a Rake — Jean-François Millet, probably 1856–57
- Shepherdess Seated on a Rock — Jean-François Millet, 1856
- Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby — Sir Thomas Lawrence, 1790
- Catharina Theresia Weber (1760/61-1847). Echtgenote van Joannes Titsingh, Amsterdam — 1795 - 1815
Rijksmuseum - Portrait of a Woman — Jean Léon Gérôme, 1851
- Tottenham Church — British Painter
- El Maragato Threatens Friar Pedro de Zaldivia with His Gun — Francisco José de Goya y Lucientes, c. 1806
- Portret van een man — 1795
Rijksmuseum - Portrait of Jan van de Poll, Burgomaster of Amsterdam — Johann Friedrich August Tischbein, 1791
Rijksmuseum - The Doge's Palace, Venice — Richard Parkes Bonington, 1826, England, 19th century
- Columns of the Temple of Neptune at Paestum — Constantin Hansen, 1838
- Virgil Reading the "Aeneid" to Augustus, Octavia, and Livia — Jean Baptiste Joseph Wicar, 1790–93
- Greek Cavalry Men Resting in Forest — Eugène Delacroix, 1858, France, 19th century
- Mother and Child by the Sea — Johan Christian Dahl, 1830
- On the Road — Jules Dupré, 1856
- John Johnstone, Betty Johnstone, and Miss Wedderburn — Sir Henry Raeburn, c. 1790/1795
- William Pitt — Gainsborough Dupont, 1787/1796
- Landscape — Théodore Rousseau, c. 1850
- Wounded Lioness — Pierre Andrieu, c. 1850
- Georgiana, Duchess of Devonshire — Gainsborough Dupont, c. 1787/1796
- Amédée-David, the Comte de Pastoret — Jean Auguste Dominique Ingres, 1823–26
- Study of Pigs — Alexandre Gabriel Decamps, c. 1855
- Woman by the Seaside — Possibly French 19th Century, 19th century
- Ichabod Crane and the Headless Horseman — after William John Wilgus, c. 1855
- Milton Dictating to His Daughter — Henry Fuseli, 1794
- The Road to Market — Constant Troyon, 1858–59
- Easby Abbey, near Richmond — George Cuitt the Younger, c. 1821/1854
- Saint Ambrose — Francisco de Goya, c. 1796–99, Spain
- Pasture in Normandy — Constant Troyon, 1852
- Unfinished Study of Sheep — Constant Troyon, c. 1850
- Tiger Resting — Pierre Andrieu, c. 1845
- The White Horse — John Constable, 1818-1819
- Wivenhoe Park, Essex — John Constable, 1816
- Portrait of Johanna Ferdinanda van Collen, Wife of Salomon Rendorp — Johann Friedrich August Tischbein, 1793
Rijksmuseum - Landscape (The Lock) — John Constable, c. 1820–25
- Portrait of Salomon Rendorp, Brewer in Amsterdam — Johann Friedrich August Tischbein, 1793
Rijksmuseum - Self-Portrait — Joseph Paelinck, c. 1812, Belgium, 19th century
- Heaton Park Races — John Ferneley, 1829
- Countess Széchenyi — Ferdinand Georg Waldmüller, 1828, Austria
- Double-leaf Doors — Pierre Rousseau, 1790s, France
- Double-leaf Doors — Pierre Rousseau, 1790s, France
- German Landscape with View toward a Broad Valley — Fritz Petzholdt, ca. 1829–30
- The Hamlet of Optevoz — Charles-François Daubigny, ca. 1852
- A River in a Meadow — Théodore Rousseau, ca. 1840
- A River Landscape — Théodore Rousseau, ca. 1845–50
- The Edge of the Woods at Monts-Girard, Fontainebleau Forest — Théodore Rousseau, 1852–54
- Christopher Columbus and His Son at La Rábida — Eugène Delacroix, 1838
- Madame Frederic Breyer (Fanny Hélène Van Bruyssel, 1830–1894) — Gustave Courbet, 1858
- Retreat from the Storm — Jean-François Millet, ca. 1846
- Valley of Aosta: Snowstorm, Avalanche, and Thunderstorm — Joseph Mallord William Turner, 1836–37
- William Henry Vining — George M. Miller, c. 1810
- Morning Visit — Adriaan de Lelie, 1796
Rijksmuseum - Gothic Windows in the Ruins of the Monastery at Oybin — Carl Gustav Carus, ca. 1828
- Edge of a Wood — Théodore Caruelle d'Aligny, ca. 1850
- Prater Landscape — Ferdinand Georg Waldmüller, c. 1831, Austria
- Portret van een officier, vermoedelijk R.T. van Kruissen — Simon Schaasberg, 1790 - 1795
Rijksmuseum - Woman Drawing Water from a Well — Jacobus Johannes Lauwers, 1799
Rijksmuseum - The Grand Canal — Richard Parkes Bonington, 1826/1827
- Hunting in the Pontine Marshes — Horace Vernet, 1833
- La Cervara, the Roman Campagna — Jean Baptiste Camille Corot, c. 1830–31, France, 19th century
- First Steps — Franz Ludwig Catel, ca. 1820–25
- Noah: The Eve of the Deluge — John Linnell, 1848, England, 19th century
- Portrait of a Man with Gray Hair — Sir Henry Raeburn, 1810–20
- Portrait of a Man — British 19th Century, c. 1830
- View of the Castello di San Giuliano, near Trapani, Sicily — Louise-Joséphine Sarazin de Belmont, c. 1824/1826
- On the Bay of Naples — Léon-François-Antoine Fleury, c. 1830
- The Roman Theater at Taormina — Louise-Joséphine Sarazin de Belmont, 1828
- A View of Naples through a Window — Franz Ludwig Catel, 1824, Germany, 19th century
- William Seton — after Gilbert Stuart, after 1793/1794
- Ancient Ruins near Messina, Sicily — Jean-Charles-Joseph Rémond, 1842
- The Burning of the Houses of Lords and Commons, 16 October 1834 — Joseph Mallord William Turner, 1835, England, 19th century
- Village on the Island of Ischia — Sébastien-Louis-Guillaume Norblin de la Gourdaine, c. 1826
- View of La Cava — Félix-Hippolyte Lanoüe, c. 1840
- Lion Defending its Prey — Sir Edwin Landseer, c. 1840
- Portrait of Mary Anne Jolliffe — Gainsborough Dupont, after 1788, England, 18th century
- The Scuola di San Marco, Venice — Jules-Romain Joyant, c. 1830
- A Painter's Studio — Louis-Léopold Boilly, c. 1800
- The Church of San Trovaso, Venice — Jules-Romain Joyant, c. 1830
- The Evening of the Deluge — Joseph Mallord William Turner, c. 1843
- Mlle. Alexandrine-Julie de la Boutraye — Eugène Delacroix, c. 1832–34, France, 19th century
- Portrait of Charlotte and Sarah Carteret-Hardy — Thomas Lawrence, 1801, England, early 19th Century
- The Holy Family with Saint Elizabeth and Saint John the Baptist — Sir David Wilkie, 1841
- Ponte San Rocco and Waterfalls, Tivoli — François Marius Granet, ca. 1810–20
- Portrait of a Woman — Anthonie Joseph Helant, 1790 - 1800
Rijksmuseum - Cadets Formed into Line in front of the 'Zeerecht' Building on the Slijpsteenmarkt, Amsterdam — Jonas Zeuner, 1796-03-01
Rijksmuseum - Self-Portrait — Lié Louis Périn, c. 1790s, France
- Silhouet portret van een vrouw met neepjesmuts — 1791 - 1801
Rijksmuseum - Woman Sleeping in a Landscape with a Letter — Bernard Gaillot, c. 1800, France
- The Artist in His Room at the Villa Medici, Rome — Léon Cogniet, 1817, France, 19th century
- Portrait of a Mother and Daughter — Henri-Pierre Danloux, c. 1794–95, France
- Winter Scene (Horse-Sleigh on the Ice) — Andries Vermeulen, 1790 - 1814
Rijksmuseum - The Destruction of Pharaoh's Army — Philippe Jacques de Loutherbourg, II, 1792
- Fishing Boats with Hucksters Bargaining for Fish — Joseph Mallord William Turner, 1837–38
- Portrait of Aernout van Beeftingh, his Wife Jacoba Maria Boon and their Children — Nicolaes Muys, 1797
Rijksmuseum - Jacobus Scheltema (1767-1835), Historian — Wilhelmina Geertruida van Idsinga, 1798 - 1819
Rijksmuseum - Bathing Nymphs and Child — Jean Baptiste Camille Corot, 1855–60
- Isabella Wolff — Sir Thomas Lawrence, 1803–15
- Italianate Landscape with Pines — Hendrik Voogd, 1795
Rijksmuseum - René-Charles Dassy and His Brother Jean-Baptiste-Claude-Amédé Dassy — Hippolyte Jean Flandrin, 1850, France, 19th century
- Pergola with Oranges — Thomas Fearnley, c. 1834
- Portrait of Don Juan Antonio Cuervo — Francisco de Goya, 1819, Spain
- Mère Grégoire — Gustave Courbet, 1855, reworked 1857–59
- Battle Scene — Hippolyte Bellangé, c. 1825
- The Interior of the Palm House on the Pfaueninsel Near Potsdam — Carl Blechen, 1834
- Villerville Seen from Le Ratier — Charles François Daubigny, 1855, France, 19th century
- Mountainous Landscape near Düsseldorf — Gerard van Nijmegen, 1790
Rijksmuseum - Alexander at the Tomb of Cyrus the Great — Pierre Henri de Valenciennes, 1796
- Portrait of Chevalier(ère) d’Éon — 1791
Rijksmuseum - Portrait of a Woman — Gijsbertus Johannus van den Berg, 1798
Rijksmuseum - Portrait of a Woman — Joseph Charles de Haen, 1790 - 1836
Rijksmuseum - Self Portrait, Pointing at a Portrait of the Artist's deceased Colleague Dirk Jacobsz Ploegsma (1769-91) — Willem Bartel van der Kooi, 1791 - 1795
Rijksmuseum - Woodland Stream — Paul Huet, c. 1840
- Lions in a Mountainous Landscape — Théodore Géricault, ca. 1818–20
- The Movings — Louis-Léopold Boilly, 1822
- View of the Gulf of Pozzuoli from Solfatara — Philipp Hackert, 1803, Germany, 19th century
- Uniformierungsprojekt für die Nationalgarde 1848: Infanterist — Eduard van der Nüll, 1848
- Woman of the "Orient" — Henri Lehmann, 1837
- The Public Viewing David's "Coronation" at the Louvre — Louis Léopold Boilly, 1810
- Bacchus and Ariadne — Henry Bone, 1808–11, England, 19th century
- Schneiderwerkstätte des Josef Gunkel (1., Graben 16) — Franz Heinrich, 1835
出典：Franz Heinrich「Schneiderwerkstätte des Josef Gunkel (1., Graben 16)」（Foto: Birgit und Peter Kainz, Wien Museum）、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/246091/）を加工して作成 - The Tomb of Caecilia Metella — Léon-François-Antoine Fleury, c. 1830
- Portrait of a Man — Antonio Maria Esquivel, 1843
- Portrait of a Musician — Andrea Appiani, c. 1800, Italy
- Darstellung einer Wallfahrt der Wiener Seidenzeug-, Samt- u. Dünntuchmacher nach Atzgersdorf — 1843
出典：「Darstellung einer Wallfahrt der Wiener Seidenzeug-, Samt- u. Dünntuchmacher nach Atzgersdorf」（Foto: TimTom, Wien Museum）、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/185962/）を加工して作成 - The Forum at Pompeii — Achille-Etna Michallon, 1819
- Heroic Landscape with Rainbow — Joseph Anton Koch, 1824
- The Captive Slave (Ira Aldridge) — John Philip Simpson, 1827
19th-century Paris (290)
- The Dancer — Auguste Renoir, 1874
- In a Roman Osteria — Carl Bloch, 1866
- A Celebration — Eugène Isabey, 1874
- Study of Lilia — Carolus-Duran, 1887
- The Bathing Hour. A Young Girl Knocking at the Fisherman's Window — Carl Bloch, 1884
- George Moore in the Artist's Garden — Edouard Manet, c. 1879
- Study — Henri de Toulouse-Lautrec, c. 1893
- The Apple Seller — Pierre-Auguste Renoir, c. 1890, France, 19th century
- The Towpath — Johan Barthold Jongkind, 1864
- A Bather (Echo) — Jean-Jacques Henner, 1881
- Elsa, called The Viennese — Henri de Toulouse-Lautrec, 1897
- May Milton — Henri de Toulouse-Lautrec, 1895
- The Photographer Sescau (Le Photographe Sescau) — Henri de Toulouse-Lautrec, 1894
- The Seine at Bas-Meudon — Johan Barthold Jongkind, 1865, France, 19th century
- Dagligstuen på Frederiksberg Allé — Vilhelm Hammershøi, 1887
- Chansons de femmes, cover for a book by Paul Delmet — Théophile-Alexandre Pierre Steinlen, 1897
- The Artist's Wife, Alma Bloch, née Trepka — Carl Bloch, 1868
- Moulin Rouge: La Goulue — Henri de Toulouse-Lautrec, 1891
- Franz Ritter von Khunn, Bürgermeister - Stellvertreter von Wien, und seine Frau — Leopold Fischer, 1875
出典：Leopold Fischer「Franz Ritter von Khunn, Bürgermeister - Stellvertreter von Wien, und seine Frau」、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/131183/）を加工して作成 - Girl with a Basket of Oranges — Auguste Renoir, c. 1889
- The Beach at Sainte-Adresse — Claude Monet, 1867
- "Das Wäscherhäuschen im Nonthal/zu Salzburg./Im Hintergrund das Tenengebirge. Nach der Natur gem.von Aug. Schaeffer. Gewidmet d.grünen Insel (...)" (Originaltitel) Das Wäscherhäuschen im Nonntal zu Salzburg — August Schaeffer (Schäffer) von Wienwald, 1899
出典：August Schaeffer (Schäffer) von Wienwald「"Das Wäscherhäuschen im Nonthal/zu Salzburg./Im Hintergrund das Tenengebirge. Nach der Natur gem.von Aug. Schaeffer. Gewidmet d.grünen Insel (...)" (Originaltitel) Das Wäscherhäuschen im Nonntal zu Salzburg」（Foto: Birgit und Peter Kainz, Wien Museum）、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/176959/）を加工して作成 - Portrait of a Man — Gustave Caillebotte, 1880, France, 19th century
- Oster-Meeting 1896 auf dem Trabrennplatz im Prater - Plakat — Moritz Ledeli, 1896
- Carnival (Carnaval) — Henri de Toulouse-Lautrec, 1894, published 1895
- The Loge — Edgar Degas, c. 1883
- Julius Lott (1836-1883) auf dem Totenbett — Gustav Klimt, 1883
出典：Gustav Klimt「Julius Lott (1836-1883) auf dem Totenbett」、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/122945/）を加工して作成 - Portrait of an Old Man — Alphonse Legros
- Woman Reading — Édouard Manet, 1880–82
- Still Life with Teapot and Fruit — Paul Gauguin, 1896
- The Sultan's Tiger — Benjamin-Constant (Jean-Joseph-Benjamin Constant)
- Lion on the Watch — Jean-Léon Gérôme, c. 1885, France, 19th century
- Heinrich von Ferstel, Architekt — Franz Rumpler, um 1880
出典：Franz Rumpler「Heinrich von Ferstel, Architekt」（Foto: Birgit und Peter Kainz, Wien Museum）、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/126085/）を加工して作成 - Sawmill, Outskirts of Paris — Henri Rousseau, c. 1893/95
- Plakat für die 1. Ausstellung der Secession — Gustav Klimt, 1898
- Asche — Théophile-Alexandre Pierre Steinlen, 1895
- Dürnstein — Eduard Peithner von Lichtenfels, 1893
出典：Eduard Peithner von Lichtenfels「Dürnstein」（Foto: Birgit und Peter Kainz, Wien Museum）、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/43422/）を加工して作成 - Sarah Bernhardt — Alphonse Marie Mucha, c. 1898
- The Poet's Garden — Vincent van Gogh, 1888
- Odalisque — Benjamin-Constant (Jean-Joseph-Benjamin Constant)
- Bookstore Ed. Sagot — Jules Chéret, 1891, France, Paris
- Bookstore Ed. Sagot — Jules Chéret, 1891, France, Paris
- Bildnis einer unbekannten Frau (Frau Heymann?) — Gustav Klimt, um 1894
出典：Gustav Klimt「Bildnis einer unbekannten Frau (Frau Heymann?)」（Foto: Birgit und Peter Kainz, Wien Museum）、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/130681/）を加工して作成 - The Curious Little Girl — Camille Corot, 1860–64
- Summer Flowers — Henri Fantin-Latour, 1880
- Alexander and Bucephalus — Edgar Degas, 1861/1862
- Bathers Playing with a Crab — Pierre-Auguste Renoir, c. 1897, France, 19th century
- Au Quartier Latin — Jules Chéret, 1894
- Head of a Man with Upturned Eyes — Alphonse Legros
- The Life of Buckingham — Augustus Leopold Egg, c. 1855, England, 19th century, Victorian
- Equestrienne (At the Cirque Fernando) — Henri de Toulouse-Lautrec, 1887–88
- Study of a Model — Alfred Stevens
- Seaside (July: Specimen of a Portrait) — James Tissot, 1878, France, 19th century
- Sketch for "Reception of Emperor Napoleon III and Empress Eugénie by the Kabyle Leaders at Algiers on September 18, 1860" — Isidore Pils, ca. 1862–67
- The Large Plane Trees (Road Menders at Saint-Rémy) — Vincent van Gogh, 1889, Netherlands
- Honfleur — Johan Barthold Jongkind, 1865
- Under the Trees (from "The Public Gardens") — Édouard Vuillard, 1894, France, 19th century
- The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge — Henri de Toulouse-Lautrec, 1892
- The Bather — Camille Pissarro, 1895
- The Drinkers — Vincent van Gogh, 1890
- The Quarry of Monsieur Pascal near Nanterre — Jean-Charles Cazin, c. 1875
- A Corner of the Moulin de la Galette — Henri de Toulouse-Lautrec, 1892
- The Flower Vendor — Jean François Raffaëlli, n.d.
- The Artist's Daughter with a Parakeet — Berthe Morisot, 1890
- _Roses de Nice_ on a Table — Henri Fantin-Latour, 1882
- The Dream of Happiness — Pierre-Paul Prud'hon, after 1819, France, 19th century
- Edouard Blau — Frédéric Bazille, probably 1869
- Young Woman in White Holding a Bouquet — Alfred Stevens, c. 1865/1875
- Rouen Cathedral, West Façade — Claude Monet, 1894
- The Siesta — Paul Gauguin, ca. 1892–94
- Marie-Yolande de Fitz-James — Henri Fantin-Latour, 1867, France, 19th century
- The Bathers — Paul Gauguin, 1897
- Italian Woman (La Morieri) — Jean-Baptiste-Camille Corot, c. 1872
- Émilie — Henri de Toulouse-Lautrec, late 1890s
- Oarsmen at Chatou — Auguste Renoir, 1879
- Blessing of a Yacht on the Belon River — Maurice Denis, 1899, France
- The Music Room — Mihály Munkácsy, 1878
- A Clump of Trees — Constant Troyon, c. 1860
- Young Girl with an Apron — Berthe Morisot, 1891
- The Mussel Harvest — Auguste Renoir, 1879
- Madeleine Lerolle and Her Daughter Yvonne — Albert Besnard, c. 1879–80, France, 19th century
- Sunflowers — Vincent van Gogh, 1887
- Madame Cezanne in a Yellow Chair — Paul Cezanne, 1888–90
- Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895) — Auguste Renoir, 1878
- The Dance Class — Edgar Degas, 1874
- Portrait of a Woman — Alphonse Legros, 1875
- Mound of Butter — Antoine Vollon, 1875/1885
- The Gulf of Marseille Seen from L'Estaque — Paul Cézanne, ca. 1885
- The Print Collector — Honoré-Victorin Daumier, c. 1860
- Peasant Woman Cooking by a Fireplace — Vincent van Gogh, 1885
- Oleanders — Vincent van Gogh, 1888
- Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red Dress — Paul Cézanne, 1888–90
- Roman Girl at a Fountain — Léon Bonnat, 1875
- Reading — Berthe Morisot, 1873, France, 19th century
- Roses — Vincent van Gogh, 1890
- Tannhäuser — Henri Fantin-Latour, 1886, France, 19th century
- Calling the Cows Home — Jean-François Millet, ca. 1872
- Women Picking Olives — Vincent van Gogh, 1889
- Susanna Anderson Rose — Frederick Sandys, 1862, England, 19th century
- Paris Street; Rainy Day — Gustave Caillebotte, 1877
- Haystacks: Autumn — Jean-François Millet, ca. 1874
- Ruin by the Sea — Arnold Böcklin, 1881, Switzerland
- Island of the Dead — Arnold Böcklin, 1880
- Hugo van der Goes Making a Portrait of Mary of Burgundy — Wilhelm (Guillaume) Koller, ca. 1872
- Still Life with Apples and Pitcher — Camille Pissarro, 1872
- The Cottage by the Roadside, Stormy Sky — Jules Dupré, c. 1860
- A Peasant Woman Digging in Front of Her Cottage — Vincent van Gogh, c. 1885
- Stacks of Wheat (End of Day, Autumn) — Claude Monet, 1890–91
- The Love Song — Sir Edward Burne-Jones, 1868–77
- Springtime — Théodore Rousseau, c. 1860
- Joan of Arc — Jules Bastien-Lepage, 1879
- The Bay of Marseille, Seen from L'Estaque — Paul Cezanne, c. 1885
- Man with Lance Riding through the Snow — Adolphe Schreyer, c. 1880
- Sketch of a Woman — Jean-Louis Forain, 1885/1890
- Cliff Walk at Pourville — Claude Monet, 1882
- Rest — Pierre Puvis de Chavannes, c. 1863
- Three Little Girls — Narcisse Virgile Diaz de la Peña, c. 1870
- At the Moulin Rouge — Henri de Toulouse-Lautrec, 1892–95
- The Child's Bath — Mary Cassatt, 1893
- Head of a Young Girl — Auguste Renoir, c. 1890
- The Girl by the Window — Edvard Munch, 1893
- Bashi-Bazouk — Jean-Léon Gérôme, 1868–69
- The Windmill — Jean-Charles Cazin, probably after 1884
- Landscape — Henri-Joseph Harpignies, 1898
- Corot's Studio: Woman Seated Before an Easel, a Mandolin in her Hand — Jean-Baptiste-Camille Corot, c. 1868
- River View — Jean-Baptiste-Camille Corot, 1868/1872
- The Forest of Coubron — Jean-Baptiste-Camille Corot, 1872
- Washerwomen at the Oise River near Valmondois — Charles-François Daubigny, 1865
- Stacks of Wheat (End of Summer) — Claude Monet, 1890–91
- Forest Scene — Narcisse Diaz de la Peña, 1874
- A Bashi-Bazouk — Charles Bargue, 1875
- The Old Oak — Jules Dupré, c. 1870
- Landscape with Boatman — Théodore Rousseau, c. 1860
- The Eel Gatherers — Jean-Baptiste-Camille Corot, 1860/1865
- Frieze of Dancers — Edgar Degas, c. 1895, France, 19th century
- A Brook in the Forest — Gustave Courbet, ca. 1868–77
- Landscape — Jean Charles Cazin, c. 1895
- Jalais Hill, Pontoise — Camille Pissarro, 1867
- Gypsy Woman with Mandolin — Jean-Baptiste-Camille Corot, c. 1870
- Merahi metua no Tehamana (Tehamana Has Many Parents or The Ancestors of Tehamana) — Paul Gauguin, 1893
- Landscape: Window Overlooking the Woods — Édouard Jean Vuillard, 1899
- Jo, La Belle Irlandaise — Gustave Courbet, 1865–66
- Pond at Ville-d'Avray — Jean Baptiste Camille Corot, late 1860s, France, 19th century
- The Bedroom — Vincent van Gogh, 1889
- Acrobats at the Cirque Fernando (Francisca and Angelina Wartenberg) — Pierre-Auguste Renoir, 1879
- Fish (Still Life) — Édouard Manet, 1864
- Woman at Her Toilette — Berthe Morisot, 1875–80
- In the Sea — Arnold Böcklin, 1883
- The Brook — Paul Cezanne, c. 1895–1900, France, late 19th-early 20th Century
- The Troubadour — Honoré Daumier, 1868–73, France, 19th century
- Two Poplars in the Alpilles near Saint-Rémy — Vincent van Gogh, 1889, Netherlands
- Paul Lafond and Alphonse Cherfils Examining a Painting — Edgar Degas, c. 1878–80, France, 19th century
- Adeline Ravoux — Vincent van Gogh, 1890, Netherlands
- Woman with a Cat — Auguste Renoir, c. 1875
- The Millinery Shop — Hilaire Germain Edgar Degas, 1879-86
- Hercules and the Lernaean Hydra — Gustave Moreau, 1875–76
- Berthe Morisot with a Muff — Édouard Manet, c. 1871–72, France, 19th century
- The Red Kerchief — Claude Monet, c. 1868–73, France, 19th century
- Henri Degas and His Niece Lucie Degas (The Artist's Uncle and Cousin) — Hilaire Germain Edgar Degas, 1875–76
- A Eunuch's Dream — Jean Lecomte du Nouÿ, 1874, France, 19th century
- Mme L . . . (Laure Borreau) — Gustave Courbet, 1863, France, 19th century
- The Pigeon Tower at Bellevue — Paul Cezanne, 1890, France, 19th century
- Bouquet of Chrysanthemums — Auguste Renoir, 1881
- Madame Manet (Suzanne Leenhoff, 1829–1906) at Bellevue — Edouard Manet, 1880
- Rest — William Adolphe Bouguereau, 1879, France, 19th century
- The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935) — Berthe Morisot, ca. 1870
- View of the Seine — Georges Seurat, 1882–83
- Study for "A Sunday on La Grande Jatte" — Georges Seurat, 1884
- Cafe House, Cairo (Casting Bullets) — Jean-Léon Gérôme, 1884 or earlier
- Tiger and Cubs — Jean-Léon Gérôme, ca. 1884
- Ia Orana Maria (Hail Mary) — Paul Gauguin, 1891
- Circus Sideshow (Parade de cirque) — Georges Seurat, 1887–88
- The Song of the Lark — Jules Breton, 1884
- Pine Tree — Giovanni Segantini, c. 1897, Italy, 19th century
- Woman at the Piano — Pierre-Auguste Renoir, 1875–76
- Sibylle — Camille Corot, ca. 1870
- Le Dévouement des Citoyennes de Paris (The Dedication of the Citizens of Paris) — Joseph-Benoît Suvée, 1794
- David: "Oh, that I had wings like a Dove! For then would I fly away, and be at rest." Psalm 55:6 — Frederic Leighton, 1865, England, 19th century
- The Large Tree — Paul Gauguin, 1891, France, 19th century
- A Sunday on La Grande Jatte — 1884 — Georges Seurat, 1884–86, border added 1888–89
- Mahana no atua (Day of the God) — Paul Gauguin, 1894
- Arrival of the Normandy Train, Gare Saint-Lazare — Claude Monet, 1877
- On a Terrace — Ernest Meissonier, 1867, France, 19th century
- Memory Copy of Holbein's Erasmus — Alphonse Legros
- The Railway — Edouard Manet, 1873
- Gardener's House at Antibes — Claude Monet, 1888, France, 19th century
- Romaine Lacaux — Pierre-Auguste Renoir, 1864, France, 19th century
- Two Sisters (On the Terrace) — Pierre-Auguste Renoir, 1881
- Panoramic View of the Alps, Les Dents du Midi — Gustave Courbet, 1877, France, 19th century
- Procession or Pardon at Perros-Guirec — Maurice Denis, 1891, France
- Oil Sketch for "A Sunday on La Grande Jatte — 1884" — Georges Seurat, 1884
- La Grotte de la Loue — Gustave Courbet, 1864
- Drying the Linen, or Moonrise at the Priory — Maurice Denis, 1894, France, 19th century
- The Pink Cloud — Henri-Edmond Cross, c. 1896, France, 19th century
- Gathering Olives at Tivoli — François-Louis Français, 1868
- Edge of the Woods Near L'Hermitage, Pontoise — Camille Pissarro, 1879, France, 19th century
- The Shepherd's Song — Pierre Puvis de Chavannes, 1891
- Beaulieu: The Bay of Fourmis — Eugène Boudin, 1892
- Mary Walker Waugh — William Holman Hunt, 1868, England, 19th century
- The Card Players — Paul Cézanne, 1890–92
- The Spanish Singer — Edouard Manet, 1860
- Final Study for "Bathers at Asnières" — Georges Seurat, 1883
- Boating — Edouard Manet, 1874
- Portrait of a Lady — Edouard Manet, c. 1879
- Young Lady in 1866 — Edouard Manet, 1866
- The Sisters — Berthe Morisot, 1869
- Still Life with Apples and a Pot of Primroses — Paul Cézanne, ca. 1890
- The Basket of Apples — Paul Cezanne, c. 1893
- Advice to a Young Artist — Honoré Daumier, 1865/1868
- The Races — Edgar Degas, 1871-1872
- The Third-Class Carriage — Honoré Daumier, 1864
- Interrupted Reading — Jean Baptiste Camille Corot, c. 1870
- Spring Flowers — Claude Monet, 1864, France, 19th century
- Sunset near Arbonne — Théodore Rousseau, ca. 1860–65
- Low Tide at Pourville, near Dieppe, 1882 — Claude Monet, 1882, France, 19th century
- Before the Ballet — Edgar Degas, 1890/1892
- Ville-d'Avray — Jean-Baptiste-Camille Corot, c. 1865
- By the Seashore — Auguste Renoir, 1883
- At the Races — Edouard Manet, c. 1875
- Young Woman (La Servante) — Auguste Renoir, ca. 1875
- Bordighera — Claude Monet, 1884
- Behind the Scenes — Jean-Louis Forain, c. 1880
- Arlésiennes (Mistral) — Paul Gauguin, 1888
- The Races at Longchamp — Édouard Manet, 1866
- Girl with a Basket of Fish — Auguste Renoir, c. 1889
- A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?) — Edgar Degas, 1865
- Entwurf zum rechten Teil des Plakats für die Musik- und Theater-Ausstellung — Ernst Klimt, 1892
出典：Ernst Klimt「Entwurf zum rechten Teil des Plakats für die Musik- und Theater-Ausstellung」（Foto: Birgit und Peter Kainz, Wien Museum）、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/1980/）を加工して作成 - Jane Avril — Henri de Toulouse-Lautrec, 1899
- Pallas Athene — Gustav Klimt, 1898
出典：Gustav Klimt「Pallas Athene」（Foto: Birgit und Peter Kainz, Wien Museum）、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/102991/）を加工して作成 - Sculptress — Eugène Grasset, 1897, France, 19th century
- Les Maitres de L'Affiche: Pl. 13, Saxoléine — Jules Chéret, 1895, France, 19th century
- Zodiaque ("La Plume") — Alphonse Marie Mucha, 1896–97
- Vitrioleuse, from "L'Estampe Originale" — Eugène-Samuel Grasset, 1894
- Waltz of the Blonde and Waltz of the Brunette — Jules Chéret, 1880s
- Winter: Cat on a Cushion (L'hiver: Chat sur un coussin) — Théophile Alexandre Steinlen
- Den syge pige — Edvard Munch, 1896
- Saxoleine — Jules Chéret, 1893
- l'Etendard Francais — Jules Chéret, 1891
- Palais de Glace — Jules Chéret, 1891
- Skizze für Buchillustration — Gustav Klimt, 1898
- Laundresses Carrying Back Their Work — Théophile-Alexandre Pierre Steinlen, 1898
- Viviane — Jules Chéret, 1886, France, Paris
- The Aura of Noon — Jules Chéret, 1893, France, 19th century
- Zuschauerraum im Alten Burgtheater — Gustav Klimt, 1888-1889
出典：Gustav Klimt「Zuschauerraum im Alten Burgtheater」（Foto: Birgit und Peter Kainz, Wien Museum）、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/61382/）を加工して作成 - Overture for The Woman from Seville, for Piano, by Cecile Chaminade — Théophile-Alexandre Pierre Steinlen, published May 18, 1889
- Entwurf für den Theatervorhang in Reichenberg — Gustav Klimt, um 1883
出典：Gustav Klimt「Entwurf für den Theatervorhang in Reichenberg」、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/177504/）を加工して作成 - The Vampire II — Edvard Munch, 1895/1902
- À la Bodiniére — Théophile-Alexandre Pierre Steinlen, 1894
- Frauenkopf im Dreiviertelprofil nach links — Gustav Klimt, 1888-1889
- The Seasons — Alphonse Marie Mucha, 1897
- The Girl at the Window — Edvard Munch, 1894
- The Scream — Edvard Munch, 1895
- Miss Loïe Fuller — Henri de Toulouse-Lautrec (artist); André Marty (publisher); Edouard Ancourt (printer), 1893
- The Hands — Edvard Munch, 1895
- Attraction II — Edvard Munch, 1895
- Two Women on the Shore — Edvard Munch, 1898
- Stéphane Mallarmé — Edvard Munch, 1897
- To the True Poor: The Wicked Rich (Aux vrais pauvres: Les mauvais riches) — Théophile Alexandre Steinlen, 1894
- Boys Bathing — Edvard Munch, 1896
- Eisenbahn (Kinderzeichnung) — Egon Schiele, ca. 1895
- Kinderzeichnung: Eisenbahnwaggons — Egon Schiele, ca. 1893
- Jalousie (Jealousy) — Eugène Grasset, 1899
- Roundel Portrait of a Girl — Eugène Grasset
- Leda and the Swan — Théophile-Alexandre Pierre Steinlen, published July 7, 1893
- Cat Arching Its Back — Théophile-Alexandre Pierre Steinlen, 1898
- Panel Entitled "Femme à marguerite" (Woman with Daisy) — Alphonse Marie Mucha, c. 1898/1900
- Lorenzaccio — Alphonse Mucha, 1896–1900, Czechoslovakia, late 19th-early 20th century
- The Dance — Jules Chéret, 1893, France, 19th century
- Bookstore Ed. Sagot — Jules Chéret, 1891, France, Paris
- Peace in the Streets — Théophile Alexandre Steinlen
- Waiting (En attendant) — Théophile Alexandre Steinlen, 1895
- Biscuits Lefèvre-Utile — Alphonse Marie Mucha, 1896
- Ilsee, Princesse de Tripoli — Alphonse Mucha, 1897, Czechoslovakia, 19th century
- Knut Hamsun — after Edvard Munch, 1896
- Orchard in Bloom, Louveciennes — Camille Pissarro, 1872
- "Diener Hassan" (Originaltitel) Bildnis eines jungen Arabers (sogen. Diener Hassan) — Leopold Carl Müller, 1882
出典：Leopold Carl Müller「"Diener Hassan" (Originaltitel) Bildnis eines jungen Arabers (sogen. Diener Hassan)」（Foto: Birgit und Peter Kainz, Wien Museum）、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/422431/）を加工して作成 - Boats on the Seacoast at Etaples — Charles-François Daubigny, 1871
- Poppy Field (Giverny) — Claude Monet, 1890–91
- Woman Ironing — Édouard Vuillard, 1892, France, 19th century
- Interior. An Old Stove — Vilhelm Hammershøi, 1888
- Girl in a Boat with Geese — Berthe Morisot, c. 1889
- 17., Draschefeld in Hernals (Beschreibender Titel) — Gustav Zafaurek, ca. 1898
出典：Gustav Zafaurek「17., Draschefeld in Hernals (Beschreibender Titel)」（Foto: TimTom, Wien Museum）、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/101800/）を加工して作成 - Potted Pansies — Henri Fantin-Latour, 1883
- October Day — Jean Charles Cazin, 1890–93
- Banks of the Oise at Dawn — Louis Hayet, 1888, France
- A Lady in the Studio — David Jacobsen, 1863-1867
- Hampton Court Green — Camille Pissarro, 1891
- Stixenstein, Ansicht der Hochquellenwasserleitung — Rudolf von Alt, 1883
出典：Rudolf von Alt「Stixenstein, Ansicht der Hochquellenwasserleitung」（Foto: Birgit und Peter Kainz, Wien Museum）、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/118356/）を加工して作成 - Still Life with Ham — Philippe Rousseau, 1870s
- Time Cooperative — Adolf Hohenstein, 1899
The early 20th century (283)
- Has it Stopped Raining? — L.A. Ring, 1922
- March Day in Le Jardin du Luxembourg, Paris — Karl Schou, 1922
- Winter: Cat on a Cushion — Théophile-Alexandre Pierre Steinlen, 1909
- E. Mayer: Porträt Leopold Czihaczek — Egon Schiele, 1912
出典：Egon Schiele「E. Mayer: Porträt Leopold Czihaczek」（Foto: Birgit und Peter Kainz, Wien Museum）、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/1326672/）を加工して作成 - People by the Blue Lake — August Macke, 1913
- Entwurf für eine Wanddekoration im Atelier Wattmanngasse (Tänzerin mit blauem Rock) — Egon Schiele, 1918
出典：Egon Schiele「Entwurf für eine Wanddekoration im Atelier Wattmanngasse (Tänzerin mit blauem Rock)」（Foto: Birgit und Peter Kainz, Wien Museum）、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/985941/）を加工して作成 - "Zweikampf" — Karl Wiener, um 1923
出典：Karl Wiener「"Zweikampf"」（Foto: Birgit und Peter Kainz, Wien Museum）、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/39918/）を加工して作成 - Diverse Studien: Männlicher Torso — Egon Schiele, um 1912
- Trabrennen im Prater - Frühjahrs-Meeting 1927 - Plakat mit Rennterminen — Jacob Weiner, 1927
- Moonlight, Strandgade 30 — Vilhelm Hammershøi, 1900–1906
- Large Vase with Flowers — Odilon Redon, c. 1912
- Laundress — Théophile-Alexandre Pierre Steinlen, n.d.
- Sammelwagen, 1914/15, (Kriegssammlung) — Moritz Ledeli, 1915
出典：Moritz Ledeli「Sammelwagen, 1914/15, (Kriegssammlung)」（Foto: Birgit und Peter Kainz, Wien Museum）、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/39020/）を加工して作成 - Landscape, Christiansø — Edvard Weie, 1909-1913
- Evening Landscape — Theodor Philipsen, 1912
- The Painter Ølund Hansen Sitting in a Wagon Painting — Immanuel Ibsen, 1912
- Trabrennen am Trabrenn-Platz im Prater bei der Rotunde - Plakat mit Rennterminen — Jacob Weiner, um 1930
- "Farbstudien", 10 Blätter — Karl Wiener, 1923
出典：Karl Wiener「"Farbstudien", 10 Blätter」（Foto: Birgit und Peter Kainz, Wien Museum）、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/39819/）を加工して作成 - The Siesta — Albert Besnard, c. 1890 – 1920, France, 19th century
- Fantômas — Juan Gris, 1915
- The Contemplator — Eugène Carrière, 1901, France, late 19th-early 20th Century
- Entwurf für eine Wanddekoration im Atelier Wattmanngasse (abstrahierter Nadelbaum?) — Egon Schiele, 1918
出典：Egon Schiele「Entwurf für eine Wanddekoration im Atelier Wattmanngasse (abstrahierter Nadelbaum?)」（Foto: Birgit und Peter Kainz, Wien Museum）、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/985913/）を加工して作成 - Entwurf für eine Wanddekoration im Atelier Wattmanngasse (Venus von Willendorf) — Egon Schiele, 1918
出典：Egon Schiele「Entwurf für eine Wanddekoration im Atelier Wattmanngasse (Venus von Willendorf)」（Foto: Birgit und Peter Kainz, Wien Museum）、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/985942/）を加工して作成 - Still Life with Blue Bowl and Fruits — Isakson, Karl, 1910-1911
- Plakat: "Kunstausstellung des k. u. k. Kriegspressequartiers in der Kriegsausstellung. Wien. Kaisergarten 1916" (Originaltitel) Plakat der "Kunstausstellung" im Kaisergarten in Wien, 1916 (Beschreibender Titel) — Ferdinand Kruis, 1916
- Porträt Ida Roessler — Egon Schiele, 1912
出典：Egon Schiele「Porträt Ida Roessler」（Foto: Birgit und Peter Kainz, Wien Museum）、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/179769/）を加工して作成 - Entwurf für eine Wanddekoration im Atelier Wattmanngasse (abstrahierter Giebel hinter einem Zaun?) — Egon Schiele, 1918
出典：Egon Schiele「Entwurf für eine Wanddekoration im Atelier Wattmanngasse (abstrahierter Giebel hinter einem Zaun?)」（Foto: Birgit und Peter Kainz, Wien Museum）、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/985932/）を加工して作成 - Portrait of a Woman — Charles Cottet, c. 1900
- Murol in the Snow — Victor Charreton, c. 1920, France, 20th century
- Plakat für die 16. Ausstellung der Secession — Alfred Roller, 1903
- The Invocation — Paul Gauguin, 1903
- Siberian Dogs in the Snow — Franz Marc, 1909/1910
- Composition with Red, Yellow, and Blue — Piet Mondrian, 1927, Netherlands
- Geometrische Übung (Schülerarbeit) — Egon Schiele, 1903
- 3., Lothringerstraße 20 - Wiener Konzerthaus - Innenansicht - Großer Saal — Eduard Ferdinand Hofecker, 1913
出典：Eduard Ferdinand Hofecker「3., Lothringerstraße 20 - Wiener Konzerthaus - Innenansicht - Großer Saal」（Foto: Birgit und Peter Kainz, Wien Museum）、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/432076/）を加工して作成 - Portrait of a Woman — Amedeo Modigliani, c. 1917/19
- Studienblatt: Wappen mit Doppeladler — Anton Heinrich Peschka, 1901
出典：Anton Heinrich Peschka「Studienblatt: Wappen mit Doppeladler」、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/1050084/）を加工して作成 - Unbekanntes Mädchen — Koloman (Kolo) Moser, um 1914
出典：Koloman (Kolo) Moser「Unbekanntes Mädchen」（Foto: Birgit und Peter Kainz, Wien Museum）、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/565864/）を加工して作成 - Schriftplakat: Secession Frühjahrsausstellung - Max Slevogt (Berlin) — Secession Ges.m.b.H., 1925
- Tropical Forest with Monkeys — Henri Rousseau, 1910
- Water Lilies (Agapanthus) — Claude Monet, c. 1915–26, France, late 19th century-early 20th century
- Landscape with Two Poplars — Vasily Kandinsky, 1912
- Painting with Troika — Vasily Kandinsky, January 18, 1911
- On the River — Henri-Edmond Cross, c. 1900, France, late 19th-early 20th century
- Improvisation No. 30 (Cannons) — Vasily Kandinsky, 1913
- Churchyard at Fløng — L.A. Ring, 1904
- Rocks at the Lighthouse, Biarritz — Joaquín Sorolla y Bastida, 1906
- Pansies — Henri Fantin-Latour, 1903
- A Sealand Village. Winter — L.A. Ring, 1906
- Painting with Green Center — Vasily Kandinsky, 1913
- The Painter Ernst Goldschmidt — Harald Giersing, 1915
- Near Fortunen, Jægersborg Deer Park, North of Copenhagen — Vilhelm Hammershøi, 1901
- The Call — Paul Gauguin, 1902, France, late 19th–early 20th century
- Boys Bathing — Peter Hansen, 1902
- Still Life — André Derain, 1913
- Portræt af den svenske maler Gustaf Wolmar — Johan Rohde, 1902
- Figure Composition with Bacchants — J.A. Jerichau (II), 1914-1915
- Monsieur Deleu — Amedeo Modigliani, 1916
- Saint Sebastian — Odilon Redon, 1910/1912
- Workers on their Way Home — Edvard Munch, 1914
- Marigolds and Tangerines — Félix Vallotton, 1924
- Pandora — Odilon Redon, 1910/1912
- Gamle huse i Thorshavn — Niels Bjerre, 1925
- The Black Prophet. Prophets Opus II — J.A. Jerichau (II), 1914
- Evening Mood-Lidingö — Eugène Jansson, 1900, Sweden, 20th century
- A Young Girl Plaiting her Hair — Anna Ancher, 1901
- Interior with the Artist's Easel — Vilhelm Hammershøi, 1910
- The Bathers — Paul Cezanne, 1899-1904
- Théodore Duret — Edouard Vuillard, 1912
- Valley of the Sédelle at Pont Charraud: White Frost — Armand Guillaumin, c.1903–1911, France, late 19th-early 20th century
- Girl in a Green Blouse — Amedeo Modigliani, 1917
- The Houses of Parliament, Sunset — Claude Monet, 1903
- Chaim Soutine — Amedeo Modigliani, 1918
- Colonnade and Gardens of the Medici Palace — Style of Hubert Robert, After 1870
- Fishmarket — Camille Pissarro, 1902, France, 20th century
- Old Factory — Paula Modersohn-Becker, 1900
- Murnau — Alexej von Jawlensky, 1910
- Corn Fields — Félix Vallotton, 1900, France, 19th century
- Evening at Dyrehavsbakken — Jens Sørensen, 1928
- Hermine David — Jules Pascin, 1907
- Madame Case — Eugène Carrière, after September 1900, probably summer 1901, France, late 19th-early 20th Century
- Self-portrait by Lamplight — Kristian Zahrtmann, 1914
- The Quay, Bandol — J.A. Jerichau (II), 1915
- Fisherman's Cottage — Harald Oscar Sohlberg, 1906
- Self-Portrait at Spurveskjul — Vilhelm Hammershøi, 1911
- En gård i Vendsyssel. Solnedgang — J.C. Schlichtkrull, 1901
- Water Lily Pond — Claude Monet, 1900
- Portrait of Bjørnstjerne Bjørnson — Erik Werenskiold, 1900
- Café Wepler — Édouard Vuillard, c. 1908–10, reworked in 1912, France, late 19th-early 20th Century
- Bygevejr. Katterød Rev — Peter Hansen, 1901
- Place du Carrousel, Paris — Camille Pissarro, 1900
- Landscape — Imitator of Vincent van Gogh, 1925/1928
- Self-Portrait — Michael Ancher, 1902
- Mont Sainte-Victoire — Paul Cézanne, ca. 1902–6
- Lyngbyvejen ved Vintappergården — Albert Gottschalk, 1902
- Kvinder hakker lyng — Jens Vige, 1906
- Village at the Water's Edge — Roger de La Fresnaye, 1910
- Her Appeal to the Dauphin (Joan of Arc series: II) — Louis Maurice Boutet de Monvel, 1906
- Jens Ferdinand Willumsen. Study for Five Portraits — Vilhelm Hammershøi, 1901
- Landscape after Sunset — Harald Giersing, 1923
- Red Sunset — Arkhyp Kuindzhi (Arkhip Ivanovich Kuindzhi), 1905–8
- The Architect Thorvald Bindesbøll — Vilhelm Hammershøi, 1904
- Nora McMullen Mellon (Mrs. Andrew W. Mellon) — James Jebusa Shannon, 1910
- The Gardener Vallier — Paul Cezanne, 1906
- Husgavle. Frederiksværk. Sommer. — Vilhelm Hammershøi, 1904
- Still Life with Apples and Peaches — Paul Cezanne, c. 1905
- Self-Portrait with Hat and Coat — Lovis Corinth, 1915, Germany, 20th century
- Evocation of Roussel — Odilon Redon, c. 1912
- Peaches on a Plate — Auguste Renoir, 1902/1905
- Souvenir of an "International Ball" (Portrait of Miss Kathleen Bruce) — Charles Hasslewood Shannon, 1907, England, early 20th Century
- Waterloo Bridge, Gray Weather — Claude Monet, 1900
- Maison de la Poste, Cagnes — Auguste Renoir, 1906/1907
- Standing Woman — Jean-Jacques Henner, c. 1903
- Udsigt fra Slotspladsen, Cagnes — Niels Larsen Stevns, 1923
- Political Drama — Robert Delaunay, 1914
- After the Bath — Vilhelm Lundstrøm, 1924
- Vase of Flowers on a Mantelpiece — Edouard Vuillard, c. 1900
- Bathers — Henri Matisse, 1907
- Still Life — María Blanchard, c. 1916, France, Paris
- Study after Delacroix's "Dante og Vergil" — Edvard Weie, 1923-1927
- Still Life with Brioches — Emile Othon Friesz, 1916-1917
- Still Life with Apples — Emile Othon Friesz, 1915
- Lozenge Composition with Yellow, Black, Blue, Red, and Gray — Piet Mondrian, 1921
- The Watering Can (Emblems: The Garden) — Roger de La Fresnaye, 1913
- The Lady on the Terrace — Emile Othon Friesz, 1914
- The Crowning at Rheims of the Dauphin (Joan of Arc series: V) — Louis Maurice Boutet de Monvel, 1907
- The Burgomaster — Anto Carte, 1924, Belgium, 19th century
- Mother's Love — Emile Othon Friesz, 1914
- Notre Dame Seen from the Quai de la Tournelle — Jean-François Raffaëlli, c. 1897/1902, France, late 19th-early 20th Century
- En gammel kone "Bette Dorte" på heden — Knud Erik Larsen, 1904
- Interior. Artificial Light — Vilhelm Hammershøi, 1909
- The Banks of the Bièvre near Bicêtre — Henri Rousseau (le Douanier), ca. 1908–09
- Portrait of Madame Matisse. The Green Line — Henri Matisse, 1905
- To lys på et bord — Vilhelm Hammershøi, 1901
- The River Loire at Nevers — Henri Joseph Harpignies, 1901, France, 19th century
- Polynesian Woman with Children — Paul Gauguin, 1901
- Mount Sainte-Victoire — Paul Cezanne, c. 1904, France, late 19th-early 20th Century
- Baby (Cradle) — Gustav Klimt, 1917/1918
- Still Life with Bottles and Fruit — Alexej von Jawlensky, 1900
- Fight Between a Tiger and a Buffalo — Henri Rousseau, 1908, France, late 19th-early 20th Century
- Red Path, St. Prex — Alexej von Jawlensky, 1915
- Frosty Day — Alexej von Jawlensky, 1915
- Irises — Claude Monet, 1914–17
- Still Life with Milk Jug and Fruit — Paul Cezanne, c. 1900
- Chrysanthemum — Piet Mondrian, 1906–42, Netherlands
- Field with Young Trees in the Foreground — Piet Mondrian, c. 1907, Netherlands
- Interior — Gwen John, 1915, England, 20th century
- Wrestlers in a Circus — Ernst Ludwig Kirchner, 1909, Germany, 20th century
- The Church of Souain — Félix Vallotton, 1917
- Two Women — Paul Gauguin, 1901 or 1902
- Sketch for "The Oriental Dream" — Jean Lecomte du Nouÿ, before 1904, France, 19th century
- Water Lily Pond — Claude Monet, 1917–19
- The Nun — Eugène Zak
- Still Life with Flowers — Odilon Redon, 1905
- Night Café — Louis Marcoussis, c. 1923, France, 20th century
- The Smiling Girl — Imitator of Johannes Vermeer, c. 1925
- Farm near Duivendrecht — Piet Mondrian, c. 1916
- The River — Maxime Maufra, 1902, France, 19th century
- The Lacemaker — Imitator of Johannes Vermeer, c. 1925
- Standing Saint — late 19th - early 20th century, Italy, late 19th-early 20th century
- Easter Monday-Hélène Daurmont — Walter Sickert, 1906, England, 20th century
- Saint in Red Cloak — late 19th - early 20th century, Italy, late 19th-early 20th century
- Interior. The Music Room, Strandgade 30 — Vilhelm Hammershøi, 1907
- The Bathers — Roger de La Fresnaye, 1912
- Girl in a Sailor's Blouse — Amedeo Modigliani, 1918
- Café Singer — Amedeo Modigliani, 1917
- James Vibert, Sculptor — Ferdinand Hodler, 1907
- The Repast of the Lion — Henri Rousseau (le Douanier), ca. 1907
- Vase of Flowers — Odilon Redon, c. 1905, France, late 19th-early 20th Century
- Sylvia Gosse — Harold Gilman, c. 1913, England, 20th century
- The Convalescent — Gwen John, c. 1915-1925
- Rue Terre Neuve, Meudon — Gwen John, probably late 1910s to early 1920s
- Rose Hedge — Wilhelm Trübner, 1910
- Two Nudes [obverse] — Ernst Ludwig Kirchner, 1907
- Apples — Henri Matisse, 1916
- The Trial of Joan of Arc (Joan of Arc series: VI) — Louis Maurice Boutet de Monvel, c. late 1909-early 1910
- Woman before an Aquarium — Henri Matisse, 1921–23
- Venice, Palazzo Dario — Claude Monet, 1908
- Jacques and Berthe Lipchitz — Amedeo Modigliani, 1916
- Woman on Rose Divan — Henri Matisse, 1921
- Vétheuil — Claude Monet, 1901
- Marion Lenbach (1892–1947), the Artist's Daughter — Franz von Lenbach, 1900
- Prince Regent Luitpold of Bavaria (1821–1912) — Franz von Lenbach, 1902
- Vétheuil — Claude Monet, 1901
- Portrait of a Woman — Amedeo Modigliani, c. 1917–18, Italy, 20th century
- The Bewitched Mill — Franz Marc, 1913
- Mill of Pont Maupuit — Jean Baptiste Armand Guillaumin, c. 1900
- Strandgade, Sunshine — Vilhelm Hammershøi, c. 1906, Denmark
- Mäda Primavesi (1903–2000) — Gustav Klimt, 1912–13
- Water Lilies — Claude Monet, 1906
- Madam Pompadour — Amedeo Modigliani, 1915
- Etruscan Vase with Flowers — Odilon Redon, 1900–1910
- The Chariot of Apollo — Odilon Redon, 1905–16
- Pandora — Odilon Redon, ca. 1914
- Houses at Murnau — Vasily Kandinsky, 1909
- Still Life with Rayfish — Chaïm Soutine, 1923, Russia (worked in France), 20th century
- Vase of Flowers (Pink Background) — Odilon Redon, ca. 1906
- Young Woman Arranging Her Earring — Pierre-Auguste Renoir, 1905, France, 20th century
- Construction Site in Amsterdam — George Hendrik Breitner, c. 1902, Netherlands
- Outskirts of Paris — Henri Rousseau, c. 1897–1905, France, late 19th Century-early 20th Century
- Still Life with Geranium — Henri Matisse, 1906
- Charing Cross Bridge, London — Claude Monet, 1901
- Houses of Parliament, London — Claude Monet, 1900–1
- Pastoral Scene — René Ménard, 1911, France, 20th century
- Masquerade Ball — Raimundo de Madrazo y Garreta, 1909
- Roses in a Vase — Pierre-Auguste Renoir, c. 1890, France, 19th century
- Canal in Autumn (Gisors) — Henri Le Sidaner, 1913, France, early 20th century
- Old Woman — Chaïm Soutine, c. 1923–24, Russia (worked in France), 20th century
- Standing Saint and Saint in Red Cloak (pair) — late 19th - early 20th century, Italy, late 19th-early 20th century
- The Farm at Les Collettes, Cagnes — Auguste Renoir, 1908–14
- Tilla Durieux (Ottilie Godeffroy, 1880–1971) — Auguste Renoir, 1914
- Lola de Valence — Amedeo Modigliani, 1915
- Portrait Study of a Man — Anders Zorn, 1901
- The Petitioner — Jean-Louis Forain, c. 1910
- Jeanne Hébuterne — Amedeo Modigliani, 1919
- Mödling II — Egon Schiele, 1918
出典：Egon Schiele「Mödling II」（Foto: Birgit und Peter Kainz, Wien Museum）、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/648771/）を加工して作成 - Junge Mutter — Egon Schiele, 1914
出典：Egon Schiele「Junge Mutter」（Foto: Birgit und Peter Kainz, Wien Museum）、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/648770/）を加工して作成 - Kreuzgang mit einfallendem Sonnenlicht (Klosterneuburg) / Selbstporträt ? (Rückseite) — Egon Schiele, 1907
出典：Egon Schiele「Kreuzgang mit einfallendem Sonnenlicht (Klosterneuburg) / Selbstporträt ? (Rückseite)」（Foto: Birgit und Peter Kainz, Wien Museum）、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/1284568/）を加工して作成 - Dampfer vom Strand aus gesehen — Egon Schiele, 1907
出典：Egon Schiele「Dampfer vom Strand aus gesehen」（Foto: Birgit und Peter Kainz, Wien Museum）、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/648773/）を加工して作成 - Bildnis Emilie Flöge — Gustav Klimt, 1902
出典：Gustav Klimt「Bildnis Emilie Flöge」（Foto: TimTom, Wien Museum）、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/820521/）を加工して作成 - Plakatentwurf: XVIII. Ausstellung Secession (Schriftteil) — Gustav Klimt, 1904
- Edvard Munchs hytte i Åsgårdstrand — Edvard Munch, 1925-1930
- Summer: Cat on a Balustrade — Théophile-Alexandre Pierre Steinlen, 1909
- Påfuglefamilie — Edvard Munch, 1908-1909
- A Soldier for Pétain — Théophile-Alexandre Pierre Steinlen, 1915/17
- Kinderbildnis (Marie Moll) — Gustav Klimt, 1902-1904
- Zwei Studien zu sitzenden Kinderakten — Gustav Klimt, 1904
- Jean Louis Forain — Théophile-Alexandre Pierre Steinlen, n.d.
- Henrik Ibsen at the Grand Café — Edvard Munch, 1902
- Studie zum Bildnis Fritza Riedler — Gustav Klimt, 1904-1905
- Self-Portrait (Steinlen de face, tete droite) — Théophile Alexandre Steinlen, 1905
- Self-Portrait in Moonlight — Edvard Munch, 1904–06
- Three Companions (Les trois compagnons) — Théophile Alexandre Steinlen, 1912
- Three Companions (Les trois compagnons) — Théophile Alexandre Steinlen, 1912
- The Kiss IV — Edvard Munch, 1902
- Soldiers on Leave - Night Scene (Permissionnaires - Effet de Nuit) — Théophile Alexandre Steinlen, 1916
- Poor People (Les pauvres gens) — Théophile Alexandre Steinlen, 1914
- The Girls on the Bridge — Edvard Munch, 1918
- Studie zum Porträt einer sitzenden Dame — Gustav Klimt, 1902-1904
- Bjørn — Edvard Munch, 1908-1909
- Andalusia at the Time of the Moors — Eugène Grasset, c. 1900, France, Paris
- Ornament — Alphonse Mucha, 1901–2, Czechoslovakia, 20th century
- Documents Decoratifs: Plate 38 — Alphonse Mucha, 1901–2, Czechoslovakia, late 19th-early 20th century
- Documents Decoratifs: Oriental Poppies — Alphonse Mucha, 1901–2, Czechoslovakia, late 19th-early 20th century
- Documents Decoratifs: Plate 41 — Alphonse Mucha, 1901–2, Czechoslovakia, late 19th-early 20th century
- Documents Decoratifs: Sweet Peas — Alphonse Mucha, 1901–2, Czechoslovakia, late 19th-early 20th century
- Vase of Flowers — Paul Cezanne, 1900/1903
- The Good Fire - Remember those who are cold — Jean Louis Forain, c. 1916
- Frederikke von Scholten, née Arendrup, the Artist's Mother-in-Law — Christian Mourier-Petersen, 1898-1902
- 18., Gersthofer Straße 152 - Gotischer Bildstock (Beschreibender Titel) — Gustav Feith, 1914
出典：Gustav Feith「18., Gersthofer Straße 152 - Gotischer Bildstock (Beschreibender Titel)」、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/118502/）を加工して作成 - Château Noir — Paul Cezanne, 1900/1904
- Red Cross Our Day 1917 — John Singer Sargent, 1917
- Unge ege — Vilhelm Hammershøi, 1907
- Winterschwimmbad im Kurhaus, Sanatorium Steinhof — Erwin Pendl, um 1907
出典：Erwin Pendl「Winterschwimmbad im Kurhaus, Sanatorium Steinhof」、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/507858/）を加工して作成 - Flowers in a Vase — Odilon Redon, c. 1910
- Will You Help the Women of France? — Edward Penfield, 1917
- Still Life — Roger de La Fresnaye, 1913
- Franziska (Fanny) Wertheimstein — Emil Orlik, um 1900
出典：Emil Orlik「Franziska (Fanny) Wertheimstein」（Foto: Birgit und Peter Kainz, Wien Museum）、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/183750/）を加工して作成 - On the Beach — Edouard Vuillard, c. 1907
- Europa med tyren — Hans Nikolaj Hansen, 1918
- Papst Leo XIII. — Adolf Pirsch, um 1900
出典：Adolf Pirsch「Papst Leo XIII.」（Foto: Birgit und Peter Kainz, Wien Museum）、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/484454/）を加工して作成 - Women Sewing — Edouard Vuillard, c. 1912
- The Clothing of the Prisoner of War — Jean Louis Forain, c. 1915
- Portrait of the Poet Emil Bønnelycke — Vilhelm Lundstrøm, 1921
- Naturstudie — Karl Wiener, 1924
出典：Karl Wiener「Naturstudie」、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/39951/）を加工して作成 - Hugo Reisinger — Anders Zorn, 1907
- Still Life — Juan Gris, 1916
- Plakat für die Jubiläumsausstellung des Künstlerhauses — Jacob Weiner, 1911
- Moonlight — Imitator of Ralph Albert Blakelock, early 20th century
- Subscribe in Order to Hasten Peace through Victory. — Albert Besnard, 1917
- Landskab — Svend Hammershøi, 1902-1903
- "Der Sonnenstrahl" — Karl Wiener, um 1923
出典：Karl Wiener「"Der Sonnenstrahl"」（Foto: Birgit und Peter Kainz, Wien Museum）、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/39912/）を加工して作成 - Dancing Couple in the Snow [reverse] — Ernst Ludwig Kirchner, 1928-1929
- Lourdes, 1914, 25th International Eucharistic Congress — Jean Louis Forain, 1914
- Still Life — Moise Kisling, 1915
- Plakat für die Ausstellung der Secession München (XXVIII. Ausstellung der Secession) — Franz von Stuck, 1907
- Hedelandskab. Efterår — Christian Mourier-Petersen, 1902
- Albertplatz 8, Hofansicht (8. Bezirk) — Anni (Anna) Schedlbauer, um 1920
出典：Anni (Anna) Schedlbauer「Albertplatz 8, Hofansicht (8. Bezirk)」（Foto: Birgit und Peter Kainz, Wien Museum）、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/414007/）を加工して作成 - Madame Kisling — Amedeo Modigliani, c. 1917
- Dante. Prophets, Opus I — J.A. Jerichau (II), 1912
- Ludwig Karpath, Hofrat, Professor, Musikschriftsteller — Robert Schiff, 1913
出典：Robert Schiff「Ludwig Karpath, Hofrat, Professor, Musikschriftsteller」（Foto: Birgit und Peter Kainz, Wien Museum）、CC BY 4.0 Wien Museum（https://sammlung.wienmuseum.at/objekt/567260/）を加工して作成 - Saint Bernard with Donor [obverse] — Imitator of Flemish 15th Century, probably early 20th century
- Self-Portrait — Ludvig Karsten, 1920
America (183)
- Boy in a Blue Coat — George Bellows, 1915, United States
- Madame Paul Escudier (Louise Lefevre) — John Singer Sargent, 1882
- Distant View of Niagara Falls — Thomas Cole, 1830
- Richard Bill — John Smibert, 1733
- Meetinghouse Hill, Roxbury, Massachusetts — John Ritto Penniman, 1799
- Captain Warren Delano — Charles Loring Elliott, c. 1852
- Baron FitzGibbon — Gilbert Stuart, 1789, United States
- Giant Magnolias on a Blue Velvet Cloth — Martin Johnson Heade, c. 1890
- Cornelius Allerton — Ammi Phillips, 1821–22
- Eleazer Tyng — John Singleton Copley, 1772
- Mother and Child — Julius Gari Melchers, c. 1906
- Dorothea and Francesca — Cecilia Beaux, 1898
- Peaceful Valley — Alexander Helwig Wyant, c. 1872
- Rio de Janeiro Bay — Martin Johnson Heade, 1864
- The Power of Music — William Sidney Mount, 1847, United States
- Mountain Brook — Albert Bierstadt, 1863
- The Two Disciples at the Tomb — Henry Ossawa Tanner, c. 1906
- Alice — William Merritt Chase, 1892
- British Manufactory; A Sketch — Benjamin West, 1791, United States
- Battersea Reach — James McNeill Whistler, c. 1863
- Boats at Rest — Arthur Wesley Dow, c. 1895
- The Herring Net — Winslow Homer, 1885
- The Biglin Brothers Turning the Stake — Thomas Eakins, 1873, United States
- The Lone Tenement — George Bellows, 1909
- The Building of the Dam — Julian Alden Weir, 1908, United States
- Still Life—Strawberries, Nuts, &c. — Raphaelle Peale, 1822
- Jeremiah Belknap — Joseph Badger, c. 1758, United States
- The Advance-Guard, or The Military Sacrifice (The Ambush) — Frederic Remington, 1890
- The Mexican Major — Frederic Remington, 1889
- Anna Dummer Powell — John Singleton Copley, 1764, United States
- Landing at Sabbath Day Point — John Frederick Kensett, c. 1853
- Blue Morning — George Bellows, 1909
- Twilight in the Wilderness — Frederic Edwin Church, 1860, United States
- Mount Starr King, Yosemite — Albert Bierstadt, 1866, United States
- Capri — William Stanley Haseltine, 1869, United States
- A Home in the Wilderness — Sanford Robinson Gifford, 1866, United States
- Point Judith, Rhode Island — Martin Johnson Heade, 1867–68, United States
- Study, North Conway, New Hampshire — David Johnson, 1851, United States
- The Lackawanna Valley — George Inness, c. 1856
- A City Park — William Merritt Chase, c. 1887
- Winter in the Country — George Henry Durrie, c. 1859
- Tradition — Kenyon Cox, 1916, United States
- Elizabeth Beltzhoover Mason — Gilbert Stuart, c. 1803–5, United States
- An October Day in the White Mountains — John Frederick Kensett, 1854, United States
- Nocturne: Blue and Gold—Southampton Water — James McNeill Whistler, 1872
- Icebound — John Henry Twachtman, c. 1889
- Portrait of Lisa Colt Curtis — John Singer Sargent, 1898, United States
- Aaron Baldwin — Francis Alexander, c. 1835
- Charles Carnan Ridgely — Thomas Sully, 1820
- View of Florence — Thomas Cole, 1837, United States
- Mount Auburn Cemetery — Thomas Chambers, mid 19th century
- Gold and Brown: Self-Portrait — James McNeill Whistler, c. 1896-1898
- Storm in the Mountains — Frederic Edwin Church, 1847, United States
- Early Morning, Tarpon Springs — George Inness, 1892
- Warwick Castle, England — Jasper Francis Cropsey, 1857
- View of Cotopaxi — Frederic Edwin Church, 1857
- Croquet Scene — Winslow Homer, 1866
- Nathaniel Hurd — John Singleton Copley, c. 1765, United States
- Flower Girl in Holland — George Hitchcock, 1887
- Sketch for The Copley Family — John Singleton Copley, 1776
- The Red School House — Winslow Homer, 1873
- Boy in Blue Coat — American 18th Century, c. 1730
- Nathaniel Olds — Jeptha Homer Wade, 1837, United States, Ohio, Cleveland
- Jonathan Bentham — American 18th Century, c. 1725
- Study for "The Dancing Lesson": The Banjo Player — Thomas Eakins, probably 1877
- Love of Winter — George Wesley Bellows, 1914
- Husking Bee, Island of Nantucket — Eastman Johnson, 1876
- Under Full Sail — American 19th Century, second quarter 19th century
- Study for "The Dancing Lesson": The Boy — Thomas Eakins, probably 1877
- The End of the Hunt — American 19th Century, c. 1800
- New England Headlands — Childe Hassam, 1899
- Lady with a Harp: Eliza Ridgely — Thomas Sully, 1818
- The Westwood Children — Joshua Johnson, c. 1807
- The Start of the Hunt — American 19th Century, c. 1800
- Coon Hunt — American 19th Century, third quarter 19th century
- Elaine — Toby Edward Rosenthal, 1874
- Baby in Blue Cradle — American 19th Century, c. 1840
- Fruit on a Tray — American 19th Century, c. 1840
- Mary and Francis Wilcox — Joseph Whiting Stock, 1845
- Basket of Fruit — American 19th Century, c. 1830
- Pink Roses — American 19th Century, fourth quarter 19th century
- Flowers and Fruit — American 19th Century, c. 1870
- Hound and Hunter — Winslow Homer, 1892
- Portrait of a Man in Red — The Sherman Limner, c. 1785/1790
- Catalyntje Post — American 18th Century, c. 1747
- George Washington at Princeton — Charles Willson Peale, c. 1779, United States
- Rip Van Winkle — John Quidor, 1829
- Winding Yarn (Interior of a Nantucket Kitchen) — Eastman Johnson, 1872, United States
- Arkville Landscape — Alexander H. Wyant, c. 1890, United States
- The Monastery of San Pedro (Our Lady of the Snows) — Frederic Edwin Church, 1879, United States
- A Winter Sky — George Inness, 1866, United States
- Self-Portrait — William Merritt Chase, 1915
- Elizabeth Shewell West and Her Son, Raphael — Benjamin West, c. 1770, United States
- A Calm Watering Place—Extensive and Boundless Scene with Cattle — Alvan Fisher, 1816, United States
- Landscape — George Inness, c. 1852
- Symphony in White, No. 1: The White Girl — James McNeill Whistler, 1861-1863, 1872
- Lucy — Max Bohm, 1909, United States, Ohio, Cleveland
- On the Beach, No. 3 — Maurice Prendergast, c. 1915–18, United States
- The United States Frigate "President" Engaging the British Squadron, 1815 — Fitz Henry Lane, 1850
- At Mouquin's — William James Glackens, 1905
- Early Morning After a Storm at Sea — Winslow Homer, 1900–1903, United States
- Portrait of Jean Terford David — Thomas Sully, 1813, United States
- Capture of the Tripoli by the Enterprise — Thomas Birch, 1806–12
- A Mexican Vaquero — Frederic Remington, 1890
- Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome Eddy — James McNeill Whistler, 1894
- Self-Portrait — Walter Shirlaw, 1878
- View of Schroon Mountain, Essex County, New York, After a Storm — Thomas Cole, 1838, United States
- Interior of St. Mark's, Venice — David Dalhoff Neal, 1869
- Portrait of Dora Wheeler — William Merritt Chase, 1882–83, United States
- Mary Holland Bacher — Otto H. Bacher, 1891, United States, Ohio, Cleveland
- Abigail Chesebrough (Mrs. Alexander Grant) — Joseph Blackburn, 1754
- After the Bullfight — Mary Cassatt, 1873
- Sunset — Winslow Homer, c. 1875
- Self-Portrait with Five Muses — Henry Church, c. 1880, United States, Ohio, Cleveland
- York Harbor, Coast of Maine — Martin Johnson Heade, 1877
- Mrs. George Swinton (Elizabeth Ebsworth) — John Singer Sargent, 1897
- Bay of New York, Sunset — Thomas Chambers, mid 19th century
- Portrait of Mary Adeline Williams — Thomas Eakins, 1899
- Catskill Mountains — George Inness, 1870
- Harbor of Boston, with the City in the Distance — Fitz Henry Lane, c. 1846–47, United States
- The Venetian Girl — Frank Duveneck, c. 1880, United States
- Portraits of Jean Terford David and Mary Sicard David — Thomas Sully, 1813, United States
- New England Scenery — Thomas Cole, 1839
- Elizabeth Grant Bankson Beatty (Mrs. James Beatty) and Her Daughter Susan — Joshua Johnson, c. 1805
- Rear Admiral George W. Melville — Thomas Eakins, 1905
- The Chaperone — Thomas Eakins, c. 1908
- Vale of Kashmir — Robert S. Duncanson, 1867, United States
- Orchid Blossoms — Martin Johnson Heade, 1873, United States
- Card Rack with a Jack of Hearts — John F. Peto, c.1895, United States
- A Friendly Warning — Thomas Hicks, 1881–90
- A Holiday — Edward Henry Potthast, c. 1915
- Autumn — Winslow Homer, 1877
- Anna Maria Brodeau Thornton (Mrs. William Thornton) — Gilbert Stuart, 1804
- George Washington (Vaughan portrait) — Gilbert Stuart, 1795
- The Annunciation — George Hitchcock, 1887
- Luke White — Gilbert Stuart, c. 1787
- Richard Yates — Gilbert Stuart, 1793/1794
- John Quincy Adams — Thomas Sully, 1824
- Robert G. L. De Peyster — Samuel Lovett Waldo, 1828
- Becalmed off Halfway Rock — Fitz Henry Lane, 1860
- On a Balcony — Mary Cassatt, 1878–79
- Major Thomas Biddle — Thomas Wilcocks Sully and Thomas Sully, 1832
- Ann Biddle Hopkinson (Mrs. Francis Hopkinson) — Thomas Sully, 1834
- Zachariah Schoonmaker — John Vanderlyn, 1815/1818
- A View of the Mountain Pass Called the Notch of the White Mountains (Crawford Notch) — Thomas Cole, 1839
- Francis Hopkinson — Thomas Sully, 1834
- After a Summer Shower — George Inness, 1894
- A Builder of Boats — John George Brown, c. 1904, United States
- Andrew Jackson — Thomas Sully, 1845
- Catherine Greene — John Singleton Copley, 1769, United States
- Abraham Kintzing — Thomas Sully, 1815
- A Gentleman of the Morris Family — John Wollaston, 1749/1752
- Sunny Autumn Day — George Inness, 1892, United States
- Mary Walton Morris — John Wollaston, 1749/1752
- Portrait of a Child — Attributed to Edward Hicks, c. 1840
- Portrait of Genio C. Scott — Eastman Johnson, 1859, United States
- The Landing of Columbus — Edward Hicks, c. 1837
- Samuel Williams — Washington Allston, c. 1817, United States
- The Grave of William Penn — Edward Hicks, c. 1847/1848
- Trees on a Rocky Hillside — Asher B. Durand, c. 1849, United States
- Penn's Treaty with the Indians — Edward Hicks, c. 1840/1844
- Haverstraw Bay — Sanford Robinson Gifford, 1868, United States
- George III — Benjamin West, 1783, United States
- Bare Knuckles — George A. Hayes, c. 1870/1885
- Girl with Reticule and Rose — Joseph Whiting Stock, c. 1840
- View of Lake Pepin, Minnesota — Robert S. Duncanson, 1862, United States
- Bar-room Scene — William Sidney Mount, 1835
- Woman Holding a Book — Erastus Salisbury Field, c. 1835
- Coast Scene, Bathers — James McNeill Whistler, 1884–85
- The Irish Question — De Scott Evans, 1880s
- Mrs. Daniel Hubbard (Mary Greene) — John Singleton Copley, c. 1764
- Movement — Marsden Hartley, 1913
- John Harrisson — Frederick W. Mayhew, c. 1823
- Ann Old Coleman (Mrs. Robert Coleman) — Jacob Eichholtz, c. 1820
- Magnolias on Light Blue Velvet Cloth — Martin Johnson Heade, 1885–95
- Peaceable Kingdom — Edward Hicks, c. 1834
- Winged Figure — Abbott Handerson Thayer, 1889
- The Coleman Sisters — Thomas Sully, 1844
- Robert Coleman — Jacob Eichholtz, c. 1820
- The Fountain, Villa Torlonia, Frascati, Italy — John Singer Sargent, 1907
- The Brierwood Pipe — Winslow Homer, 1864, United States
- A Marine — George Inness, c. 1874–75
- Charles Apthorp — Robert Feke, 1748, United States